GM
George Meehan
Additional Credits
Born July 19, 1891Died February 10, 1947 (55 years)
From Wikipedia, the free encyclopedia
George Benjamin Meehan, Jr. (1891–1947) was the cinematographer of more than 150 American films.
Meehan was born on July 19, 1891 in Brooklyn, New York. During World War I he was a cinematographer in the United States Army. He married Louise Harriett Mahoney Meehan (1891–1974), who hailed from Montana.
Meehan was the cinematographer for Mary of the Movies (1923), Ben Hur: A Tale of the Christ (1925), The Ghost Talks (1929) Back to the Woods (1937), The Big Chance (1933), Inside Information (1934), Tarzan’s Revenge (1938), Riders of Black River (1939), The Wildcat of Tucson (1940), and Beyond the Sacramento (1940).
George Meehan died on February 10, 1947 in Hollywood, Los Angeles and was buried in the Forest Lawn Memorial Park of Glendale, California.
George Benjamin Meehan, Jr. (1891–1947) was the cinematographer of more than 150 American films.
Meehan was born on July 19, 1891 in Brooklyn, New York. During World War I he was a cinematographer in the United States Army. He married Louise Harriett Mahoney Meehan (1891–1974), who hailed from Montana.
Meehan was the cinematographer for Mary of the Movies (1923), Ben Hur: A Tale of the Christ (1925), The Ghost Talks (1929) Back to the Woods (1937), The Big Chance (1933), Inside Information (1934), Tarzan’s Revenge (1938), Riders of Black River (1939), The Wildcat of Tucson (1940), and Beyond the Sacramento (1940).
George Meehan died on February 10, 1947 in Hollywood, Los Angeles and was buried in the Forest Lawn Memorial Park of Glendale, California.
George Meehan Filmography
| 1947 | Bulldog Drummond at Bay · as Director Of Photography |
| 1947 | Blind Spot · as Director Of Photography |
| 1946 | Boston Blackie and the Law · as Director Of Photography |
| 1946 | Terror Trail · as Director Of Photography |
| 1946 | Gallant Journey · as Second Unit Director Of Photography |
| 1946 | That Texas Jamboree · as Cinematographer |
| 1946 | The Phantom Thief · as Director Of Photography |
| 1946 | The Bandit of Sherwood Forest · as Director Of Photography |
| 1945 | Lawless Empire · as Director Of Photography |
| 1945 | Voice of the Whistler · as Director Of Photography |
| 1945 | Blazing the Western Trail · as Director Of Photography |
| 1945 | Boston Blackie's Rendezvous · as Director Of Photography |
| 1945 | Both Barrels Blazing · as Director Of Photography |
| 1945 | Boston Blackie Booked on Suspicion · as Director Of Photography |
| 1945 | Escape in the Fog · as Director Of Photography |
| 1944 | The Mark of the Whistler · as Director Of Photography |
| 1944 | The Last Horseman · as Director Of Photography |
| 1944 | The Black Parachute · as Director Of Photography |
| 1944 | Busy Buddies · as Cinematographer |
| 1944 | Cowboy Canteen · as Director Of Photography |
| 1944 | Crash Goes the Hash · as Cinematographer |
| 1943 | There's Something About a Soldier · as Director Of Photography |
| 1943 | The Desperadoes · as Director Of Photography |
| 1943 | They Stooge to Conga · as Director Of Photography |
| 1942 | A Tornado in the Saddle · as Cinematographer |
| 1941 | In the Sweet Pie and Pie · as Director Of Photography |
| 1941 | Texas · as Director Of Photography |
| 1941 | Across the Sierras · as Director Of Photography |
| 1940 | Beyond the Sacramento · as Cinematographer |
| 1940 | Prairie Schooners · as Director Of Photography |
| 1940 | Girls of the Road · as Director Of Photography |
| 1940 | The Return of Wild Bill · as Director Of Photography |
| 1940 | The Man from Tumbleweeds · as Director Of Photography |
| 1939 | Taming of the West · as Cinematographer |
| 1939 | The Stranger from Texas · as Director Of Photography |
| 1939 | Three Sappy People · as Cinematographer |
| 1938 | The Last Warning · as Director Of Photography |
| 1938 | Convicted · as Cinematographer |
| 1938 | The Great Adventures of Wild Bill Hickok · as Cinematographer |
| 1938 | Special Inspector · as Cinematographer |
| 1938 | Tarzan's Revenge · as Director Of Photography |
| 1937 | Murder Is News · as Cinematographer |
| 1937 | Paid to Dance · as Cinematographer |
| 1937 | The Sitter Downers · as Cinematographer |
| 1937 | Back to the Woods · as Cinematographer |
| 1937 | Criminals of the Air · as Director Of Photography |
| 1936 | Stampede · as Director Of Photography |
| 1936 | Legion of Terror · as Cinematographer |
| 1936 | Alibi for Murder · as Director Of Photography |
| 1936 | Secret Patrol · as Director Of Photography |
| 1935 | Pardon My Scotch · as Cinematographer |
| 1935 | Square Shooter · as Director Of Photography |
| 1934 | The Westerner · as Cinematographer |
| 1934 | Inside Information · as Director Of Photography |
| 1934 | St. Louis Woman · as Director Of Photography |
| 1934 | Public Stenographer · as Director Of Photography |
| 1933 | The Big Chance · as Director Of Photography |
| 1932 | Show Business · as Director Of Photography |
| 1932 | The Promoter · as Cinematographer |
| 1931 | Dirigible · as Cinematographer |
| 1925 | The Lure of the Wild · as Cinematographer |
| 1925 | A Fight to the Finish · as Director Of Photography |
| 1925 | S.O.S. Perils of the Sea · as Cinematographer |