Lou Pecora
Lou Pecora is an American visual effects artist. Since he began his career in 1996, he's been involved in several projects. As a visual effects artist, he creates visual effects and animation, taking video that's shot on a green screen, then digitally duplicating it into a scene. He occasionally gets to go on set, but most of the work is done in front of the computer.
He has been nominated for an Academy Award in the category Best Visual Effects for the film X-Men: Days of Future Past.
He has been nominated for an Academy Award in the category Best Visual Effects for the film X-Men: Days of Future Past.
Cinematografie
| 2024 | Marmalade · as Visual Effects Supervisor |
| 2022 | Darby and the Dead · as Visual Effects Supervisor |
| 2022 | Paper Girls · as Visual Effects Supervisor |
| 2020 | Black Bear · as Visual Effects SupervisorOp Plex |
| 2019 | Lucy in the Sky · as Visual Effects Supervisor |
| 2017 | Spider-Man: Homecoming · as Visual Effects Supervisor |
| 2017 | Legion · as Visual Effects Supervisor |
| 2014 | X-Men: Days of Future Past · as Visual Effects Supervisor |
| 2014 | Fargo · as Visual Effects Supervisor |
| 2013 | Iron Man 3 · as Compositing Artist |
| 2011 | Transformers: Dark of the Moon · as Compositing Supervisor |
| 2009 | Transformers: Revenge of the Fallen · as Compositing Supervisor |
| 2009 | Star Trek · as Compositing Supervisor |
| 2008 | The Mummy: Tomb of the Dragon Emperor · as Compositing Supervisor |
| 2007 | Pirates of the Caribbean: At World's End · as Compositing Supervisor |
| 2006 | Letters from Iwo Jima · as Digital Compositor |
| 2006 | Flags of Our Fathers · as Digital Compositor |
| 2005 | Stealth · as Digital Compositor |
| 2004 | I, Robot · as Digital Compositor |
| 2003 | Looney Tunes: Back in Action · as Digital Compositor |
| 2002 | Star Trek: Nemesis · as Digital Compositor |
| 2002 | The Time Machine · as Digital Compositor |
| 2000 | How the Grinch Stole Christmas · as Compositing Artist |