George Stoll
Compositore
7 maggio 1905 — 18 gennaio 1985 (79 anni)
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Georgie Stoll (7 May 1905 in Minneapolis, MN – 18 January 1985 in Monterey, CA) was a musical director, conductor, composer and jazz violinist, associated with the Golden Age of Metro-Goldwyn-Mayer musicals and performers from the 1940s to 1960s. Born George Martin Stoll, he was also later credited as George E. Stoll (sometimes without the middle initial).
Stoll made his musical debut as a boy violin prodigy, gaining nationwide fame. He toured North America as a jazz violinist on the Fanchon and Marco Vaudeville circuit and was part of the Jazzmania Quintet, appearing with Edythe Flynn in an early 1927 sound short. In San Diego, he became an orchestra and trio leader (his Rhythm Aces) and started to feature with Jack Oakie on radio programs, such as Camel Cigarette and NBC's Shell Oil Program. In 1934, Bing Crosby selected Stoll as his musical director for the second series of the CBS Woodbury radio programs Bing Crosby Entertains. For Decca, Georgie Stoll and His Orchestra accompanied Crosby and Louis Armstrong in the successful 1936 recordings of Pennies from Heaven. Stoll and his orchestra appeared on screen the same year in MGM's Swing Banditry.
In 1937, he joined the MGM music department and was the musical director (frequently conductor too) for titles such as Honolulu, Ice Follies of 1939 and the Rooney-Garland hit Babes in Arms. He conducted the stage band which toured with Judy Garland and Mickey Rooney upon the release of The Wizard of Oz. He was given a single "Ruby Slipper" by Judy Garland upon completion of the Wizard of Oz (where he orchestrated the tornado and Wicked Witch's Castle escape scenes with George Bassman). At the studio Stoll worked frequently with the director Edward Buzzell and producers Arthur Freed, Roger Edens and Joe Pasternak. He was also a favorite pinochle-playing buddy of studio head Louis B. Mayer.
Stoll kept his connection with the jazz world and visited clubs looking for rising talent. He recruited one of the first black arrangers at MGM, Calvin Jackson with whom he worked on the original music for his 1945 Oscar-winning score for the Kelly-Sinatra Anchors Aweigh. Stoll also encouraged the teenaged André Previn and used him to write many arrangements.
In 1943, he conducted Garland through the first two of her Decca original cast albums from her popular movies, such as Girl Crazy and Meet Me in St. Louis, which included the hit single The Trolley Song (#3 on Billboard's Best Selling charts). His other recordings were quite eclectic: spanning the popular (often with harmonica virtuosoes Leo Diamond or Larry Adler), easy listening orchestral (e.g. MGM's Hollywood Melodies album) to the postwar American sessions of the tenor Lauritz Melchior.
His career got a final innings boost when Pasternak hired him and his old colleague George Sidney to work with Elvis Presley on some of his later and better pictures (e.g. Viva Las Vegas and Spinout). After 9 Oscar nominations (last in 1962 for Billy Rose's Jumbo), Stoll retired upon completing the original music for the Ann-Margret vehicle Made in Paris.
In October 2009, Stoll's Amati violin was sold by Tarisio Auctions for $620,000, the current world record for a Nicolo Amati sold at auction.
Georgie Stoll (7 May 1905 in Minneapolis, MN – 18 January 1985 in Monterey, CA) was a musical director, conductor, composer and jazz violinist, associated with the Golden Age of Metro-Goldwyn-Mayer musicals and performers from the 1940s to 1960s. Born George Martin Stoll, he was also later credited as George E. Stoll (sometimes without the middle initial).
Stoll made his musical debut as a boy violin prodigy, gaining nationwide fame. He toured North America as a jazz violinist on the Fanchon and Marco Vaudeville circuit and was part of the Jazzmania Quintet, appearing with Edythe Flynn in an early 1927 sound short. In San Diego, he became an orchestra and trio leader (his Rhythm Aces) and started to feature with Jack Oakie on radio programs, such as Camel Cigarette and NBC's Shell Oil Program. In 1934, Bing Crosby selected Stoll as his musical director for the second series of the CBS Woodbury radio programs Bing Crosby Entertains. For Decca, Georgie Stoll and His Orchestra accompanied Crosby and Louis Armstrong in the successful 1936 recordings of Pennies from Heaven. Stoll and his orchestra appeared on screen the same year in MGM's Swing Banditry.
In 1937, he joined the MGM music department and was the musical director (frequently conductor too) for titles such as Honolulu, Ice Follies of 1939 and the Rooney-Garland hit Babes in Arms. He conducted the stage band which toured with Judy Garland and Mickey Rooney upon the release of The Wizard of Oz. He was given a single "Ruby Slipper" by Judy Garland upon completion of the Wizard of Oz (where he orchestrated the tornado and Wicked Witch's Castle escape scenes with George Bassman). At the studio Stoll worked frequently with the director Edward Buzzell and producers Arthur Freed, Roger Edens and Joe Pasternak. He was also a favorite pinochle-playing buddy of studio head Louis B. Mayer.
Stoll kept his connection with the jazz world and visited clubs looking for rising talent. He recruited one of the first black arrangers at MGM, Calvin Jackson with whom he worked on the original music for his 1945 Oscar-winning score for the Kelly-Sinatra Anchors Aweigh. Stoll also encouraged the teenaged André Previn and used him to write many arrangements.
In 1943, he conducted Garland through the first two of her Decca original cast albums from her popular movies, such as Girl Crazy and Meet Me in St. Louis, which included the hit single The Trolley Song (#3 on Billboard's Best Selling charts). His other recordings were quite eclectic: spanning the popular (often with harmonica virtuosoes Leo Diamond or Larry Adler), easy listening orchestral (e.g. MGM's Hollywood Melodies album) to the postwar American sessions of the tenor Lauritz Melchior.
His career got a final innings boost when Pasternak hired him and his old colleague George Sidney to work with Elvis Presley on some of his later and better pictures (e.g. Viva Las Vegas and Spinout). After 9 Oscar nominations (last in 1962 for Billy Rose's Jumbo), Stoll retired upon completing the original music for the Ann-Margret vehicle Made in Paris.
In October 2009, Stoll's Amati violin was sold by Tarisio Auctions for $620,000, the current world record for a Nicolo Amati sold at auction.
Filmografia
| 1966 | Spinout · as Original Music Composer |
| 1966 | Made in Paris · as Original Music Composer |
| 1965 | Hollywood My Home Town · as Composer |
| 1965 | A Man Called Shenandoah · as Composer |
| 1965 | |
| 1965 | Girl Happy · as Original Music Composer |
| 1964 | Looking for Love · as Composer |
| 1964 | Viva Las Vegas · as Original Music Composer |
| 1963 | A Ticklish Affair · as Original Music Composer |
| 1963 | Hollywood Without Make-Up · as Composer |
| 1962 | The Horizontal Lieutenant · as Original Music Composer |
| 1960 | Where the Boys Are · as Original Music Composer |
| 1959 | For the First Time · as Original Music Composer |
| 1957 | This Could Be the Night · as Composer |
| 1955 | Hit the Deck · as Original Music Composer |
| 1954 | Athena · as Original Music Composer |
| 1954 | The Student Prince · as Original Music Composer |
| 1954 | Flame and the Flesh · as Original Music Composer |
| 1953 | Latin Lovers · as Composer |
| 1951 | The Strip · as Composer |
| 1951 | Excuse My Dust · as Composer |
| 1950 | |
| 1950 | The Toast of New Orleans · as Composer |
| 1950 | Nancy Goes to Rio · as Composer |
| 1949 | In the Good Old Summertime · as Original Music Composer |
| 1949 | Neptune's Daughter · as Original Music Composer |
| 1948 | On an Island with You · as Composer |
| 1948 | Big City · as Composer |
| 1947 | This Time for Keeps · as Composer |
| 1946 | No Leave, No Love · as Composer |
| 1946 | Holiday in Mexico · as Composer |
| 1946 | Two Sisters from Boston · as Composer |
| 1945 | Her Highness and the Bellboy · as Composer |
| 1944 | Two Girls and a Sailor · as Composer |
| 1943 | Girl Crazy · as Composer |
| 1943 | I Dood It · as Composer |
| 1943 | Presenting Lily Mars · as Original Music Composer |
| 1943 | Cabin in the Sky · as Original Music Composer |
| 1942 | Ship Ahoy · as Original Music Composer |
| 1941 | Babes on Broadway · as Composer |
| 1941 | |
| 1941 | Road Show · as Original Music ComposerSu Plex |
| 1940 | Go West · as Original Music Composer |
| 1940 | Strike Up the Band · as Composer |
| 1940 | Forty Little Mothers · as Composer |
| 1940 | Broadway Melody of 1940 · as Composer |
| 1939 | Babes in Arms · as Original Music Composer |
| 1936 | Go West Young Man · as Original Music Composer |
| 1963 | The Courtship of Eddie's Father · as Conductor |
| 1962 | Billy Rose's Jumbo · as Music Supervisor |
| 1957 | Ten Thousand Bedrooms · as Music Supervisor |
| 1956 | The Opposite Sex · as Songs |
| 1955 | Love Me or Leave Me · as Music Supervisor |
| 1954 | Rose Marie · as Songs |
| 1953 | Easy to Love · as Music Director |
| 1953 | Dangerous When Wet · as Music Director |
| 1953 | I Love Melvin · as Music Director |
| 1952 | Skirts Ahoy! · as Music Director |
| 1952 | Glory Alley · as Music Director |
| 1951 | Father's Little Dividend · as ConductorSu Plex |
| 1950 | Two Weeks with Love · as Music Director |
| 1950 | Duchess of Idaho · as Music Director |
| 1948 | The Kissing Bandit · as Music Director |
| 1948 | A Date with Judy · as Music Director |
| 1945 | Thrill of a Romance · as Music Director |
| 1945 | Anchors Aweigh · as Music Director |
| 1944 | Meet Me in St. Louis · as Music Director |
| 1943 | Swing Fever · as Music Director |
| 1942 | Panama Hattie · as Music Director |
| 1941 | Lady Be Good · as Music Director |
| 1941 | Ziegfeld Girl · as Music Director |
| 1940 | Little Nellie Kelly · as Music Director |
| 1940 | Andy Hardy Meets Debutante · as Conductor |
| 1939 | The Ice Follies of 1939 · as Music Director |
| 1937 | Outcast · as Music Director |