BK

Bronislau Kaper
Composer, Actor, Additional Credits
Born February 5, 1902Died April 26, 1983 (81 years)
From Wikipedia, the free encyclopedia
Bronisław Kaper ([brɔniswaf ˈkapɛr], February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane.
Kaper is now perhaps best remembered as the composer of the jazz standards "On Green Dolphin Street" (lyrics by Ned Washington) and "Invitation" (lyrics by Paul Francis Webster) which were originally the respective title tracks for Metro-Goldwyn-Mayer's films Green Dolphin Street (1947) and Invitation (1952). He also scored the MGM film musical Lili (1953) for which he received the Academy Award for Best Original Score, MGM's 1962 remake of Mutiny on the Bounty, and the TV series The F.B.I. (1965–1974).
Bronisław Kaper ([brɔniswaf ˈkapɛr], February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane.
Kaper is now perhaps best remembered as the composer of the jazz standards "On Green Dolphin Street" (lyrics by Ned Washington) and "Invitation" (lyrics by Paul Francis Webster) which were originally the respective title tracks for Metro-Goldwyn-Mayer's films Green Dolphin Street (1947) and Invitation (1952). He also scored the MGM film musical Lili (1953) for which he received the Academy Award for Best Original Score, MGM's 1962 remake of Mutiny on the Bounty, and the TV series The F.B.I. (1965–1974).
Bronislau Kaper Filmography
| 1972 | The Salzburg Connection · as Original Music Composer |
| 1968 | A Flea in Her Ear · as Original Music Composer |
| 1967 | Counterpoint · as Original Music Composer |
| 1967 | Cosa Nostra, Arch Enemy of the FBI · as Composer |
| 1967 | The Way West · as Original Music Composer |
| 1967 | Tobruk · as Original Music Composer |
| 1965 | The F.B.I. (TV Series) · as Composer |
| 1965 | Lord Jim · as Original Music Composer |
| 1964 | Kisses for My President · as Original Music Composer |
| 1963 | Arrest and Trial (TV Series) · as Composer |
| 1962 | Mutiny on the Bounty · as Original Music Composer |
| 1961 | Two Loves · as Original Music Composer |
| 1961 | Ada · as Original Music Composer |
| 1960 | BUtterfield 8 · as Original Music Composer |
| 1960 | |
| 1960 | Home from the Hill · as Original Music Composer |
| 1959 | The Scapegoat · as Original Music Composer |
| 1958 | Auntie Mame · as Original Music Composer |
| 1958 | The Brothers Karamazov · as Original Music Composer |
| 1957 | Don't Go Near the Water · as Original Music Composer |
| 1957 | |
| 1957 | The Barretts of Wimpole Street · as Composer |
| 1956 | |
| 1956 | Somebody Up There Likes Me · as Original Music Composer |
| 1956 | The Swan · as Original Music Composer |
| 1956 | Forever, Darling · as Original Music Composer |
| 1955 | |
| 1955 | Quentin Durward · as Original Music Composer |
| 1955 | The Prodigal · as Original Music Composer |
| 1954 | |
| 1954 | Them! · as Original Music Composer |
| 1953 | |
| 1953 | Ride, Vaquero! · as Original Music Composer |
| 1953 | Lili · as Original Music Composer |
| 1953 | The Naked Spur · as Original Music Composer |
| 1952 | Shadow in the Sky · as Original Music Composer |
| 1952 | Invitation · as Original Music Composer |
| 1952 | The Wild North · as Original Music Composer |
| 1951 | The Red Badge of Courage · as Original Music Composer |
| 1951 | |
| 1951 | Three Guys Named Mike · as Original Music Composer |
| 1951 | Grounds for Marriage · as Original Music Composer |
| 1950 | Kim · as Original Music Composer |
| 1950 | To Please a Lady · as Original Music Composer |
| 1950 | A Life of Her Own · as Original Music Composer |
| 1950 | Key to the City · as Original Music Composer |
| 1950 | |
| 1950 | |
| 1949 | Malaya · as Original Music Composer |
| 1949 | That Forsyte Woman · as Original Music Composer |
| 1949 | The Secret Garden · as Original Music Composer |
| 1949 | The Great Sinner · as Original Music Composer |
| 1948 | Act of Violence · as Original Music Composer |
| 1948 | |
| 1948 | Homecoming · as Original Music Composer |
| 1948 | B.F.'s Daughter · as Composer |
| 1947 | |
| 1947 | |
| 1947 | Cynthia · as Original Music Composer |
| 1946 | The Secret Heart · as Original Music Composer |
| 1946 | Three Wise Fools · as Original Music Composer |
| 1946 | Courage of Lassie · as Original Music Composer |
| 1946 | The Stranger · as Original Music Composer |
| 1945 | Our Vines Have Tender Grapes · as Original Music Composer |
| 1945 | Bewitched · as Original Music Composer |
| 1945 | Without Love · as Original Music Composer |
| 1944 | The Thin Man Goes Home · as Composer |
| 1944 | |
| 1944 | Marriage Is a Private Affair · as Original Music Composer |
| 1944 | Maisie Goes to Reno · as Original Music Composer |
| 1944 | Gaslight · as Original Music Composer |
| 1944 | The Heavenly Body · as Original Music Composer |
| 1943 | The Cross of Lorraine · as Composer |
| 1943 | Bataan · as Original Music Composer |
| 1943 | Above Suspicion · as Original Music Composer |
| 1943 | Slightly Dangerous · as Original Music Composer |
| 1942 | Keeper of the Flame · as Original Music Composer |
| 1942 | White Cargo · as Original Music Composer |
| 1942 | Crossroads · as Original Music Composer |
| 1942 | We Were Dancing · as Composer |
| 1942 | Fingers at the Window · as Original Music Composer |
| 1942 | A Yank at Eton · as Composer |
| 1942 | Somewhere I'll Find You · as Original Music Composer |
| 1942 | |
| 1942 | |
| 1941 | Two-Faced Woman · as Original Music Composer |
| 1941 | H.M. Pulham, Esq. · as Composer |
| 1941 | Johnny Eager · as Original Music Composer |
| 1941 | The Chocolate Soldier · as Original Music Composer |
| 1941 | |
| 1941 | Dr. Kildare's Wedding Day · as Original Music Composer |
| 1941 | Whistling in the Dark · as Original Music Composer |
| 1941 | |
| 1941 | A Woman's Face · as Original Music Composer |
| 1941 | Barnacle Bill · as Composer |
| 1941 | Rage in Heaven · as Original Music Composer |
| 1941 | Blonde Inspiration · as Original Music Composer |
| 1940 | Comrade X · as Original Music Composer |
| 1940 | Dulcy · as Original Music Composer |
| 1940 | We Who Are Young · as Original Music Composer |
| 1940 | The Captain Is a Lady · as Original Music Composer |
| 1940 | The Mortal Storm · as Original Music Composer |
| 1940 | I Take This Woman · as Original Music Composer |
| 1936 | |
| 1935 | |
| 1934 | I Stand Condemned · as Composer |
| 1934 | Moscow Nights · as Composer |
| 1934 | |
| 1933 | Tout pour l'amour · as Composer |
| 1932 | Right to Happiness · as Composer |
| 1931 | The Big Attraction · as Composer |
| 1931 | Her Majesty Love · as Original Music Composer |
| 1929 | Alraune · as Original Music Composer |
| 1936 | San Francisco · as Conductor (uncredited) |
| 1973 | Tomorrow with Tom Snyder (TV Series) · as Self |
| 1959 | Green Mansions · as Music Editor |
| 1949 | That Midnight Kiss · as Songs |
| 1945 | Nob Hill · as Songs |
| 1937 | A Day at the Races · as Songs |
| 1936 | Three Smart Girls · as Songs |




