Scilla Gabel
Skuespiller
4. januar 1938 (88 år)
She was born Scilla Gabellini, one of five siblings, in Rimini on the Adriatic coast. Scilla initially studied law at Oxford University, graduating with a doctorate. Her interest in pursuing a legal career waned quickly, however, since her next move was a return to Italy for acting classes at Rome's Accademia Nazionale d'Arte Drammatica. At the age of seventeen, the voluptuous, blue-eyed Scilla became a body double for Sophia Loren (to whom she bore more than a passing resemblance), notably in the classic Boy on a Dolphin (1957). Two years later, she underwent cosmetic surgery to look less like Sophia in order to forge her own screen image.
In 1963, Scilla featured on the cover of several magazines, including Playboy, the Milanese publication Le Ore and Parade (at the time, the most widely read weekly in the U.S.). Though she went on to command leads in a number of films during the 60s, Scilla tended to be typecast in roles which emphasized her physical attributes, rather than her acting ability. She appeared most often in genre films, anything from innocuous sex comedies (Genitori in blue-jeans (1960), Bel Ami 2000 oder Wie verführt man einen Playboy? (1966)) to swashbuckling costume dramas (La Venere dei pirati (1960)), and from spaghetti westerns (Johnny Golden Poker (1966)) to peplum spectacles (Death on the Arena (1962), The Revenge of Spartacus (1964)). After 1971, she was afforded more challenging and critically acclaimed roles as a star in Italian TV miniseries.
Eleven years after leaving the screen, Scilla attracted media attention as a result of the murder of her 87-year old landlord father Giuseppe, by a crazed tenant at his villa on the via Campi di Torre Flavia in Ladispoli.
In 1963, Scilla featured on the cover of several magazines, including Playboy, the Milanese publication Le Ore and Parade (at the time, the most widely read weekly in the U.S.). Though she went on to command leads in a number of films during the 60s, Scilla tended to be typecast in roles which emphasized her physical attributes, rather than her acting ability. She appeared most often in genre films, anything from innocuous sex comedies (Genitori in blue-jeans (1960), Bel Ami 2000 oder Wie verführt man einen Playboy? (1966)) to swashbuckling costume dramas (La Venere dei pirati (1960)), and from spaghetti westerns (Johnny Golden Poker (1966)) to peplum spectacles (Death on the Arena (1962), The Revenge of Spartacus (1964)). After 1971, she was afforded more challenging and critically acclaimed roles as a star in Italian TV miniseries.
Eleven years after leaving the screen, Scilla attracted media attention as a result of the murder of her 87-year old landlord father Giuseppe, by a crazed tenant at his villa on the via Campi di Torre Flavia in Ladispoli.
Kjent for
Filmography
| 1983 | That Awful Mess on Via Merulana · as Liliana Balducci |
| 1976 | Where is Anna? · as Paola Silvestri |
| 1971 | Bastard, Go and Kill · as SusannaPå Plex |
| 1968 | Die Odyssee · as Elen |
| 1968 | The Odyssey (1968) · as Elena |
| 1967 | Das große Glück · as Molly Pink |
| 1966 | How to Seduce a Playboy · as Anita Bionda |
| 1966 | Target for Killing · as La Tigra |
| 1966 | Djurado · as Barbara Donovan |
| 1966 | Modesty Blaise · as Melina |
| 1965 | Le donne del Tenente Sheridan · as Cheril |
| 1965 | Con rispetto parlando · as Vittoria Oriani, In Arte Patricia D'altamura |
| 1964 | The Son of Caesar and Cleopatra · as Livia |
| 1964 | Revenge of the Gladiators · as Cinzia |
| 1964 | Corpse for the Lady · as Renata |
| 1964 | Seven Slaves Against the World · as Claudia |
| 1963 | Outlaws of Love · as Wilma |
| 1963 | Arms of the Avenger · as Isabella - Duchessina Di Collinalto |
| 1963 | The Shortest Day · as L'amante Di Un Soldato (uncredited) |
| 1963 | Two Colonels · as Iride |
| 1962 | Sodom and Gomorrah · as Tamar |
| 1962 | Colossus of the Arena · as Thalima |
| 1962 | No Man's Land · as Signora De Rossi |
| 1962 | Village of Daughters · as Angelina Vimereati |
| 1961 | Romulus and the Sabines · as Dusia |
| 1961 | Le puits aux trois vérités · as Rossana |
| 1961 | The Festival Girls · as Nadja |
| 1961 | The Fruit Is Ripe · as Kissa |
| 1960 | Mill of the Stone Women · as Elfie WahlPå Plex |
| 1960 | The Queen of the Pirates · as Isabella, The Duke's Daughter |
| 1960 | Pleasures of Saturday Night · as Patrizia |
| 1960 | Noi duri · as Josette |
| 1960 | Genitori in blue-jeans · as Colette |
| 1960 | Les canailles · as Gina |
| 1959 | Tarzan's Greatest Adventure · as Toni |
| 1959 | The White Warrior · as Princess Mario Vorontsova |
| 1959 | I ragazzi dei Parioli · as Nuccia |
| 1958 | Legs of Gold · as Gianna Savelli |
| 1958 | Capitan Fracassa · as Zerbina |
| 1959 | Juke Box Jury · as Self - Panellist |