Howard Hawks
Scénariste, Directeur, Producteur, Acteur, Éditeur
30 mai 1896 — 26 décembre 1977 (81 ans)
Howard Winchester Hawks (May 30, 1896 – December 26, 1977) was an American film director, producer and screenwriter of the classic Hollywood era. He is popular for his films from a wide range of genres, including screwball comedies [Bringing Up Baby (1938), His Girl Friday (1940), Gentlemen Prefer Blondes (1953)], westerns [Red River (1948), Rio Bravo (1959), El Dorado (1967)], adventure films [Only Angels Have Wings (1939), To Have and Have Not (1944)], films noirs [The Big Sleep (1946)] and gangster films [Scarface (1932)]. Notable characteristics of his films are independent and tough-talking female protagonists ("Hawksian woman") and witty and fast-paced dialogues.
In 1975, Hawks was awarded the Honorary Academy Award as "a master American filmmaker whose creative efforts hold a distinguished place in world cinema," and in 1942 he was nominated for the Academy Award for Best Director for Sergeant York.
Hawks has been considered by film critics to be an auteur because of his recognizable style and frequent use of certain thematic elements. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States. Hawks influenced numerous filmmakers such as Quentin Tarantino and Martin Scorsese.
In 1975, Hawks was awarded the Honorary Academy Award as "a master American filmmaker whose creative efforts hold a distinguished place in world cinema," and in 1942 he was nominated for the Academy Award for Best Director for Sergeant York.
Hawks has been considered by film critics to be an auteur because of his recognizable style and frequent use of certain thematic elements. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States. Hawks influenced numerous filmmakers such as Quentin Tarantino and Martin Scorsese.
Connue pour
Filmographie
| 1983 | Scarface · as Original Film Writer |
| 1952 | Monkey Business · as Screenplay |
| 1951 | |
| 1943 | The OutlawSur Plex |
| 1938 | |
| 1934 | Viva Villa! · as Contributing Writer |
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| 1924 |
| 1970 | Rio LoboSur Plex |
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| 1948 | A Song Is BornSur Plex |
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| 1943 | |
| 1943 | Air ForceSur Plex |
| 1941 | Ball of FireSur Plex |
| 1941 | Sergeant YorkSur Plex |
| 1940 | His Girl FridaySur Plex |
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| 1938 | |
| 1936 | Come and Get ItSur Plex |
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| 1935 | Barbary CoastSur Plex |
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| 1970 | Rio LoboSur Plex |
| 1966 | |
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| 1941 | Sergeant YorkSur Plex |
| 1940 | His Girl FridaySur Plex |
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| 1965 | Red Line 7000 · as Driver (uncredited) |
| 1952 | Monkey Business · as Narrator (voice) (uncredited) |
| 1932 | Scarface · as Man On Bed (uncredited) |
| 1930 | The Dawn Patrol · as German Pilot (uncredited) |
| 2024 | Bogart: Life Comes in Flashes · as Self - Director |
| 2023 | The Moviemakers: Spielberg · as Self - Filmmaker |
| 2017 | Lauren Bacall, ombre et lumière · as Self (archive Footage) |
| 2014 | And the Oscar Goes to... · as Self |
| 2010 | Metropolis Refound · as Self (archive Footage) |
| 2009 | 1939: Hollywood's Greatest Year · as Self (archive Footage) |
| 2008 | |
| 2008 | You Must Remember This: The Warner Bros. Story · as Self (archive Footage) |
| 2006 | Big John · as Self |
| 2005 | Filmmakers in Action · as Self (archive Footage) |
| 1997 | Howard Hawks: American Artist · as Self |
| 1997 | 20th Century-Fox: The First 50 Years · as Self |
| 1978 | Howard Hawks: A Hell of a Good Life · as Self |
| 1977 | The Hollywood Greats · as Self |
| 1975 | 47th Annual Academy Awards · as Self - Honorary Award Recipient |
| 1973 | |
| 1964 | Cinema · as Self |
| 1965 | Red Line 7000 · as Story |
| 1943 | The Outlaw · as Co-DirectorSur Plex |
| 1939 | Indianapolis Speedway · as Story |
| 1939 | Only Angels Have Wings · as Story "plane From Barranca" |
| 1938 | The Dawn Patrol · as Story |
| 1932 | La foule hurle · as Co-Director |
| 1932 | La foule hurle · as Story |
| 1932 | The Crowd Roars · as Story |
| 1930 | The Dawn Patrol · as Adaptation |
| 1928 | A Girl in Every Port · as Story |
| 1927 | Underworld · as Scenario |
| 1926 | Fig Leaves · as Story |
| 1926 | The Road to Glory · as Story |
| 1925 | The Road to Yesterday · as Titles |
| 1925 | The Dressmaker from Paris · as Story |
| 1920 | Dinty · as Assistant Director |
| 1920 | Go and Get It · as Assistant Director |
| 1917 | A Little Princess · as Assistant Director |