Mario Camerini
Manusforfatter, Regissør, Editor, Produsent, Skuespiller
6. februar 1895 — 4. februar 1981 (85 år)
Mario Camerini (Rome, 6 February 1895 – Gardone Riviera, 4 February 1981) was an Italian film director. Cousin of Augusto Genina. He made the most known films in Italy during the 30's, comedies, most of them, starring Vittorio De Sica.
Description above from the Wikipedia article Mario Camerini, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Description above from the Wikipedia article Mario Camerini, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Kjent for
Filmography
| 1972 | Don Camillo e i giovani d'oggi · as Screenplay |
| 1970 | Don Camillo e i giovani d'oggi · as Screenplay |
| 1966 | The Almost Perfect Crime · as Screenplay |
| 1963 | Kali Yug, la dea della vendetta · as Screenplay |
| 1961 | I briganti italiani · as Screenplay |
| 1960 | Via Margutta · as Screenplay |
| 1959 | First Love · as Screenplay |
| 1957 | Holiday Island · as Screenplay |
| 1956 | War and Peace · as Screenplay |
| 1955 | The Miller's Beautiful Wife · as Screenplay |
| 1954 | Ulysses · as Screenplay |
| 1952 | Sunday Heroes · as Screenplay |
| 1952 | Wife for a Night · as Screenplay |
| 1951 | Due mogli sono troppe · as Screenplay |
| 1950 | Outlaw Girl · as Screenplay |
| 1948 | Woman Trouble · as Screenplay |
| 1947 | La figlia del capitano · as Screenplay |
| 1945 | Two Anonymous Letters · as Screenplay |
| 1943 | T'amerò sempre · as Screenplay |
| 1941 | The Spirit and the Flesh · as Screenplay |
| 1940 | A Romantic Adventure · as Screenplay |
| 1940 | Centomila dollari · as Screenplay |
| 1939 | Department Store · as Screenplay |
| 1938 | I'll Give a Million · as Original Film Writer |
| 1937 | Mister Max · as Screenplay |
| 1936 | But It's Nothing Serious · as Screenplay |
| 1935 | |
| 1935 | Like the Leaves · as Screenplay |
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| 1932 | What Scoundrels Men Are! · as Screenplay |
| 1929 | Rails · as Screenplay |
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| 1957 | Il conte Max · as Original Story |
| 1956 | The Awakening · as Story |


















