HP
Hal Pereira
Actor, Additional Credits
Born April 29, 1905Died December 17, 1983 (78 years)
From Wikipedia, the free encyclopedia
Hal Pereira (April 29, 1905, Chicago, Illinois - December 17, 1983, Los Angeles, California) was an American art director, production designer, and occasional architect.
In the 1940s through the 1960s he worked on more than 200 films as an art director and production designer. He was nominated for 23 Oscars, winning only one for his work on The Rose Tattoo. He served, along with Earl Hedrick, as artistic director of the popular TV series Bonanza. Pereira started out in theater design in Chicago before moving to Los Angeles and working for Paramount Studios as a unit art director. In 1944 he was art designer for the great film noir Double Indemnity.
By 1950 he was supervising art director for the studio, working on such films as the classic Western Shane and The Greatest Show on Earth, which won the Oscar for Best Picture. In 1955 Pereira won the Oscar for best art direction for a black and white film for The Rose Tattoo. In addition, he was the art director on almost all of the important Alfred Hitchcock films of the 1950s.
Pereira was educated at the University of Illinois and was brother of architect (and occasional film art director) William L. Pereira.
Hal Pereira (April 29, 1905, Chicago, Illinois - December 17, 1983, Los Angeles, California) was an American art director, production designer, and occasional architect.
In the 1940s through the 1960s he worked on more than 200 films as an art director and production designer. He was nominated for 23 Oscars, winning only one for his work on The Rose Tattoo. He served, along with Earl Hedrick, as artistic director of the popular TV series Bonanza. Pereira started out in theater design in Chicago before moving to Los Angeles and working for Paramount Studios as a unit art director. In 1944 he was art designer for the great film noir Double Indemnity.
By 1950 he was supervising art director for the studio, working on such films as the classic Western Shane and The Greatest Show on Earth, which won the Oscar for Best Picture. In 1955 Pereira won the Oscar for best art direction for a black and white film for The Rose Tattoo. In addition, he was the art director on almost all of the important Alfred Hitchcock films of the 1950s.
Pereira was educated at the University of Illinois and was brother of architect (and occasional film art director) William L. Pereira.
Movies & Shows on Plex
Known For
Hal Pereira Filmography
| 1966 | The Oscar · as Hal |
| 2017 | The Forsaken Westerns (TV Series) · as Art Director |
| 1968 | The Odd Couple · as Art Direction |
| 1968 | Blue · as Art Direction |
| 1968 | Project X · as Art Direction |
| 1968 | Arizona Bushwhackers · as Art Director |
| 1968 | Rogue's Gallery · as Art Director |
| 1967 | Will Penny · as Art Direction |
| 1967 | The President's Analyst · as Art Direction |
| 1967 | The High Chaparral (TV Series) · as Art Direction |
| 1967 | Off to See the Wizard (TV Series) · as Art Director |
| 1967 | Fort Utah · as Art Director |
| 1967 | The Spirit Is Willing · as Art Direction |
| 1967 | Hostile Guns · as Art Director |
| 1967 | Chuka · as Art Director |
| 1967 | Easy Come, Easy Go · as Art Direction |
| 1967 | Barefoot in the Park · as Art Direction |
| 1967 | The Caper of the Golden Bulls · as Art Direction |
| 1967 | Good Times · as Art Direction |
| 1967 | The 39th Annual Academy Awards · as Art Director |
| 1967 | The Busy Body · as Art Direction |
| 1967 | Captain Nice (TV Series) · as Art Director |
| 1966 | Red Tomahawk · as Art Direction |
| 1966 | Warning Shot · as Art Direction |
| 1966 | El Dorado · as Art Direction |
| 1966 | The Swinger · as Art Direction |
| 1966 | Picture Mommy Dead · as Art Direction |
| 1966 | T.H.E. Cat (TV Series) · as Art Director |
| 1966 | Waco · as Art Director |
| 1966 | Nevada Smith · as Art Director |
| 1966 | This Property Is Condemned · as Art Director |
| 1966 | The Oscar · as Production Design |
| 1966 | Johnny Reno · as Art Direction |
| 1966 | The Last of the Secret Agents? · as Art Direction |
| 1966 | Paradise, Hawaiian Style · as Art Direction |
| 1966 | The Night of the Grizzly · as Art Direction |
| 1965 | Apache Uprising · as Art Direction |
| 1965 | Boeing, Boeing · as Art Direction |
| 1965 | The Slender Thread · as Production Design |
| 1965 | The Spy Who Came in from the Cold · as Production Design |
| 1965 | Billie · as Art Direction |
| 1965 | Town Tamer · as Art Director |
| 1965 | Red Line 7000 · as Art Direction |
| 1965 | Village of the Giants · as Art Director |
| 1965 | The Family Jewels · as Art Direction |
| 1965 | The Sons of Katie Elder · as Art Direction |
| 1965 | Tickle Me · as Art Direction |
| 1965 | Harlow · as Art Direction |
| 1965 | Black Spurs · as Art Direction |
| 1965 | Sylvia · as Art Direction |
| 1965 | Branded (TV Series) · as Art Director |
| 1964 | The Disorderly Orderly · as Art Direction |
| 1964 | Roustabout · as Art Direction |
| 1964 | Stage to Thunder Rock · as Art Director |
| 1964 | Where Love Has Gone · as Art Direction |
| 1964 | Young Fury · as Art Direction |
| 1964 | The Carpetbaggers · as Art Direction |
| 1964 | Lady in a Cage · as Art Direction |
| 1964 | For Those Who Think Young · as Art Direction |
| 1964 | A House Is Not a Home · as Art Direction |
| 1964 | The Patsy · as Art Direction |
| 1964 | Robinson Crusoe on Mars · as Art Direction |
| 1964 | Law of the Lawless · as Art Direction |
| 1964 | The Strangler · as Art Direction |
| 1964 | Paris When It Sizzles · as Art Director |
| 1963 | Alexander the Great · as Art Director |
| 1963 | Love with the Proper Stranger · as Art Direction |
| 1963 | Who's Been Sleeping in My Bed? · as Art Direction |
| 1963 | Who's Minding the Store? · as Art Direction |
| 1963 | Fun in Acapulco · as Art Direction |
| 1963 | McLintock! · as Art Direction |
| 1963 | Wives and Lovers · as Art Director |
| 1963 | A New Kind of Love · as Art Direction |
| 1963 | My Six Loves · as Art Direction |
| 1963 | Donovan's Reef · as Art Direction |
| 1963 | The Nutty Professor · as Art Direction |
| 1963 | Come Blow Your Horn · as Art Direction |
| 1963 | Hud · as Art Direction |
| 1963 | Papa's Delicate Condition · as Art Director |
| 1962 | A Girl Named Tamiko · as Art Direction |
| 1962 | Who's Got the Action? · as Art Direction |
| 1962 | Girls! Girls! Girls! · as Art Direction |
| 1962 | It's Only Money · as Art Direction |
| 1962 | The Counterfeit Traitor · as Art Director |
| 1962 | Hell Is for Heroes · as Art Direction |
| 1962 | The Pigeon That Took Rome · as Art Direction |
| 1962 | Hatari! · as Art Direction |
| 1962 | Escape from Zahrain · as Art Direction |
| 1962 | The Man Who Shot Liberty Valance · as Art Direction |
| 1962 | My Geisha · as Art Direction |
| 1961 | Pocketful of Miracles · as Art Direction |
| 1961 | Blue Hawaii · as Art Direction |
| 1961 | Blueprint for Robbery · as Art Direction |
| 1961 | The Errand Boy · as Art Direction |
| 1961 | Summer and Smoke · as Art Direction |
| 1961 | Too Late Blues · as Art Direction |
| 1961 | On the Double · as Art Direction |
| 1961 | Breakfast at Tiffany's · as Art Direction |
| 1961 | Love in a Goldfish Bowl · as Art Direction |
| 1961 | Man-Trap · as Art Director |
| 1961 | The Ladies Man · as Art Direction |
| 1961 | The Pleasure of His Company · as Art Direction |
| 1961 | One-Eyed Jacks · as Art Direction |
| 1961 | All in a Night's Work · as Art Direction |
| 1960 | Cinderfella · as Art Direction |
| 1960 | G.I. Blues · as Art Direction |
| 1960 | Outlaws (TV Series) · as Art Direction |
| 1960 | Pete and Gladys (TV Series) · as Art Director |
| 1960 | It Started in Naples · as Art Direction |
| 1960 | The Bellboy · as Art Direction |
| 1960 | The Rat Race · as Art Direction |
| 1960 | Walk Like a Dragon · as Art Direction |
| 1960 | A Breath of Scandal · as Art Direction |
| 1960 | Visit to a Small Planet · as Art Direction |
| 1960 | Heller in Pink Tights · as Art Direction |
| 1959 | Li'l Abner · as Art Direction |
| 1959 | That Kind of Woman · as Art Direction |
| 1959 | Last Train from Gun Hill · as Art Direction |
| 1959 | The Jayhawkers! · as Art Direction |
| 1959 | Career · as Art Direction |
| 1959 | |
| 1959 | |
| 1959 | But Not for Me · as Art Direction |
| 1959 | Don't Give Up the Ship · as Art Direction |
| 1959 | The Five Pennies · as Art Direction |
| 1959 | The Hangman · as Art Direction |
| 1959 | Alias Jesse James · as Art Direction |
| 1959 | The Trap · as Art Direction |
| 1959 | The Young Captives · as Art Director |
| 1959 | Destination Space · as Art Direction |
| 1958 | The Geisha Boy · as Art Direction |
| 1958 | The Buccaneer · as Art Director |
| 1958 | Houseboat · as Art Direction |
| 1958 | The Colossus of New York · as Art Direction |
| 1958 | I Married a Monster from Outer Space · as Art Direction |
| 1958 | As Young as We Are · as Art Director |
| 1958 | The Party Crashers · as Art Direction |
| 1958 | Rock-a-Bye Baby · as Art Direction |
| 1958 | The Matchmaker · as Art Direction |
| 1958 | King Creole · as Art Direction |
| 1958 | The Space Children · as Art Direction |
| 1958 | Vertigo · as Art Direction |
| 1958 | Hot Spell · as Art Direction |
| 1958 | Maracaibo · as Art Direction |
| 1958 | Desire Under the Elms · as Art Direction |
| 1958 | St. Louis Blues · as Art Direction |
| 1958 | Teacher's Pet · as Art Direction |
| 1958 | The Black Orchid · as Art Direction |
| 1957 | Wild Is the Wind · as Art Direction |
| 1957 | The Sad Sack · as Art Direction |
| 1957 | The Tin Star · as Art Direction |
| 1957 | Spanish Affair · as Art Direction |
| 1957 | The Devil's Hairpin · as Art Direction |
| 1957 | The Joker Is Wild · as Art Director |
| 1957 | Short Cut to Hell · as Art Director |
| 1957 | Omar Khayyam · as Art Direction |
| 1957 | Loving You · as Art Direction |
| 1957 | The Lonely Man · as Art Direction |
| 1957 | Beau James · as Art Direction |
| 1957 | The Delicate Delinquent · as Art Direction |
| 1957 | Gunfight at the O.K. Corral · as Art Direction |
| 1957 | The Buster Keaton Story · as Art Direction |
| 1957 | Fear Strikes Out · as Art Direction |
| 1957 | Funny Face · as Art Direction |
| 1956 | Hollywood or Bust · as Art Direction |
| 1956 | The Rainmaker · as Art Direction |
| 1956 | Three Violent People · as Art Director |
| 1956 | The Ten Commandments · as Art Direction |
| 1956 | The Search for Bridey Murphy · as Art Direction |
| 1956 | The Proud and Profane · as Art Director |
| 1956 | The Vagabond King · as Art Direction |
| 1956 | Pardners · as Art Direction |
| 1956 | The Leather Saint · as Art Direction |
| 1956 | That Certain Feeling · as Art Direction |
| 1956 | The Man Who Knew Too Much · as Art Direction |
| 1956 | The Mountain · as Art Direction |
| 1956 | The Birds and the Bees · as Art Director |
| 1956 | The Scarlet Hour · as Art Direction |
| 1956 | Anything Goes · as Art Director |
| 1955 | The Court Jester · as Art Direction |
| 1955 | The Rose Tattoo · as Art Direction |
| 1955 | Artists and Models · as Art Direction |
| 1955 | Lucy Gallant · as Art Direction |
| 1955 | You're Never Too Young · as Art Direction |
| 1955 | The Desperate Hours · as Art Direction |
| 1955 | The Trouble with Harry · as Art Direction |
| 1955 | The Girl Rush · as Art Direction |
| 1955 | We're No Angels · as Art Direction |
| 1955 | To Catch a Thief · as Art Direction |
| 1955 | The Far Horizons · as Art Direction |
| 1955 | Hell's Island · as Art Direction |
| 1955 | The Seven Little Foys · as Art Direction |
| 1955 | Run for Cover · as Art Direction |
| 1955 | Conquest of Space · as Art Direction |
| 1955 | Strategic Air Command · as Art Direction |
| 1954 | 3 Ring Circus · as Art Direction |
| 1954 | The Country Girl · as Art Direction |
| 1954 | The Bridges at Toko-Ri · as Art Direction |
| 1954 | White Christmas · as Art Direction |
| 1954 | Sabrina · as Art Direction |
| 1954 | Elephant Walk · as Art Direction |
| 1954 | About Mrs. Leslie · as Art Direction |
| 1954 | Rear Window · as Art Direction |
| 1954 | Living It Up · as Art Direction |
| 1954 | Secret of the Incas · as Art Direction |
| 1954 | Knock on Wood · as Art Direction |
| 1954 | Casanova's Big Night · as Art Direction |
| 1954 | Red Garters · as Art Director |
| 1954 | The Naked Jungle · as Art Direction |
| 1954 | Jivaro · as Art Direction |
| 1954 | Alaska Seas · as Art Direction |
| 1953 | Money from Home · as Art Direction |
| 1953 | Forever Female · as Art Direction |
| 1953 | Flight to Tangier · as Art Direction |
| 1953 | Here Come the Girls · as Art Direction |
| 1953 | Those Redheads from Seattle · as Art Direction |
| 1953 | Little Boy Lost · as Art Direction |
| 1953 | Roman Holiday · as Art Direction |
| 1953 | The War of the Worlds · as Art Direction |
| 1953 | Shane · as Art Direction |
| 1953 | The Caddy · as Art Direction |
| 1953 | Sangaree · as Art Direction |
| 1953 | Arrowhead · as Art Direction |
| 1953 | Houdini · as Art Direction |
| 1953 | Pony Express · as Art Direction |
| 1953 | The Vanquished · as Art Director |
| 1953 | Stalag 17 · as Art Direction |
| 1953 | The Stars Are Singing · as Art Director |
| 1953 | Scared Stiff · as Art Direction |
| 1953 | Jamaica Run · as Art Director |
| 1953 | The Girls of Pleasure Island · as Art Director |
| 1953 | Tropic Zone · as Art Director |
| 1952 | Off Limits · as Art Direction |
| 1952 | Botany Bay · as Art Direction |
| 1952 | Come Back, Little Sheba · as Art Direction |
| 1952 | Road to Bali · as Art Direction |
| 1952 | Thunder in the East · as Art Direction |
| 1952 | The Turning Point · as Art Direction |
| 1952 | Denver & Rio Grande · as Art Direction |
| 1952 | Hurricane Smith · as Art Direction |
| 1952 | Just for You · as Art Direction |
| 1952 | Somebody Loves Me · as Art Direction |
| 1952 | The Savage · as Art Direction |
| 1952 | Caribbean · as Art Direction |
| 1952 | Carrie · as Art Direction |
| 1952 | Son of Paleface · as Art Direction |
| 1952 | Jumping Jacks · as Art Direction |
| 1952 | The Atomic City · as Art Direction |
| 1952 | My Son John · as Art Direction |
| 1952 | Anything Can Happen · as Art Director |
| 1952 | Aaron Slick from Punkin Crick · as Art Direction |
| 1952 | Something to Live For · as Production Design |
| 1952 | Sailor Beware · as Art Direction |
| 1952 | The Greatest Show on Earth · as Art Direction |
| 1951 | My Favorite Spy · as Art Direction |
| 1951 | Silver City · as Art Director |
| 1951 | The Stooge · as Art Direction |
| 1951 | Red Mountain · as Art Direction |
| 1951 | Submarine Command · as Art Direction |
| 1951 | Peking Express · as Art Direction |
| 1951 | Detective Story · as Art Direction |
| 1951 | When Worlds Collide · as Art Director |
| 1951 | Here Comes the Groom · as Art Direction |
| 1951 | The Redhead and the Cowboy · as Art Director |
| 1951 | Rhubarb · as Art Director |
| 1951 | Darling, How Could You! · as Art Direction |
| 1951 | Ace in the Hole · as Art Direction |
| 1951 | That's My Boy · as Art Direction |
| 1951 | Dear Brat · as Art Direction |
| 1951 | The Lemon Drop Kid · as Art Direction |
| 1951 | The Mating Season · as Art Direction |
| 1950 | The Goldbergs · as Art Direction |
| 1946 | Blue Skies · as Art Direction |
| 1945 | You Came Along · as Art Direction |
| 1945 | A Medal for Benny · as Art Direction |
| 1944 | And Now Tomorrow · as Art Direction |
| 1944 | Ministry of Fear · as Art Direction |
| 1944 | And the Angels Sing · as Art Direction |
| 1944 | Double Indemnity · as Art Direction |