BC

Bill Wong Chung-Piu
Actor, Editor, Additional Credits
Born in 1945, Wong Chung-Piu started his photography work in dark rooms and commercials. He worked at Radio Television Hong Kong, TVB, and Jiashi; he joined the TVB film team in 1975. In the 1980s and 1990s, he won many Academy Awards, Golden Horse Award for Best Photography.
When the New Wave of Film was born in the 1970s, most of the focus was on a group of young directors, but one of the most important figures among them was missed - photographer Wong Chung-Piu. He dared to innovate, leaving a creative and distinctive image for the New Wave era films. Through continuous hard work, extensive on-site experience, observation and study, he not only developed excellent techniques, but also created an implicit style that seamlessly combines narrative and images.
When the New Wave of Film was born in the 1970s, most of the focus was on a group of young directors, but one of the most important figures among them was missed - photographer Wong Chung-Piu. He dared to innovate, leaving a creative and distinctive image for the New Wave era films. Through continuous hard work, extensive on-site experience, observation and study, he not only developed excellent techniques, but also created an implicit style that seamlessly combines narrative and images.
Bill Wong Chung-Piu Filmography
| 1995 | Heaven Can't Wait · as Biao |
| 2004 | She's Too Young · as Director Of Photography |
| 2003 | Big Spender · as Director Of Photography |
| 2002 | Adventure Inc. (TV Series) · as Cinematographer |
| 1999 | The Last Witness · as Cinematographer |
| 1999 | Relic Hunter (TV Series) · as Cinematographer |
| 1999 | Top of the Food Chain · as Director Of Photography |
| 1998 | Blackjack · as Director Of Photography |
| 1998 | Once a Thief: Family Business · as Director Of Photography |
| 1997 | A Queer Story · as Cinematographer |
| 1996 | Lost and Found · as Director Of Photography |
| 1996 | Once a Thief · as Director Of Photography |
| 1996 | Once a Thief (TV Series) · as Cinematographer |
| 1996 | Stage Door · as Director Of Photography |
| 1995 | The Christ of Nanjing · as Director Of Photography |
| 1995 | Heaven Can't Wait · as Director Of Photography |
| 1995 | Doctor Mack · as Director Of Photography |
| 1993 | Kung Fu Cult Master · as Director Of Photography |
| 1993 | Women on the Run · as Director Of Photography |
| 1993 | Tom, Dick and Hairy · as Director Of Photography |
| 1993 | Kickboxer · as Director Of Photography |
| 1992 | Erotic Ghost Story III · as Cinematographer |
| 1991 | Once Upon a Time in China · as Director Of Photography |
| 1991 | Au Revoir Mon Amour · as Director Of Photography |
| 1990 | Ming Ghost · as Director Of Photography |
| 1990 | Meiyou taiyang de rizi · as Cinematographer |
| 1989 | Eight Taels of Gold · as Director Of Photography |
| 1989 | Full Moon in New York · as Director Of Photography |
| 1989 | Lady Reporter · as Director Of Photography |
| 1988 | Profiles of Pleasure · as Director Of Photography |
| 1987 | Rouge · as Director Of Photography |
| 1987 | Princess Fragrance · as Director Of Photography |
| 1987 | The Romance of Book and Sword · as Director Of Photography |
| 1986 | Dream Lovers · as Director Of Photography |
| 1985 | Yes, Madam! · as Director Of Photography |
| 1985 | Fascinating Affairs · as Director Of Photography |
| 1985 | Women · as Director Of Photography |
| 1984 | Cherie · as Director Of Photography |
| 1984 | Shanghai Blues · as Second Unit Director Of Photography |
| 1983 | Esprit D'amour · as Director Of Photography |
| 1983 | The Last Affair · as Director Of Photography |
| 1983 | Zu: Warriors from the Magic Mountain · as Director Of Photography |
| 1982 | Nomad · as Director Of Photography |
| 1982 | To Hell with the Devil · as Director Of Photography |
| 1981 | All the Wrong Clues for the Right Solution · as Director Of Photography |
| 1981 | The Story of Woo Viet · as Director Of Photography |
| 1980 | |
| 1980 | From Riches to Rags · as Cinematographer |



