Michel Fano
Komponist, Skuespiller, Regissør
9. desember 1929 (96 år)
French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content. During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores (or "sound-scores") for five of Robbe-Grillet's films.
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
Filmografi
| 1976 | Fang and Claw · as Original Music Composer |
| 1975 | See · as Original Music Composer |
| 1974 | |
| 1972 | |
| 1972 | Flyaway · as Original Music Composer |
| 1970 | The Territory of Others · as Composer |
| 1970 | Eden and After · as Original Music Composer |
| 1967 | |
| 1967 | |
| 1966 | Trans-Europ-ExpressPå Plex |
| 1964 | La bataille de France · as Composer |
| 1963 | L'Immortelle · as Original Music ComposerPå Plex |
| 1973 | |
| 1971 | Papa, the Lil' Boats · as Michel The Orderly At Police Station |
| 1983 | Le cercle des passions · as Sound Designer |
| 1975 | Playing with Fire · as Music Consultant |
| 1968 | The Man Who Lies · as Sound Director |
| 1967 | Au pan coupé · as Sound |
| 1967 | The Authentic Trial of Carl Emmanuel Jung · as Sound Designer |
| 1967 | Lamiel · as Music Editor |
| 1966 | The Nun · as Sound Designer |
| 1966 | A Man and a Woman · as Sound Engineer |
| 1961 | Chronicle of a Summer · as Sound |
| 1961 | The Human Pyramid · as Sound Recordist |
| 1960 | Le coeur battant · as Sound |
| 1960 | Le bel âge · as Sound |
| 1960 | L'eau à la bouche · as Sound |
| 1960 | A Couple · as Sound |