André Cayatte
Regissør, Manusforfatter
3. februar 1909 — 6. februar 1989 (80 år)
André Cayatte (3 February 1909, in Carcassonne – 6 February 1989, in Paris) was a French filmmaker, writer and lawyer, who became known for his films centering on themes of crime, justice, and moral responsibility.
Cayatte began his directoral career at the German-controlled Continental Films during the French occupation. Some of Cayatte's earlier films that addressed his characteristic themes include Justice est faite (Justice is Done; 1950), Nous sommes tous des assassins (We Are All Murderers; 1952), and Le passage du Rhin (Tomorrow Is My Turn; 1960).
In 1963, he undertook a bold experiment in film narrative with a set of two films: Jean-Marc ou La vie conjugale (Anatomy of a Marriage: My Days with Jean-Marc) and Françoise ou La vie conjugale (Anatomy of a Marriage: My Days with Françoise). These two films tell the same story from two different points of view. His 1973 film, Il n'y a pas de fumée sans feu, won the Silver Bear Special Jury Prize at the 23rd Berlin International Film Festival.
His younger brother was the film editor Paul Cayatte.
Source: Article "André Cayatte" from Wikipedia in English, licensed under CC-BY-SA.
Cayatte began his directoral career at the German-controlled Continental Films during the French occupation. Some of Cayatte's earlier films that addressed his characteristic themes include Justice est faite (Justice is Done; 1950), Nous sommes tous des assassins (We Are All Murderers; 1952), and Le passage du Rhin (Tomorrow Is My Turn; 1960).
In 1963, he undertook a bold experiment in film narrative with a set of two films: Jean-Marc ou La vie conjugale (Anatomy of a Marriage: My Days with Jean-Marc) and Françoise ou La vie conjugale (Anatomy of a Marriage: My Days with Françoise). These two films tell the same story from two different points of view. His 1973 film, Il n'y a pas de fumée sans feu, won the Silver Bear Special Jury Prize at the 23rd Berlin International Film Festival.
His younger brother was the film editor Paul Cayatte.
Source: Article "André Cayatte" from Wikipedia in English, licensed under CC-BY-SA.
Kjent for
Filmography
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| 1942 |
| 1989 | The Big Secret · as Screenplay |
| 1978 | Question of Love · as Screenplay |
| 1978 | |
| 1977 | À chacun son enfer · as Screenplay |
| 1973 | |
| 1971 | |
| 1969 | |
| 1967 | Risky Business · as Screenplay |
| 1964 | Anatomy of a Marriage · as Screenplay |
| 1964 | Anatomy of a Marriage · as Screenplay |
| 1962 | |
| 1960 | |
| 1958 | |
| 1957 | An Eye for an Eye · as Screenplay |
| 1955 | Black Dossier · as Screenplay |
| 1954 | Before the Deluge · as Screenplay |
| 1950 | Justice Is Done · as Screenplay |
| 1949 | |
| 1948 | Under the Cards · as Screenplay |
| 1946 | |
| 1946 | The Last Penny · as Screenplay |
| 1943 | Pierre and Jean · as Screenplay |
| 1943 | |
| 1942 | Twisted Mistress · as Screenplay |
| 1941 | Montmartre · as Screenplay |
| 1938 |
| 1975 | Sunday meetings · as Self |
| 1956 | Cinépanorama · as Self |
| 1952 | Reflets de Cannes · as Self |
| 1996 | The Mirror Has Two Faces · as Original Story |
| 1974 | Verdict · as Author |
| 1965 | Piège pour Cendrillon · as Adaptation |
| 1952 | We Are All Murderers · as Scenario Writer |
| 1942 | Annette et la dame blonde · as Assistant Director |
| 1942 | Caprices · as Dialogue |
| 1941 | Stormy Waters · as Adaptation |
| 1941 | Le club des soupirants · as Adaptation |
| 1940 | Thunder Over Paris · as Dialogue |