
Marco Ferreri
Schrijver, Regisseur, Acteur, Producer
11 mei 1928 — 9 mei 1997 (68 years)
Marco Ferreri (11 May 1928 – 9 May 1997) was an Italian film director, screenwriter and actor. He was born in Milan and died in Paris of a myocardial infarction. Upon his death, Gilles Jacob, artistic director of the Cannes International Film Festival, said: The Italian cinema has lost one of its most original artists, one of its most personal authors (...) No one was more demanding nor more allegorical than he in showing the state of crisis of contemporary man. His best known film is La Grande Bouffe, starring Marcello Mastroianni, Michel Piccoli, Philippe Noiret and Ugo Tognazzi.
His 1979 film Chiedo asilo won him the Silver Bear - Special Jury Prize at the 30th Berlin International Film Festival. In 1991, his film La casa del sorriso won the Golden Bear at the 41st Berlin International Film Festival.
Description above from the Wikipedia article Marco Ferreri, licensed under CC-BY-SA, full list of contributors on Wikipedia.
His 1979 film Chiedo asilo won him the Silver Bear - Special Jury Prize at the 30th Berlin International Film Festival. In 1991, his film La casa del sorriso won the Golden Bear at the 41st Berlin International Film Festival.
Description above from the Wikipedia article Marco Ferreri, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Cinematografie
| 1996 | |
| 1993 | |
| 1991 | |
| 1991 | |
| 1989 | |
| 1988 | |
| 1986 | |
| 1984 | |
| 1983 | The Story of Piera · as Screenplay |
| 1981 | |
| 1979 | |
| 1978 | |
| 1976 | |
| 1974 | |
| 1973 | The Big Feast · as Screenplay |
| 1972 | |
| 1972 | L'udienza · as Screenplay |
| 1969 | The Seed of Man · as Screenplay |
| 1967 | |
| 1966 | The Wedding March · as Screenplay |
| 1965 | |
| 1964 | Countersex · as Screenplay |
| 1964 | |
| 1963 | The Conjugal Bed · as Screenplay |
| 1962 | Mafioso · as Screenplay |
| 1961 | Latin Lovers · as Screenplay |
| 1960 | El cochecito · as Screenplay |
| 1959 | |
| 1958 | The Little Apartment · as Screenplay |
| 1954 | |
| 1953 |
| 1996 | |
| 1993 | |
| 1991 | |
| 1991 | |
| 1989 | |
| 1988 | |
| 1986 | |
| 1984 | |
| 1983 | |
| 1981 | |
| 1979 | |
| 1978 | |
| 1978 | |
| 1976 | |
| 1974 | |
| 1973 | |
| 1972 | |
| 1972 | |
| 1969 | |
| 1969 | |
| 1967 | |
| 1967 | |
| 1966 | |
| 1965 | |
| 1964 | |
| 1964 | |
| 1963 | |
| 1961 | |
| 1961 | |
| 1960 | |
| 1959 | |
| 1958 |
| 2021 | |
| 1974 | Don't Touch the White Woman! · as The Reporter (uncredited) |
| 1970 | So Long Gulliver · as Priest |
| 1970 | Wind from the East · as (uncredited) |
| 1969 | Pigsty · as Hans Günther |
| 1969 | The Seed of Man · as Beach House Owner |
| 1968 | The Posthumous Papers of the Pickwick Club · as Boldwing |
| 1967 | |
| 1967 | The Seventh Floor · as Dottor Salamoia |
| 1965 | Kiss the Other Sheik · as (segment "l'uomo Dei 5 Palloni") (uncredited) |
| 1965 | Casanova 70 · as Il Conte |
| 1964 | The Ape Woman · as Priest Face In Diapo In Africa (uncredited) |
| 1958 | The Little Apartment · as Luisito - El Casero (uncredited) |
| 1954 | Women and Soldiers · as Landlord |
| 1954 | Riviera · as Ex-Fumatore Grasso |
| 1953 | Love in the City · as Man In Trinità De' Monti (segment "gli Italiani Si Voltano") |
| 1970 | Wind from the East · as Executive Producer |
| 1953 |
| 2023 | The Family · as Self |
| 2022 | Nos italiennes, de Magnani à Muti · as Self |
| 2021 | |
| 2017 | L'extravagant monsieur Piccoli · as Self - Filmmaker (archive Footage) |
| 2016 | Porn to Be Free · as Self - Filmmaker (archive Footage) |
| 2006 | Marcello, una vita dolce · as Self |
| 2004 | Words in Progress · as Self |
| 1991 | Movie Days · as Self |
| 1979 | An Almost Perfect Affair · as Self (uncredited) |
| 1976 | A Fondo · as Self |
| 1975 | Sunday meetings · as Self |
| 1972 | Midi Trente · as Self |
| 1965 | Antonioni: Documents and Testimonials · as Self |
| 1952 | Reflets de Cannes · as Self |
| 1988 | Ya bon les blancs · as Production Design |
| 1978 | Yerma · as Adaptation |
| 1970 | The Lion Has Seven Heads · as Production Manager |
| 1969 | Dillinger Is Dead · as Story |
| 1967 | The Harem · as Story |



















