Oliver Wood
Acteur
21 februari 1942 — 13 februari 2023 (80 years)
Oliver Wood (February 21, 1942 – February 13, 2023) was a British cinematographer, best known for his work on blockbuster action and comedy films such as Die Hard 2, Face/Off, Freaky Friday, Talladega Nights: The Ballad of Ricky Bobby, and the Bourne franchise. He collaborated with directors like Paul Greengrass, John Woo, Renny Harlin, Ron Underwood, and Adam McKay and was nominated for a BAFTA Award for Best Cinematography for The Bourne Ultimatum.
Wood was born in London on 21 February 1942. At the age of 19, he moved to New York City. His first break came for director Leonard Kastle on the cult crime film The Honeymoon Killers (1969), where he used available light to give the dark comedy a newsreel look. He shot numerous B-movies and independent films throughout the late 1970s and 1980s, frequently collaborating with cinematographers Joseph Mangine and Fred Murphy. He also worked as a camera operator on higher-profile projects, including Body Rock (1984) and To Live and Die in L.A. (1985), both of which were shot by Robby Müller. He also became a music video and commercial cinematographer, working for directors like Bob Giraldi and Rupert Wainwright.[9]
His big break came when he was director of photography for 53 episodes of the stylish crime drama Miami Vice, serving as the series primary DP between 1987 and 1989. His work on the series caught the attention of producers, enabling him to work on big-budget Hollywood films including Die Hard 2 (1990), Face/Off (1997), U-571 (2000), Fantastic Four (2005), and Anchorman 2: The Legend Continues (2013). He was the original director of photography on the swashbuckling action film Cutthroat Island but suffered an on-set injury and was replaced by Peter Levy. He also shot the Bourne Trilogy, where he worked with director Paul Greengrass to produce a spontaneous, naturalistic effect, often using multiple cameras, frequently handheld, citing films such as The Battle of Algiers as an influence. He was nominated for a BAFTA for The Bourne Ultimatum (2007).
In 2016, Wood shot the remake of Ben-Hur, directed by Timur Bekmambetov, utilising GoPro cameras to film the movie's action sequences. His last credit was for Morbius (2022).
Wood died from cancer at his home in Los Angeles, California, on 13 February 2023 at the age of 80. He is survived by his wife, Sabina Groh; his daughters, Katharine Wood and Fiona Wood; and his son, Emerson Forth.
Description above from the Wikipedia article Oliver Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Wood was born in London on 21 February 1942. At the age of 19, he moved to New York City. His first break came for director Leonard Kastle on the cult crime film The Honeymoon Killers (1969), where he used available light to give the dark comedy a newsreel look. He shot numerous B-movies and independent films throughout the late 1970s and 1980s, frequently collaborating with cinematographers Joseph Mangine and Fred Murphy. He also worked as a camera operator on higher-profile projects, including Body Rock (1984) and To Live and Die in L.A. (1985), both of which were shot by Robby Müller. He also became a music video and commercial cinematographer, working for directors like Bob Giraldi and Rupert Wainwright.[9]
His big break came when he was director of photography for 53 episodes of the stylish crime drama Miami Vice, serving as the series primary DP between 1987 and 1989. His work on the series caught the attention of producers, enabling him to work on big-budget Hollywood films including Die Hard 2 (1990), Face/Off (1997), U-571 (2000), Fantastic Four (2005), and Anchorman 2: The Legend Continues (2013). He was the original director of photography on the swashbuckling action film Cutthroat Island but suffered an on-set injury and was replaced by Peter Levy. He also shot the Bourne Trilogy, where he worked with director Paul Greengrass to produce a spontaneous, naturalistic effect, often using multiple cameras, frequently handheld, citing films such as The Battle of Algiers as an influence. He was nominated for a BAFTA for The Bourne Ultimatum (2007).
In 2016, Wood shot the remake of Ben-Hur, directed by Timur Bekmambetov, utilising GoPro cameras to film the movie's action sequences. His last credit was for Morbius (2022).
Wood died from cancer at his home in Los Angeles, California, on 13 February 2023 at the age of 80. He is survived by his wife, Sabina Groh; his daughters, Katharine Wood and Fiona Wood; and his son, Emerson Forth.
Description above from the Wikipedia article Oliver Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematografie
| 2010 | The Other Guys · as Captain Salty |
| 2022 | Morbius · as Director Of Photography |
| 2018 | Holmes & Watson · as Director Of Photography |
| 2018 | The Equalizer 2 · as Director Of Photography |
| 2016 | Jack Reacher: Never Go Back · as Director Of Photography |
| 2016 | Ben-Hur · as Director Of Photography |
| 2016 | The Brothers Grimsby · as Director Of Photography |
| 2015 | Child 44 · as Director Of PhotographyOp Plex |
| 2014 | Two Plans, Two Sisters & a Parade · as Cinematographer |
| 2013 | Anchorman 2: The Legend Continues · as Director Of Photography |
| 2013 | 2 Guns · as Director Of Photography |
| 2012 | Safe House · as Director Of Photography |
| 2010 | The Other Guys · as Director Of Photography |
| 2009 | Surrogates · as Director Of Photography |
| 2008 | Step Brothers · as Director Of Photography |
| 2007 | The Bourne Ultimatum · as Director Of Photography |
| 2006 | Talladega Nights: The Ballad of Ricky Bobby · as Director Of Photography |
| 2005 | Fantastic Four · as Director Of Photography |
| 2004 | The Bourne Supremacy · as Director Of Photography |
| 2004 | Scooby-Doo 2: Monsters Unleashed · as Director Of Photography |
| 2003 | Freaky Friday · as Director Of Photography |
| 2003 | National Security · as Director Of Photography |
| 2002 | I Spy · as Director Of Photography |
| 2002 | The Adventures of Pluto Nash · as Director Of Photography |
| 2002 | The Bourne Identity · as Director Of Photography |
| 2000 | U-571 · as Director Of Photography |
| 1998 | Mighty Joe Young · as Director Of Photography |
| 1997 | Switchback · as Director Of Photography |
| 1997 | Face/Off · as Director Of Photography |
| 1996 | 2 Days in the Valley · as Director Of Photography |
| 1996 | Celtic Pride · as Director Of Photography |
| 1995 | Mr. Holland's Opus · as Director Of Photography |
| 1994 | Terminal Velocity · as Director Of Photography |
| 1993 | Sister Act 2: Back in the Habit · as Director Of Photography |
| 1993 | Rudy · as Director Of Photography |
| 1993 | For Love or Money · as Director Of Photography |
| 1991 | Mystery Date · as Director Of Photography |
| 1991 | Bill & Ted's Bogus Journey · as Director Of Photography |
| 1990 | The Adventures of Ford Fairlane · as Director Of Photography |
| 1990 | Die Hard 2 · as Director Of Photography |
| 1987 | Nasty Hero · as Director Of Photography |
| 1986 | Neon Maniacs · as Director Of PhotographyOp Plex |
| 1986 | Joey · as Cinematographer |
| 1985 | The Sex O'Clock News · as Director Of Photography |
| 1984 | Alphabet City · as Director Of Photography |
| 1984 | Miami Vice · as Director Of Photography |
| 1983 | The Returning · as Director Of Photography |
| 1979 | Don't Go in the House · as Director Of PhotographyOp Plex |
| 1979 | Danny · as Director Of Photography |
| 1970 | The Honeymoon Killers · as Director Of Photography |