MC
Murray Cutter
Additional Credits
Born March 15, 1902Died April 19, 1983 (81 years)
From Wikipedia, the free encyclopedia
Murray Cutter (15 March 1902, Nice, France – 19 April 1983, Burbank, California) was a versatile Hollywood orchestrator, working mainly for film composer Max Steiner, with over 150 credits spanning the mid-thirties to early 1960s. Nevertheless, he remains relatively unknown except for the much-loved original arrangement of Judy Garland's Over the Rainbow, which continues to be sampled by modern filmmakers. Similar to fellow arranger Alexander Courage, Cutter's name has tended to be overshadowed by the popularity of the composers with whom he was most associated.
Cutter was unusual among orchestrators who tended to specialize, in that he was adept in all genres: musicals (New Moon, Kismet, The Desert Song); romantic drama (Waterloo Bridge, A Summer Place); adventure (Northwest Passage, The Caine Mutiny); family/comedy (National Velvet, Sugarfoot); suspense (The Picture of Dorian Gray, Key Largo); epics ("Helen of Troy"); and westerns (The Treasure of Sierra Madre, Johnny Belinda and The Searchers).
An early assignment were the vocal arrangements for the 1937 film version of Rosalie, which ten years before had been orchestrated for Broadway by Steiner. At MGM Cutter worked for Arthur Freed and Mervyn LeRoy on The Wizard of Oz. Under the loose musical direction of Herbert Stothart he contributed the "metallic sound" for the Tin Woodman's If I Only Had a Heart. Cutter told Oz historian Aljean Harmetz for "Over the Rainbow" he made it sound as pretty as he could with lots of strings and a touch of woodwind.
After the war he collaborated most closely with Steiner during his golden period with Warner Brothers. Their work on A Summer Place netted them a US #1 hit for the insistent theme song. Joining ASCAP in 1946, Cutter occasionally wrote original music for the screen but rarely received a credit.
His last credit, along with Steiner, was for Disney's forgettable Those Calloways in 1965. No known Broadway credits are recorded for him.
Murray Cutter (15 March 1902, Nice, France – 19 April 1983, Burbank, California) was a versatile Hollywood orchestrator, working mainly for film composer Max Steiner, with over 150 credits spanning the mid-thirties to early 1960s. Nevertheless, he remains relatively unknown except for the much-loved original arrangement of Judy Garland's Over the Rainbow, which continues to be sampled by modern filmmakers. Similar to fellow arranger Alexander Courage, Cutter's name has tended to be overshadowed by the popularity of the composers with whom he was most associated.
Cutter was unusual among orchestrators who tended to specialize, in that he was adept in all genres: musicals (New Moon, Kismet, The Desert Song); romantic drama (Waterloo Bridge, A Summer Place); adventure (Northwest Passage, The Caine Mutiny); family/comedy (National Velvet, Sugarfoot); suspense (The Picture of Dorian Gray, Key Largo); epics ("Helen of Troy"); and westerns (The Treasure of Sierra Madre, Johnny Belinda and The Searchers).
An early assignment were the vocal arrangements for the 1937 film version of Rosalie, which ten years before had been orchestrated for Broadway by Steiner. At MGM Cutter worked for Arthur Freed and Mervyn LeRoy on The Wizard of Oz. Under the loose musical direction of Herbert Stothart he contributed the "metallic sound" for the Tin Woodman's If I Only Had a Heart. Cutter told Oz historian Aljean Harmetz for "Over the Rainbow" he made it sound as pretty as he could with lots of strings and a touch of woodwind.
After the war he collaborated most closely with Steiner during his golden period with Warner Brothers. Their work on A Summer Place netted them a US #1 hit for the insistent theme song. Joining ASCAP in 1946, Cutter occasionally wrote original music for the screen but rarely received a credit.
His last credit, along with Steiner, was for Disney's forgettable Those Calloways in 1965. No known Broadway credits are recorded for him.
Murray Cutter Filmography
| 1965 | Two on a Guillotine · as Orchestrator |
| 1964 | Youngblood Hawke · as Orchestrator |
| 1962 | Rome Adventure · as Orchestrator |
| 1961 | A Majority of One · as Orchestrator |
| 1961 | Susan Slade · as Orchestrator |
| 1961 | Parrish · as Orchestrator |
| 1959 | The FBI Story · as Orchestrator |
| 1959 | John Paul Jones · as Orchestrator |
| 1959 | The Hanging Tree · as Orchestrator |
| 1957 | Escapade in Japan · as Orchestrator |
| 1955 | |
| 1955 | The Violent Men · as Orchestrator |
| 1954 | The Caine Mutiny · as Orchestrator |
| 1952 | The Iron Mistress · as Orchestrator |
| 1952 | Springfield Rifle · as Orchestrator |
| 1952 | Mara Maru · as Orchestrator |
| 1952 | Room for One More · as Orchestrator |
| 1951 | Distant Drums · as Orchestrator |
| 1951 | Jim Thorpe -- All-American · as Orchestrator |
| 1951 | Sugarfoot · as Orchestrator |
| 1951 | Lightning Strikes Twice · as Orchestrator |
| 1951 | Raton Pass · as Orchestrator |
| 1950 | Rocky Mountain · as Orchestrator |
| 1950 | The Flame and the Arrow · as Orchestrator |
| 1950 | |
| 1949 | White Heat · as Orchestrator |
| 1948 | Adventures of Don Juan · as Orchestrator |
| 1948 | Key Largo · as Orchestrator |
| 1948 | Silver River · as Orchestrator |
| 1948 | Winter Meeting · as Orchestrator |
| 1948 | The Treasure of the Sierra Madre · as Orchestrator |
| 1947 | Love and Learn · as Music Arranger |
| 1947 | Deep Valley · as Music Arranger |
| 1947 | The Unfaithful · as Music Arranger |
| 1947 | |
| 1946 | Shadow of a Woman · as Orchestrator |
| 1946 | Three Strangers · as Orchestrator |
| 1945 | Danger Signal · as Orchestrator |
| 1944 | The White Cliffs of Dover · as Orchestrator |
| 1941 | Ziegfeld Girl · as Orchestrator |
| 1941 | Come Live with Me · as Orchestrator |
| 1940 | Comrade X · as Orchestrator |
| 1939 | Babes in Arms · as Orchestrator |
| 1939 | The Wizard of Oz · as Music Arranger |
| 1939 | The Oklahoma Kid · as Orchestrator |
| 1938 | Too Hot to Handle · as Orchestrator |
| 1937 | Mannequin · as Orchestrator |
| 1937 | Conquest · as Orchestrator |
| 1937 | Double Wedding · as Orchestrator |
| 1937 | The Women Men Marry · as Orchestrator |
| 1937 | Broadway Melody of 1938 · as Music Arranger |