Glen MacWilliams
21. mai 1898 — 15. april 1984 (85 år)
From Wikipedia, the free encyclopedia
Glen MacWilliams (May 21, 1898 – April 15, 1984), was an American cinematographer. Born in California, MacWilliams started his career in the silent days. He worked in the United Kingdom for much of the 1930s, working on several musicals with Jessie Matthews. He returned to the US in the 1940s where he worked extensively for 20th Century Fox, filming Laurel and Hardy's first two films for the studio and also worked with Alfred Hitchcock on Lifeboat in 1944. He had previously worked with Hitchcock on one occasion in Britain.
He later worked in television on such shows as Highway Patrol, Wanted: Dead or Alive, The Untouchables and My Living Doll before he retired in the mid-1960s.
Glen MacWilliams (May 21, 1898 – April 15, 1984), was an American cinematographer. Born in California, MacWilliams started his career in the silent days. He worked in the United Kingdom for much of the 1930s, working on several musicals with Jessie Matthews. He returned to the US in the 1940s where he worked extensively for 20th Century Fox, filming Laurel and Hardy's first two films for the studio and also worked with Alfred Hitchcock on Lifeboat in 1944. He had previously worked with Hitchcock on one occasion in Britain.
He later worked in television on such shows as Highway Patrol, Wanted: Dead or Alive, The Untouchables and My Living Doll before he retired in the mid-1960s.
Filmer & Serier på Plex
Filmography
| 1964 | My Living Doll · as Cinematographer |
| 1963 | My Favorite Martian · as CinematographerPå Plex |
| 1963 | Vacation Playhouse · as Cinematographer |
| 1962 | Fair Exchange · as Cinematographer |
| 1960 | The Roaring 20's · as Cinematographer |
| 1960 | SurfSide 6 · as Cinematographer |
| 1959 | The Detectives (1959) · as Cinematographer |
| 1959 | Hawaiian Eye · as Cinematographer |
| 1959 | Johnny Ringo · as Director Of Photography |
| 1959 | Law of the Plainsman · as Director Of Photography |
| 1959 | The Untouchables · as Cinematographer |
| 1959 | Black Saddle · as Director Of Photography |
| 1958 | Girl with an Itch · as Director Of Photography |
| 1958 | 77 Sunset Strip · as Cinematographer |
| 1958 | Bat Masterson · as CinematographerPå Plex |
| 1958 | The Rifleman · as CinematographerPå Plex |
| 1958 | A Lust to Kill · as Director Of PhotographyPå Plex |
| 1958 | Wanted: Dead or Alive · as CinematographerPå Plex |
| 1957 | Tombstone Territory · as Cinematographer |
| 1956 | Richard Diamond, Private Detective · as Cinematographer |
| 1955 | Highway Patrol (1955) · as Cinematographer |
| 1955 | Cheyenne · as CinematographerPå Plex |
| 1946 | If I'm Lucky · as Director Of Photography |
| 1946 | It Shouldn't Happen to a Dog · as Director Of Photography |
| 1946 | Shock · as Director Of PhotographyPå Plex |
| 1945 | The Spider · as Director Of Photography |
| 1945 | Within These Walls · as Director Of Photography |
| 1944 | Winged Victory · as Director Of Photography |
| 1944 | Roger Touhy, Gangster · as Cinematographer |
| 1944 | Lifeboat · as Director Of Photography |
| 1944 | Wing and a Prayer · as Director Of Photography |
| 1943 | Wintertime · as Director Of Photography |
| 1943 | He Hired the Boss · as Cinematographer |
| 1943 | The Fighting Guerrillas · as Director Of Photography |
| 1942 | A-Haunting We Will Go · as Director Of Photography |
| 1942 | Blue, White and Perfect · as Director Of Photography |
| 1941 | Great Guns · as Director Of Photography |
| 1941 | Dressed to Kill · as Director Of Photography |
| 1940 | Lady in Distress · as Director Of Photography |
| 1940 | The Tunnel · as Cinematographer |
| 1938 | Sailing Along · as Director Of Photography |
| 1937 | Gangway · as Director Of Photography |
| 1937 | King Solomon's Mines · as Director Of PhotographyPå Plex |
| 1937 | Silent Barriers · as Cinematographer |
| 1937 | Head Over Heels in Love · as Cinematographer |
| 1936 | It's Love Again · as Director Of Photography |
| 1935 | First a Girl · as Cinematographer |
| 1935 | The Return of Peter Grimm · as Director Of Photography |
| 1935 | The Clairvoyant · as Director Of PhotographyPå Plex |
| 1935 | Things Are Looking Up · as Director Of Photography |
| 1935 | Heat Wave · as Director Of Photography |
| 1934 | The Camels Are Coming · as Cinematographer |
| 1934 | The Murder Party · as Director Of Photography |
| 1934 | Evergreen · as Director Of Photography |
| 1934 | Waltzes from Vienna · as CinematographerPå Plex |
| 1933 | A Cuckoo in the Nest · as Director Of Photography |
| 1933 | Sleeping Car · as Cinematographer |
| 1932 | Hat Check Girl · as Cinematographer |
| 1932 | Rebecca of Sunnybrook Farm · as Director Of Photography |
| 1932 | While Paris Sleeps · as Director Of Photography |
| 1931 | Hay que casar al príncipe · as Director Of Photography |
| 1931 | The Front Page · as Director Of PhotographyPå Plex |
| 1931 | Body and Soul · as Director Of Photography |
| 1930 | The Sea Wolf · as Cinematographer |
| 1930 | Common Clay · as Director Of Photography |
| 1930 | The Arizona Kid · as Cinematographer |
| 1929 | The Valiant · as Cinematographer |
| 1926 | The Lily · as Director Of Photography |
| 1925 | Lazybones · as Director Of Photography |
| 1925 | The Re-Creation of Brian Kent · as Cinematographer |
| 1924 | Helen's Babies · as Cinematographer |
| 1924 | Captain January · as Director Of Photography |
| 1922 | Oliver Twist · as Director Of Photography |
| 1921 | My Boy · as Cinematographer |
| 1920 | Kismet · as Cinematographer |
| 1919 | His Majesty, the American · as Cinematographer |