Andrea Crisanti
2. juni 1936 — 7. mai 2012 (75 år)
Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director.
Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda.
In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983).
He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association.
Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda.
In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983).
He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association.
Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Filmografi
| 1984 | Andrey Tarkovsky in Nostalghia · as Self |
| 2012 | Another Woman's Face · as Production Design |
| 2012 | A Magnificent Haunting · as Production Design |
| 2010 | Loose Cannons · as Production Design |
| 2008 | The Dust of Time · as Art Director |
| 2008 | The Bandit K. · as Production Designer |
| 2008 | Blood of the Losers · as Production Design |
| 2007 | The Lark Farm · as Production Designer |
| 2006 | Ma l'amore... sì! · as Production Design |
| 2006 | The Goodbye Kiss · as Production Design |
| 2005 | Face Addict · as Production Design |
| 2005 | Sacred Heart · as Production Designer |
| 2004 | Under a False Name · as Production Design |
| 2003 | The Accidental Detective · as Production Design |
| 2003 | Facing Windows · as Art Direction |
| 2002 | The Council of Egypt · as Production Design |
| 2001 | The Emperor's New Clothes · as Production Design |
| 2000 | Viper · as Production Design |
| 1999 | Excellent Cadavers · as Production Design |
| 1999 | Let's be together forever · as Production Designer |
| 1998 | Married at Last · as Production Designer |
| 1997 | The Truce · as Production DesignPå Plex |
| 1995 | Moon Shadow · as Production Design |
| 1994 | A Pure Formality · as Production Design |
| 1992 | The Stolen Children · as Set Decoration |
| 1990 | Everybody's Fine · as Production Design |
| 1990 | The Palermo Connection · as Production Design |
| 1988 | Cinema Paradiso · as Production Design |
| 1988 | Young Toscanini · as Production Designer |
| 1987 | Distant Lights · as Production Designer |
| 1987 | Chronicle of a Death Foretold · as Production Design |
| 1986 | Devil in the Flesh · as Production Design |
| 1983 | Nostalgia · as Production Design |
| 1982 | Identification of a Woman · as Production Design |
| 1982 | No grazie, il caffè mi rende nervoso · as Production Design |
| 1982 | Più bello di così si muore · as Production Design |
| 1982 | Talcum Powder · as Production Design |
| 1981 | Miracoloni · as Production Design |
| 1981 | Three Brothers · as Production Design |
| 1981 | Life of Antonio Gramsci · as Production Design |
| 1980 | The Warning · as Art Direction |
| 1980 | The Persian Lamb Coat · as Production Design |
| 1980 | A Leap in the Dark · as Production Design |
| 1979 | Christ Stopped at Eboli · as Production Design |
| 1977 | Ecco noi per esempio... · as Production Design |
| 1977 | Three Tigers Against Three Tigers · as Production Design |
| 1976 | Mr. Robinson · as Production Design |
| 1976 | The Con Artists · as Production DesignPå Plex |
| 1976 | Illustrious Corpses · as Production Design |
| 1974 | Processo per direttissima · as Production Design |
| 1974 | Processo per direttissima · as Costume Designer |
| 1973 | Lucky Luciano · as Production Design |
| 1972 | The Mattei Affair · as Production Design |
| 1971 | A Fistful of Dynamite · as Art DirectionPå Plex |
| 1971 | Four Times That Night · as Production Design |
| 1970 | Incontro d'amore a Bali · as Production Design |
| 1970 | Incontro d'amore a Bali · as Costume Designer |
| 1970 | Many Wars Ago · as Production Design |
| 1969 | Seven Times Seven · as Art Director |
| 1968 | The Two Crusaders · as Production Design |
| 1968 | Brutti di notte · as Production Design |
| 1968 | The Seven Cervi Brothers · as Production Design |
| 1967 | Night Was Made for Stealing · as Set Decorator |
| 1966 | Shoot Loud, Louder... I Don't Understand · as Assistant Production Design |
| 1963 | Yesterday, Today and Tomorrow · as Assistant Set DecorationPå Plex |
| 1962 | The Four Days of Naples · as Assistant Production Design |
| 1962 | The Witch's Curse · as Art Direction |