António Porém Pires
11. mars 1984 (42 år)
António Porém Pires is a Portuguese Sound Designer and Re-recording Mixer based in Mexico City, with over 20 years of experience and 140+ credits. His work has been featured at major festivals including Cannes, Venice, Berlin, and Toronto, as well as institutions like MoMA and the Tate Modern.
Having worked across a vast array of disciplines in sound and music, António brings a highly versatile and refined sensibility to the mixing stage, combining technical precision with an intuitive ability to translate a director’s narrative goals. A member of the Cinema Audio Society, he serves as a seasoned lead for both independent narrative features and global streaming series for platforms like Netflix and HBO.
He may or may not like to write in the third person.
Having worked across a vast array of disciplines in sound and music, António brings a highly versatile and refined sensibility to the mixing stage, combining technical precision with an intuitive ability to translate a director’s narrative goals. A member of the Cinema Audio Society, he serves as a seasoned lead for both independent narrative features and global streaming series for platforms like Netflix and HBO.
He may or may not like to write in the third person.
Filmografi
| 2026 | The Garden We Dreamed · as Sound Re-Recording Mixer |
| 2025 | El diablo en el camino · as Sound Re-Recording Mixer |
| 2025 | The Follies · as Dialogue Editor |
| 2025 | It Would Be Night in Caracas · as Sound Re-Recording Mixer |
| 2025 | El Club Perfecto · as Dialogue Editor |
| 2025 | Satisfaction · as Dialogue Editor |
| 2025 | Olmo · as Dialogue Editor |
| 2024 | Zafari · as Dialogue Editor |
| 2024 | Thesis on a Domestication · as Sound Re-Recording Assistant |
| 2024 | The Invisible Contract · as Sound Re-Recording Mixer |
| 2024 | Pedro Páramo · as Sound Re-Recording Assistant |
| 2024 | Technoboys · as Dialogue Editor |
| 2024 | Could Have Waited for August · as Sound Re-Recording Mixer |
| 2024 | Igualada · as Sound Re-Recording Mixer |
| 2023 | Shrooms · as Sound Designer |
| 2023 | Pet Shop Days · as Sound Re-Recording Mixer |
| 2023 | The Moon Will Contain Us · as Sound Re-Recording Mixer |
| 2023 | Turn of the Tide · as Sound Re-Recording Mixer |
| 2023 | Grasshopper Republic · as Sound Designer |
| 2023 | Martinez · as Sound Re-Recording Mixer |
| 2022 | Disappear Completely · as Sound Re-Recording Mixer |
| 2022 | O Natal do Bruno Aleixo · as Sound Re-Recording Mixer |
| 2022 | The Kegelstatt Trio · as Sound Re-Recording Mixer |
| 2022 | Sermon to the Fish · as Sound Re-Recording Mixer |
| 2022 | Super Natural · as Sound Designer |
| 2021 | Glória · as Sound Designer |
| 2021 | Half a Light-Year · as Sound Re-Recording Mixer |
| 2020 | A Yellow Animal · as Adr Mixer |
| 2020 | Nha Mila · as Sound Re-Recording Mixer |
| 2020 | Bunker ou Contos que ouvi depois do mundo acabar · as Sound Editor |
| 2020 | Rain Hums a Lullaby to Pain · as Sound Re-Recording Mixer |
| 2019 | Bruno Aleixo's Film · as Sound Re-Recording Mixer |
| 2019 | Endless Night · as Sound Re-Recording Mixer |
| 2019 | Sadness and Joy in the Life of Giraffes · as Sound Designer |
| 2019 | Technoboss · as Additional Production Sound Mixer |
| 2019 | South · as Sound Re-Recording Mixer |
| 2019 | Patrick · as Sound Re-Recording Mixer |
| 2019 | As Happy as Possible · as Sound Re-Recording Mixer |
| 2019 | Ave Rara · as Sound Re-Recording Mixer |
| 2019 | Past Perfect · as Sound Designer |
| 2018 | The Portuguese Woman · as Sound Re-Recording Mixer |
| 2018 | Diamantino · as Adr Mixer |
| 2018 | Empire Hotel · as Dialogue Editor |
| 2018 | The Black Book · as Adr MixerPå Plex |
| 2018 | Extinction · as Foley Artist |
| 2018 | Equinócio · as Sound Editor |
| 2018 | Cabaret Maxime · as Dialogue Editor |
| 2018 | Todo Mal · as Foley Editor |
| 2017 | Ramiro · as Dialogue Editor |
| 2017 | Flores · as Sound Designer |
| 2015 | Neon Bull · as Dialogue Editor |
| 2007 | Silent Light · as Additional Sound Re-Recording Mixer |