Kevin Anderson
Schrijver, Regisseur, Acteur, Redacteur, Producer
Cinematografie
| 2012 | |
| 2003 | |
| 2003 | In the Realm of the Hackers · as Screenplay |
| 1979 |
| 1993 |
| 2012 | |
| 1983 | The Wharfie · as Co-Producer |
| 2023 | Shelter in Solitude · as First Assistant Director |
| 2012 | Last of the Independents · as Cinematographer |
| 2007 | The Fabric of a Dream: The Fletcher Jones Story · as Cinematographer |
| 2006 | Riot or Revolution: Eureka Stockade 1854 · as Cinematographer |
| 2006 | The Choice: Personal Stories About Abortion · as Cinematographer |
| 2006 | We the Jury · as Cinematographer |
| 2005 | A Stowaway's Guide to the Pacific · as Cinematographer |
| 2004 | Troubled Minds: The Lithium Revolution · as Cinematographer |
| 2003 | Stories From The Stone Age · as Cinematographer |
| 2003 | A Machine to Die For · as Cinematographer |
| 2003 | Trial by Fire · as Cinematographer |
| 2003 | In the Realm of the Hackers · as Cinematographer |
| 2002 | Rainbow Bird & Monster Man · as Cinematographer |
| 2002 | The Miners · as Cinematographer |
| 2002 | The Railwaymen · as Cinematographer |
| 2001 | The Canecutters · as Cinematographer |
| 1997 | Eco Redesign · as Cinematographer |
| 1996 | Marrying and Migrating: You Have to Work at It · as Cinematographer |
| 1996 | Add Religion and Stir · as Cinematographer |
| 1996 | Ursula Frayne: A Woman of Mercy · as Cinematographer |
| 1996 | Edmund Rice: The Quiet Revolutionary · as Cinematographer |
| 1996 | Walking the Fine Line · as Cinematographer |
| 1995 | Discovering Australia: The Tropical North · as Cinematographer |
| 1995 | Discovering Australia: The Golden West · as Cinematographer |
| 1995 | Angel · as Cinematographer |
| 1995 | Discovering Australia: The Splendours of the Southeast · as Cinematographer |
| 1995 | Neighbours: A 10th Anniversary Celebration · as Co-Cinematographer |
| 1994 | The Business of Making Saints · as Cinematographer |
| 1993 | Ford: A Certain Magic · as Cinematographer |
| 1993 | Priceless Places: Australia's National Estate Wilderness · as Cinematographer |
| 1993 | In the Face of Adversity: The POW Experience in Europe and Korea · as Cinematographer |
| 1992 | Best Practice: Picasso Masters the Art · as Cinematographer |
| 1992 | Inside Knowledge · as Cinematographer |
| 1992 | Aftermath: Restoring the Workplace · as Cinematographer |
| 1990 | Haemophilia: It's Not What You Think · as Cinematographer |
| 1990 | Great National Parks of Australia · as Cinematographer |
| 1990 | Risks and Reasons · as Cinematographer |
| 1990 | Big Night Out · as Cinematographer |
| 1990 | Just a Patch of Scrub · as Cinematographer |
| 1990 | Better Than Rain · as Cinematographer |
| 1990 | The HIV Antibody Test · as Cinematographer |
| 1989 | Two Wheel Tactics · as Cinematographer |
| 1989 | Carolin and the Frog · as Cinematographer |
| 1989 | The Right to Be Heard · as Cinematographer |
| 1989 | Me and My Big Mouth · as Cinematographer |
| 1989 | Right Braking · as Cinematographer |
| 1989 | Who's True Blue? · as Cinematographer |
| 1988 | Right Attitude · as Cinematographer |
| 1988 | High and Wild · as Cinematographer |
| 1988 | Lasseter: Legend of the Lost Reef · as Cinematographer |
| 1988 | Wild About Wilderness · as Cinematographer |
| 1988 | The Child at the Centre · as Cinematographer |
| 1988 | Australia: A New Horizon · as Cinematographer |
| 1988 | The Tools of Well-being · as Cinematographer |
| 1987 | Living Forever · as Cinematographer |
| 1987 | I Call It Home · as Cinematographer |
| 1987 | Right Roadcraft · as Cinematographer |
| 1987 | Right Maintenance · as Cinematographer |
| 1986 | Kakadu: Land of the Crocodile · as Cinematographer |
| 1986 | The Still Point · as Director Of Photography |
| 1986 | Daintree: The Vanishing Rainforest · as Cinematographer |
| 1986 | Southwest Tasmania: The Gliders · as Cinematographer |
| 1986 | Behind the Dam · as Director Of Photography |
| 1986 | Right Rider · as Cinematographer |
| 1985 | Wildcats and Pipedreams · as Cinematographer |
| 1985 | A Day in the Life of Australia · as Co-Cinematographer |
| 1985 | Time Out · as Cinematographer |
| 1985 | Life with Paper · as Cinematographer |
| 1985 | Work and Change: Industrial Democracy · as Cinematographer |
| 1984 | Ibrahim · as Cinematographer |
| 1984 | Theorem: A Dream of Change · as Co-Cinematographer |
| 1984 | On the Line · as Cinematographer |
| 1984 | In a Wheelchair, So What? · as Cinematographer |
| 1984 | East Meets West · as Cinematographer |
| 1984 | The Bark Is Worse Than the Byte · as Cinematographer |
| 1984 | On the Line · as Treatment |
| 1983 | The Age of Change · as Cinematographer |
| 1983 | Tandberg on Page One · as Cinematographer |
| 1983 | Working Work Out · as Cinematographer |
| 1983 | The Wharfie · as Cinematographer |
| 1983 | Downhill Climb · as Cinematographer |
| 1983 | The Water Waster · as Cinematographer |
| 1982 | The Melbourne Concert Hall · as Cinematographer |
| 1982 | Around the Bend · as Cinematographer |
| 1981 | Lilydale: A Change in Pace · as Cinematographer |
| 1981 | Brake Tests · as Cinematographer |
| 1980 | Our Fragile Coast · as Cinematographer |
| 1980 | Winning · as Cinematographer |
| 1980 | Women Climbing Mountains · as Cinematographer |
| 1979 | The Place Across the River · as Cinematographer |
| 1979 | Dartmouth Construction · as Cinematographer |
| 1978 | These Were the Days · as Cinematographer |
| 1977 | Around the Clock · as Cinematographer |
| 1976 | Dance at Angurugu · as Cinematographer |
| 1975 | Ceremony · as Co-Cinematographer |
| 1975 | Eylandt Ore · as Cinematographer |
| 1975 | Dartmouth Dam · as Cinematographer |
| 1975 | Zincmaster · as Cinematographer |
| 1973 | Achievement · as Cinematographer |
| 1973 | Learn to Live · as Cinematographer |