Edward Yang
Regisseur, Schrijver, Acteur, Componist
6 november 1947 — 29 juni 2007 (59 years)
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.
Known For
Cinematografie
| 2000 | |
| 1996 | |
| 1994 | |
| 1992 | |
| 1991 | |
| 1986 | |
| 1985 | |
| 1983 | |
| 1982 |
| 2000 | |
| 1996 | |
| 1994 | |
| 1992 | |
| 1991 | |
| 1986 | |
| 1985 | Taipei Story · as Screenplay |
| 1983 | |
| 1982 |
| 2007 | Pierre Rissient: Man of Cinema · as Cast |
| 2000 | Yi Yi · as Pianist (uncredited) |
| 1997 | First Love Unlimited · as Tap's Step-Father |
| 1985 | Taipei Story · as Bartender (uncredited) |
| 1984 | A Summer at Grandpa's · as Guanglin |
| 1985 | Taipei Story · as Original Music Composer |
| 1984 | A Summer at Grandpa's · as Original Music Composer |
| 1996 | Yang ± Yin: Gender in Chinese Cinema · as Self |
| 1995 | The Century of Cinema · as Self |
| 1994 | A Confucian Confusion · as Production Design |