Graham Page
Graham Page is a British visual effects supervisor at Framestore London. He began working in visual effects at DNEG in 2006. Before that, he spent some time working in editorial on factual entertainment; he has described having always held a broad interest in filmmaking, from sound and music design to prop making.
At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed.
In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka.
Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.
At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed.
In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka.
Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.
Filmografi
| 2026 | The Sheep Detectives · as Visual Effects Supervisor |
| 2023 | Wonka · as Visual Effects Supervisor |
| 2021 | The Matrix Resurrections · as Visual Effects Supervisor |
| 2021 | Infinite · as Visual Effects Supervisor |
| 2020 | The Midnight Sky · as Visual Effects Supervisor |
| 2019 | Avengers: Endgame · as Visual Effects Supervisor |
| 2019 | Captain Marvel · as Visual Effects Supervisor |
| 2018 | Avengers: Infinity War · as Visual Effects Supervisor |
| 2016 | Assassin's Creed · as Visual Effects Supervisor |
| 2015 | Mission: Impossible - Rogue Nation · as Compositing Supervisor |
| 2014 | Interstellar · as Compositing Supervisor |
| 2014 | Transcendence · as Compositing SupervisorPå Plex |
| 2013 | The World's End · as 2d Supervisor |
| 2009 | Harry Potter and the Half-Blood Prince · as Digital Compositor |
| 2008 | Inkheart · as Digital Compositor |
| 2008 | The Dark Knight · as Compositing Artist |
| 2008 | Hellboy II: The Golden Army · as Digital Compositor |
| 2008 | Doomsday · as Digital Compositor |
| 2007 | Harry Potter and the Order of the Phoenix · as Digital Compositor |