PG-13
2012    1t, 41mCrime, Action
5.211%47%5.1
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Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all.
Regissert av Rob Cohen
  • Tyler PerryDr. Alex Cross
  • Edward BurnsTommy Kane
  • Matthew FoxPicasso
  • Rachel NicholsMonica Ashe
  • Carmen EjogoMaria Cross
  • Jean RenoGilles Mercier
  • John C. McGinleyRichard Brookwell
  • Giancarlo EspositoDaramus Holiday
  • Cicely TysonNana Mama
  • Chad LindbergVincent Dardis
  • Stephanie JacobsenFan Yau
  • Sonny SurowiecHans Friedlich
  • Yara ShahidiJanelle Cross
  • Simon RheeFan Yau Bodyguard #3
  • Alexandra RuddyBrookwell Aide
  • Christian 'Trick Trick' MathisFight Manager
  • Werner DaehnErich Nunemacher
  • Sayeed ShahidiDamon Cross
  • Bonnie BentleyDetective Jody Klebanoff
  • Keith CameronBodyguard
  • Richard Davis11. mai 2026
    Decent villain. Decent story with an average twist, but not a patch on the Morgan Freeman films... not even close.
  • Shaydeknight5. januar 2026
    Alex Cross feels oddly muted, more like a made-for-TV production than a theatrical release. The script is genuinely poor, riddled with non sequiturs and exchanges that sound read rather than lived. Scenes do not build or resolve, they simply occur, often without logic or emotional continuity. As a result, there is no sense of escalation, no meaningful peaks or valleys, just a flat progression toward inevitable boredom. Tyler Perry lacks the gravitas required for the role, a problem exacerbated by the material he is given. Matthew Fox appears to be performing what he imagines to be intense character work, but it comes across as overwrought and ungrounded, like a first year theatre student mistaking excess for depth. Edward Burns remains, as usual, a block of wood. Rob Cohen's direction does the film no favours. The camera work is frenetic and way too jiggly, and the screenplay is lazily written. The clearest example is John C. McGinley's character, who exists solely to bark out hard-boiled one liners in the tradition of an 80s police chief, but the effect is rayon rather than silk: cheap, artificial, and hollow. There is no emotional connection to any of the characters, no sense of investment in their success or failure. Even moments clearly intended to be big scenes are undercut by cheap effects and poor staging. The end result is a film that is not merely bad, but dull, which is arguably the greater sin.
  • Kent Butterfield19. mars 2025
    One of my favorites. Oioh nooooo.

Se Alex Cross-videoer

  • Alex Cross
    Alex CrossTrailer
  • Edward Burns On James Patterson
    Edward Burns On James PattersonBak kulissene
  • Rob Cohen On Casting Matthew Fox
    Rob Cohen On Casting Matthew FoxBak kulissene
  • Rachel Nichols On Doing Action Roles
    Rachel Nichols On Doing Action RolesBak kulissene
  • James Patterson On Tyler Perry As Alex Cross
    James Patterson On Tyler Perry As Alex CrossBak kulissene
  • Matthew Fox On The Physical Preparation For The Character
    Matthew Fox On The Physical Preparation For The CharacterBak kulissene
  • Picasso
    PicassoScene
  • He Won't Stop
    He Won't StopScene
  • Dig Two Graves
    Dig Two GravesScene
  • Drop The Gun Now
    Drop The Gun NowScene
  • You're In My Way
    You're In My WayScene
  • I'm A Professional
    I'm A ProfessionalScene
  • Her Heart Just Stopped
    Her Heart Just StoppedScene

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