Bob Rafelson
Produsent, Skuespiller, Regissør, Manusforfatter, Editor
21. februar 1933 — 23. juli 2022 (89 år)
From Wikipedia, the free encyclopedia
Robert "Bob" Rafelson (February 21, 1933-July 23, 2022) was an American film director, writer and producer. He was most famous for directing and co-writing the film Five Easy Pieces, starring Jack Nicholson, as well as being one of the creators of the pop group and TV series, The Monkees (with Raybert/BBS Productions partner Bert Schneider).
Rafelson was born in New York City, the son of a hat manufacturer. His uncle was screenwriter and playwright Samson Raphaelson.
Rafelson and Nicholson have been collaborators for over thirty years. Nicholson and Rafelson wrote and produced and Rafelson directed Head, starring the Monkees, in 1968, followed by Five Easy Pieces. In subsequent years, Rafelson directed Nicholson in four more films, including The King of Marvin Gardens (1972), The Postman Always Rings Twice (1981), Man Trouble (1992), and Blood and Wine (1996).
Rafelson has adapted the works of legendary noir authors James M. Cain, Raymond Chandler, and Dashiell Hammett.
Description above from the Wikipedia article Bob Rafelson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Robert "Bob" Rafelson (February 21, 1933-July 23, 2022) was an American film director, writer and producer. He was most famous for directing and co-writing the film Five Easy Pieces, starring Jack Nicholson, as well as being one of the creators of the pop group and TV series, The Monkees (with Raybert/BBS Productions partner Bert Schneider).
Rafelson was born in New York City, the son of a hat manufacturer. His uncle was screenwriter and playwright Samson Raphaelson.
Rafelson and Nicholson have been collaborators for over thirty years. Nicholson and Rafelson wrote and produced and Rafelson directed Head, starring the Monkees, in 1968, followed by Five Easy Pieces. In subsequent years, Rafelson directed Nicholson in four more films, including The King of Marvin Gardens (1972), The Postman Always Rings Twice (1981), Man Trouble (1992), and Blood and Wine (1996).
Rafelson has adapted the works of legendary noir authors James M. Cain, Raymond Chandler, and Dashiell Hammett.
Description above from the Wikipedia article Bob Rafelson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Kjent for
Filmography
| 1981 | |
| 1976 | |
| 1974 | |
| 1973 | |
| 1972 | |
| 1971 | |
| 1970 | |
| 1969 | |
| 1968 | |
| 1965 | |
| 1963 | Channing · as Associate Producer |
| 1963 |
| 2002 | Porn.com · as Matty Bonkers |
| 1996 | Tales of Erotica · as Rejected Customer (segment 'wet') (uncredited) |
| 1995 | Leaving Las Vegas · as Man At Mall |
| 1994 | Wet · as Rejected Customer (uncredited) |
| 1985 | Always, But Not Forever · as Sam |
| 1982 | Mora · as Gangster |
| 1976 | Stay Hungry · as Man On A Sidewalk With Painting (uncredited) |
| 1970 | Five Easy Pieces · as Man In Elevator (uncredited) |
| 1965 | The Monkees · as World's Oldest Flower Child (uncredited) |
| 2003 | |
| 2002 | |
| 2002 | |
| 1998 | |
| 1996 | |
| 1996 | |
| 1994 | |
| 1994 | |
| 1992 | |
| 1990 | |
| 1987 | |
| 1981 | |
| 1976 | |
| 1972 | |
| 1970 | |
| 1968 | |
| 1965 |
| 1996 | |
| 1990 | Mountains of the Moon · as Screenplay |
| 1976 | Stay Hungry · as Screenplay |
| 1972 | |
| 1968 | |
| 1965 | |
| 1963 |
| 2017 | We Blew It · as Self |
| 2010 | Sodankylä Forever · as Self |
| 2008 | No Subtitles Necessary: Laszlo & Vilmos · as Self |
| 2007 | Making the Monkees · as Self |
| 1999 | Independent Lens · as Self |
| 1997 | Hey, Hey We're the Monkees · as Self |
| 1997 | Hey, Hey, We're The Monkees · as Self (archive Footage) |
| 1995 | Who Is Henry Jaglom? · as Self |
| 1981 | Notre Dame de la Croisette · as Self |
| 1971 | Film · as Self |
| 1968 | Head · as Self (uncredited) |
| 2002 |
| 2002 | Porn.com · as Written By |
| 1996 | Blood and Wine · as Story |
| 1994 | Wet · as Written By |
| 1980 | Brubaker · as Story |
| 1970 | Five Easy Pieces · as Story |
| 1960 | The Witness · as Story Editor |
| 1959 | The Play of the Week · as Adaptation |