Laia Casanovas
A 2012 graduate in sound engineering from ESCAC, she began her professional career as an effects editor with Oriol Tarragó at Coser y Cantar Estudio. Later, she debuted as a sound designer on the series ‘Sé quién eres’ and worked as a freelancer on film projects such as Albert Pintó’s ‘Malasaña 32’. In 2020, she moved to Madrid, where she worked as a sound designer on projects such as Javier Ambrossi and Javier Calvo’s ‘Veneno’, and Pedro Almodóvar’s ‘The Human Voice’ (2020) and ‘Madres paralelas’ (2021), the latter of which earned her a Goya nomination in 2022. That same year, she opened her own sound studio with Oriol Donat: from Lima Limón Estudio, she has worked on projects such as Albert Pintó’s ‘Nowhere’, Laura Jou’s ‘Caída libre’, and Celia Rico’s ‘La buena letra’.
Filmografia
| 2025 | Leo & Lou · as Sound Designer |
| 2025 | Sirāt · as Supervising Sound Editor |
| 2025 | La buena letra · as Sound Designer |
| 2024 | Gold Lust · as Sound Re-Recording Mixer |
| 2024 | La Marsellesa de los borrachos · as Sound Editor |
| 2024 | The Painter's Room · as Sound Designer |
| 2023 | Creatura · as Sound Mixer |
| 2021 | Harta · as Sound Mixer |
| 2021 | Parallel Mothers · as Sound Editor |
| 2020 | The Human Voice · as Sound Editor |
| 2020 | Unknown Origins · as Sound Mixer |
| 2020 | The Secret of Doctor Grinberg · as Sound Designer |
| 2020 | Malasaña 32 · as Sound Designer |
| 2018 | Hopelessly Devout · as Sound Designer |
| 2017 | The Girl from the Song · as Sound Re-Recording Mixer |
| 2015 | Summer Camp · as Sound Effects EditorNa Plex |
| 2015 | Capture the Flag · as Sound Editor |
| 2014 | Out of the Dark · as Sound Effects Editor |