MS
Martha Sleeper
Actor, Additional Credits
Born June 24, 1910Died March 25, 1983 (72 years)
From Wikipedia, the free encyclopedia
Martha Sleeper (June 24, 1910 – March 25, 1983) was a film actress of the 1920s–1930s and, later, a Broadway stage actress. She studied dancing for five years with Russian ballet master, Louis H. Chalif, at his New York dancing studio. Her first public exhibitions were at Carnegie Hall at his class exhibitions.
Sleeper's film career began in 1923 and continued until 1945. Her first screen appearance, at the age of 13, was in The Mailman (1923), an independent production. After appearing in several kiddie comedies at the Christie studio she was signed by the Hal Roach studio for the Our Gang" series but she quickly outgrew that role. From 1925-27 she appeared in comedies playing opposite the studio's most popular male stars. She left the Roach studio in late 1927 and moved to the FBO studio where she starred in six silent features during 1928–29. With the coming of sound she was signed by MGM and placed in their training program.
From 1930 to 1936 she played supporting roles in many melodramas her role typically that of a well-bred somewhat snobbish society woman who ends up losing her man to the film's leading lady. Frustrated by the types of roles she was being offered, Martha began playing onstage in and about Los Angeles, at one point drawing raves as Eliza Doolittle in a performance of Pygmalion in 1932.
After appearing in some low budget melodramas for the poverty row Monogram studio Martha and her husband, actor Hardie Albright, left Hollywood for New York in 1936 where Martha began a long run in both on- and off-Broadway plays. In 1945, as a favor to director Leo McCarey, Martha played the role of Patsy's mother in The Bells of St. Mary's. It was her last screen role.
Martha Sleeper (June 24, 1910 – March 25, 1983) was a film actress of the 1920s–1930s and, later, a Broadway stage actress. She studied dancing for five years with Russian ballet master, Louis H. Chalif, at his New York dancing studio. Her first public exhibitions were at Carnegie Hall at his class exhibitions.
Sleeper's film career began in 1923 and continued until 1945. Her first screen appearance, at the age of 13, was in The Mailman (1923), an independent production. After appearing in several kiddie comedies at the Christie studio she was signed by the Hal Roach studio for the Our Gang" series but she quickly outgrew that role. From 1925-27 she appeared in comedies playing opposite the studio's most popular male stars. She left the Roach studio in late 1927 and moved to the FBO studio where she starred in six silent features during 1928–29. With the coming of sound she was signed by MGM and placed in their training program.
From 1930 to 1936 she played supporting roles in many melodramas her role typically that of a well-bred somewhat snobbish society woman who ends up losing her man to the film's leading lady. Frustrated by the types of roles she was being offered, Martha began playing onstage in and about Los Angeles, at one point drawing raves as Eliza Doolittle in a performance of Pygmalion in 1932.
After appearing in some low budget melodramas for the poverty row Monogram studio Martha and her husband, actor Hardie Albright, left Hollywood for New York in 1936 where Martha began a long run in both on- and off-Broadway plays. In 1945, as a favor to director Leo McCarey, Martha played the role of Patsy's mother in The Bells of St. Mary's. It was her last screen role.
Filmography
| 1945 | The Bells of St. Mary's · as Mary Gallagher |
| 1936 | Rhythm on the Range · as Constance Hyde |
| 1935 | The Scoundrel · as Julia Vivian |
| 1935 | Great God Gold · as Marcia Harper |
| 1934 | Tomorrow's Youth · as Ellen Hall |
| 1934 | Hollywood Party · as Show Girl (uncredited) |
| 1934 | Spitfire · as Eleanor Stafford |
| 1933 | Broken Dreams · as Martha Morley |
| 1933 | Bombshell · as Lola's Hair Stylist (uncredited) |
| 1933 | Penthouse · as Sue Leonard |
| 1933 | Midnight Mary · as Barbara |
| 1933 | The Secret of Madame Blanche · as Chorus Girl Who Hears 'my Country Tis Of Thee' (uncredited) |
| 1932 | Rasputin and the Empress · as Party Girl (uncredited) |
| 1932 | Huddle · as Barbara |
| 1931 | Confessions of a Co-Ed · as Lucille |
| 1931 | A Tailor Made Man · as Corrine |
| 1931 | Ten Cents a Dance · as Nancy Clark |
| 1931 | Girls Demand Excitement · as Harriet Mundy |
| 1930 | War Nurse · as Helen |
| 1930 | Madam Satan · as Fish Girl |
| 1930 | Our Blushing Brides · as Evelyn Woodforth |
| 1926 | Bromo and Juliet · as Bit Role (uncredited) |
| 1926 | Thundering Fleas · as Bride |
| 1926 | |
| 1925 | Should Sailors Marry? · as Smyrna, Verbena's Daughter |
| 1925 | Innocent Husbands · as Girl At Party (uncredited) |
| 1925 | Bad Boy · as Jimmie's Girl Friend |