TG
Tony Gaudio
Additional Credits
Born November 20, 1883Died August 10, 1951 (67 years)
From Wikipedia, the free encyclopedia
Tony Gaudio, A.S.C. (20 November 1883 – 10 August 1951) was an Italian American cinematographer and is sometimes cited as the first to have created a montage sequence for a film.
Born Gaetano Antonio Gaudio in Cosenza, Italy, he began his career shooting short subjects for Italian film companies. He moved to New York City in 1906 and worked in Vitagraph's film laboratory until 1909, when he began shooting shorts for the company. His credits include Hell's Angels (1930), Little Caesar (1931), The Lady Who Dared (1931), Tiger Shark (1932), Anthony Adverse (1936), The Story of Louis Pasteur (1936), The Life of Emile Zola (1937), God's Country and the Woman (Warner Brothers' first Three-strip Technicolor film, (1937), The Adventures of Robin Hood (1938), Juarez (1939), The Letter (1940), High Sierra (1941), Corvette K-225 (1943), Days of Glory (1944), A Song to Remember (1945), and The Red Pony (1949).
Gaudio was a favorite of Bette Davis and worked on eleven of her films, including Ex-Lady, Fog Over Frisco, Front Page Woman, Bordertown, The Sisters, Juarez, The Letter, and The Great Lie.
Gaudio won the Academy Award for Best Cinematography for Anthony Adverse and was nominated five additional times, for Hell's Angels, Juarez, The Letter, Corvette K-225, and A Song to Remember. He was among the founders of the American Society of Cinematographers.
He died in 1951 and is interred in the Hollywood Forever Cemetery in Hollywood, California. His brother Eugene Gaudio, also a cinematographer, died in 1920 at the age of 34.
Tony Gaudio, A.S.C. (20 November 1883 – 10 August 1951) was an Italian American cinematographer and is sometimes cited as the first to have created a montage sequence for a film.
Born Gaetano Antonio Gaudio in Cosenza, Italy, he began his career shooting short subjects for Italian film companies. He moved to New York City in 1906 and worked in Vitagraph's film laboratory until 1909, when he began shooting shorts for the company. His credits include Hell's Angels (1930), Little Caesar (1931), The Lady Who Dared (1931), Tiger Shark (1932), Anthony Adverse (1936), The Story of Louis Pasteur (1936), The Life of Emile Zola (1937), God's Country and the Woman (Warner Brothers' first Three-strip Technicolor film, (1937), The Adventures of Robin Hood (1938), Juarez (1939), The Letter (1940), High Sierra (1941), Corvette K-225 (1943), Days of Glory (1944), A Song to Remember (1945), and The Red Pony (1949).
Gaudio was a favorite of Bette Davis and worked on eleven of her films, including Ex-Lady, Fog Over Frisco, Front Page Woman, Bordertown, The Sisters, Juarez, The Letter, and The Great Lie.
Gaudio won the Academy Award for Best Cinematography for Anthony Adverse and was nominated five additional times, for Hell's Angels, Juarez, The Letter, Corvette K-225, and A Song to Remember. He was among the founders of the American Society of Cinematographers.
He died in 1951 and is interred in the Hollywood Forever Cemetery in Hollywood, California. His brother Eugene Gaudio, also a cinematographer, died in 1920 at the age of 34.
Tony Gaudio Filmography
| 1949 | The Red Pony · as Director Of Photography |
| 1947 | Love from a Stranger · as Director Of Photography |
| 1947 | That's My Man · as Director Of Photography |
| 1946 | Swell Guy · as Cinematographer |
| 1946 | I've Always Loved You · as Director Of Photography |
| 1946 | The Bandit of Sherwood Forest · as Director Of Photography |
| 1945 | A Song to Remember · as Director Of Photography |
| 1944 | I'll Be Seeing You · as Director Of Photography |
| 1944 | Experiment Perilous · as Director Of Photography |
| 1944 | Days of Glory · as Director Of Photography |
| 1943 | Corvette K-225 · as Director Of Photography |
| 1943 | The Constant Nymph · as Director Of Photography |
| 1943 | Background to Danger · as Director Of Photography |
| 1943 | Action in the North Atlantic · as Cinematographer |
| 1942 | You Can't Escape Forever · as Director Of Photography |
| 1942 | Wings for the Eagle · as Director Of Photography |
| 1942 | Larceny, Inc · as Director Of Photography |
| 1941 | The Man Who Came to Dinner · as Director Of Photography |
| 1941 | Navy Blues · as Director Of Photography |
| 1941 | Affectionately Yours · as Director Of Photography |
| 1941 | The Great Lie · as Director Of Photography |
| 1941 | High Sierra · as Director Of Photography |
| 1940 | The Letter · as Director Of Photography |
| 1940 | Knute Rockne All American · as Director Of Photography |
| 1940 | Brother Orchid · as Director Of Photography |
| 1940 | 'Til We Meet Again · as Director Of Photography |
| 1940 | The Fighting 69th · as Director Of Photography |
| 1939 | We Are Not Alone · as Director Of Photography |
| 1939 | The Old Maid · as Director Of Photography |
| 1939 | Juarez · as Director Of Photography |
| 1938 | The Dawn Patrol · as Director Of Photography |
| 1938 | The Sisters · as Director Of Photography |
| 1938 | Garden of the Moon · as Cinematographer |
| 1938 | The Amazing Dr. Clitterhouse · as Director Of Photography |
| 1938 | The Adventures of Robin Hood · as Director Of Photography |
| 1938 | Torchy Blane in Panama · as Director Of Photography |
| 1937 | It's Love I'm After · as Cinematographer |
| 1937 | The Life of Emile Zola · as Director Of Photography |
| 1937 | Another Dawn · as Director Of Photography |
| 1937 | Kid Galahad · as Director Of Photography |
| 1937 | The King and the Chorus Girl · as Cinematographer |
| 1937 | God's Country and the Woman · as Director Of Photography |
| 1936 | Anthony Adverse · as Director Of Photography |
| 1936 | The White Angel · as Director Of Photography |
| 1936 | The Story of Louis Pasteur · as Director Of Photography |
| 1935 | Dr. Socrates · as Director Of Photography |
| 1935 | The Case of the Lucky Legs · as Director Of Photography |
| 1935 | Little Big Shot · as Director Of Photography |
| 1935 | Front Page Woman · as Director Of Photography |
| 1935 | Oil for the Lamps of China · as Cinematographer |
| 1935 | Go Into Your Dance · as Director Of Photography |
| 1935 | The White Cockatoo · as Director Of Photography |
| 1935 | Bordertown · as Director Of Photography |
| 1934 | Happiness Ahead · as Director Of Photography |
| 1934 | The Dragon Murder Case · as Cinematographer |
| 1934 | The Man with Two Faces · as Director Of Photography |
| 1934 | Fog Over Frisco · as Director Of Photography |
| 1934 | Upperworld · as Director Of Photography |
| 1934 | Mandalay · as Director Of Photography |
| 1933 | Lady Killer · as Director Of Photography |
| 1933 | The World Changes · as Director Of Photography |
| 1933 | Voltaire · as Director Of Photography |
| 1933 | The Narrow Corner · as Director Of Photography |
| 1933 | Private Detective 62 · as Director Of Photography |
| 1933 | The Silk Express · as Director Of Photography |
| 1933 | Ex-Lady · as Director Of Photography |
| 1933 | Blondie Johnson · as Director Of Photography |
| 1932 | The Mask of Fu Manchu · as Director Of Photography |
| 1932 | Tiger Shark · as Director Of Photography |
| 1932 | Sky Devils · as Director Of Photography |
| 1931 | The Front Page · as Cinematographer |
| 1931 | Little Caesar · as Director Of Photography |
| 1930 | Hell's Angels · as Director Of Photography |
| 1929 | General Crack · as Director Of Photography |
| 1929 | On with the Show! · as Director Of Photography |
| 1929 | She Goes to War · as Director Of Photography |
| 1928 | The Racket · as Director Of Photography |
| 1927 | The Gaucho · as Director Of Photography |
| 1927 | Two Arabian Knights · as Director Of Photography |
| 1927 | An Affair of the Follies · as Cinematographer |
| 1926 | Upstage · as Director Of Photography |
| 1926 | The Temptress · as Director Of Photography |
| 1925 | Déclassé · as Cinematographer |
| 1925 | The Lady · as Director Of Photography |
| 1924 | Secrets · as Director Of Photography |
| 1923 | The Song of Love · as Director Of Photography |
| 1923 | Ashes of Vengeance · as Director Of Photography |
| 1923 | Within the Law · as Director Of Photography |
| 1923 | Adam and Eva · as Director Of Photography |
| 1920 | Kismet · as Cinematographer |
| 1920 | An Adventuress · as Director Of Photography |
| 1919 | The Red Lantern · as Director Of Photography |
| 1914 | The Woman in Black · as Cinematographer |
| 1909 | Princess Nicotine; or, The Smoke Fairy · as Director Of Photography |