Ron Alexander
Regisseur, Producer
Cinematografie
| 1972 | Ballet Adagio · as Sound |
| 1970 | Act of the Heart · as Sound Engineer |
| 1970 | Tout le temps, tout le temps, tout le temps? · as Sound Mixer |
| 1970 | Ashes of Doom · as Sound Mixer |
| 1969 | Waiting for Caroline · as Sound Re-Recording Mixer |
| 1969 | The Hoarder · as Recording Supervision |
| 1968 | Pas de deux · as Sound |
| 1968 | Fluxes · as Sound Re-Recording Mixer |
| 1968 | Sabre and Foil · as Sound |
| 1967 | Blades and Brass · as Sound |
| 1967 | The Times That Are · as Sound Mixer |
| 1967 | Kurelek · as Recording Supervision |
| 1967 | A Search for Learning · as Sound Re-Recording Mixer |
| 1967 | A Child in His Country · as Sound |
| 1967 | Angel · as Sound Editor |
| 1967 | Never a Backward Step · as Sound Re-Recording Mixer |
| 1967 | Judoka · as Director Of Photography |
| 1966 | Montreal Flight 871 · as Sound Re-Recording Mixer |
| 1966 | Paddle to the Sea · as Sound Recordist |
| 1966 | Helicopter Canada · as Sound Re-Recording Mixer |
| 1966 | Citérama · as Sound Recordist |
| 1966 | Comment savoir · as Recording Supervision |
| 1966 | Bird of Passage · as Recording Supervision |
| 1966 | The Quiet Racket · as Sound Re-Recording Mixer |
| 1966 | Canadians Can Dance! · as Other |
| 1966 | Mosaic · as Sound |
| 1965 | Stravinsky · as Sound Recordist |
| 1965 | 60 Cycles · as Recording Supervision |
| 1965 | The Merry World of Leopold Z · as Sound Re-Recording Mixer |
| 1965 | Buster Keaton Rides Again · as Recording SupervisionOp Plex |
| 1965 | Astataïon ou Le festin des morts · as Recording Supervision |
| 1965 | A Trip Down Memory Lane · as Sound Re-Recording Mixer |
| 1965 | High Steel · as Sound |
| 1964 | Nobody Waved Good-bye · as Sound Re-Recording Mixer |
| 1964 | Eskimo Artist: Kenojuak · as Sound |
| 1964 | Le temps perdu · as Sound Re-Recording Mixer |
| 1964 | The Big Swim · as Sound Re-Recording Mixer |
| 1964 | Phoebe · as Sound |
| 1964 | Percé on the Rocks · as Recording Supervision |
| 1964 | Haida Carver · as Recording Supervision |
| 1964 | Toronto Jazz · as Sound |
| 1964 | Golden Gloves · as Sound Re-Recording Mixer |
| 1963 | Lonely Boy · as Sound Recordist |
| 1963 | Fields of Sacrifice · as Sound Re-Recording Mixer |
| 1963 | Of Whales, the Moon, and Men · as Sound |
| 1963 | Kindergarten · as Sound Re-Recording Assistant |
| 1963 | Patinoire · as Sound Recordist |
| 1963 | Trans-Canada Journey · as Sound Re-Recording Mixer |
| 1963 | Cornet at Night · as Sound |
| 1963 | Anniversary · as Sound |
| 1963 | Magic Molecule · as Sound Re-Recording Mixer |
| 1962 | My Financial Career · as Sound |
| 1962 | Drylanders · as Sound |
| 1961 | The Joy of Winter · as Sound Mixer |
| 1961 | Cattle Ranch · as Sound |
| 1961 | Festival in Puerto Rico · as Sound Recordist |
| 1961 | Louis-Joseph Papineau: The Demi-God · as Recording Supervision |
| 1960 | Circle of the Sun · as Sound |
| 1960 | The Cars in Your Life · as Sound |
| 1959 | Emergency Ward · as Sound |
| 1959 | Glenn Gould: Off the Record · as Sound |
| 1959 | Glenn Gould: On the Record · as Sound |
| 1959 | A Day in June · as Sound Re-Recording Mixer |
| 1959 | Les brûlés · as Recording Supervision |
| 1959 | Tourist Go Home · as Recording Supervision |
| 1958 | A Foreign Language · as Sound |
| 1958 | Les raquetteurs · as Sound Mixer |