

Hvor å se After Hours
- Will (M0nk)6. november 2025A Good Film, very much satirical and poking fun at movies of the era. The plot becomes almost frustrating at times. Teasing stories that go nowhere. the bumbling idiot trope, but less bumbling idiot and more avoidant, narcissistic, lead character. I recommend for a watch. but it could be just as annoying for you as it was for me. still really fun at moments. watch and find what you enjoy!
- Peter Bickford13. juni 2025This one's actually a bit of an odd duck. Scorsese's wild night in the city is filled with memorable performances, but it comes off ultimately as a bit low key. It never reaches wacky comedy levels of crazy, but it's too strange to be a character study. More of a "Everyone in this town is crazy" sort of affair.
- Rowan Krzysiak13. februar 2025I picked this purely based on its cover art and it turns out it was directed by Scorcese and it is a stonker. I'd liken it to playing a sexually provocative point and click while getting increasingly drunk with the heating turned up to max. It's a frantic, exciting, confusingly woven stop and start sweat bead of a movie. Keep a cold bottle of water nearby. Highly recommended.
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Gratis på over 20 plattformer. Velg din.After Hours-trivia
After Hours ble utgitt 16. august 1985.
After Hours ble regissert av Martin Scorsese.
After Hours har en spilletid på 1t, 37m.
After Hours ble produsert av Griffin Dunne, Amy Robinson, Robert F. Colesberry.
A meek word processor in New York impulsively travels downtown to Soho for a date with an attractive, but apparently disturbed, young woman, and finds himself trapped in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances.
Hovedpersonene i After Hours er Paul Hackett (Griffin Dunne), Marcy (Rosanna Arquette), June (Verna Bloom).
After Hours har aldersgrensen R.
After Hours er en Comedy, Thriller, Drama.
After Hours har en publikumsvurdering på 8.7 av 10.
After Hours hadde et budsjett på USD 4,5 mill..
After Hours har tjent USD 10,6 mill. på kino.






















