Daniel Haller
Regisseur, Producer
14 september 1926 (99 years)
From Wikipedia, the free encyclopedia
Daniel Haller (born September 14, 1926 in Glendale, California) is an American film and television director, production designer, and art director. Haller studied at the renowned Chouinard Art Institute in Los Angeles.
In 1953, Haller started as an art director in television, then quickly graduated to low budget feature films. Among many other credits, Haller designed the deceptively opulent sets for nearly all of Roger Corman's critically acclaimed Edgar Allan Poe film series, including House of Usher (1960) and The Pit and the Pendulum (1961).
Haller directed his first film, Die, Monster, Die!, in 1965 for American International Pictures. Based on H. P. Lovecraft's short story The Colour Out of Space, it was very similar in plot and atmosphere to Corman's Poe films. After directing two motorcycle pictures (The Devil's Angels (1967) and The Wild Racers (1968)), Haller filmed another Lovecraft adaptation, The Dunwich Horror (1970).
From 1972, all of Haller's subsequent work has been in television, including directing episodes of Night Gallery, Battlestar Galactica and Buck Rogers in the 25th Century. Today he lives with his family in a horse ranch in the San Fernando Valley.
Description above from the Wikipedia article Daniel Haller, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Daniel Haller (born September 14, 1926 in Glendale, California) is an American film and television director, production designer, and art director. Haller studied at the renowned Chouinard Art Institute in Los Angeles.
In 1953, Haller started as an art director in television, then quickly graduated to low budget feature films. Among many other credits, Haller designed the deceptively opulent sets for nearly all of Roger Corman's critically acclaimed Edgar Allan Poe film series, including House of Usher (1960) and The Pit and the Pendulum (1961).
Haller directed his first film, Die, Monster, Die!, in 1965 for American International Pictures. Based on H. P. Lovecraft's short story The Colour Out of Space, it was very similar in plot and atmosphere to Corman's Poe films. After directing two motorcycle pictures (The Devil's Angels (1967) and The Wild Racers (1968)), Haller filmed another Lovecraft adaptation, The Dunwich Horror (1970).
From 1972, all of Haller's subsequent work has been in television, including directing episodes of Night Gallery, Battlestar Galactica and Buck Rogers in the 25th Century. Today he lives with his family in a horse ranch in the San Fernando Valley.
Description above from the Wikipedia article Daniel Haller, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Movies & Shows on Plex
Known For
Cinematografie
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| 1970 | The Dunwich HorrorOp Plex |
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| 1961 | Master of the World · as Associate Producer |
| 2021 | Boris Karloff: The Man Behind the Monster · as Self - Interviewee |
| 1967 | A Time for Killing · as Art Direction |
| 1967 | Thunder Alley · as Art Direction |
| 1966 | Fireball 500 · as Art Direction |
| 1966 | The Ghost in the Invisible Bikini · as Art Direction |
| 1965 | Dr. Goldfoot and the Bikini Machine · as Art Direction |
| 1964 | Pajama Party · as Art Direction |
| 1964 | The Tomb of Ligeia · as Art Direction |
| 1964 | The Masque of the Red Death · as Production Design |
| 1964 | Bikini Beach · as Art Direction |
| 1963 | The Comedy of Terrors · as Production Design |
| 1963 | X: The Man with the X-Ray Eyes · as Production DesignOp Plex |
| 1963 | The Raven · as Art Direction |
| 1963 | The Haunted Palace · as Art Direction |
| 1963 | Beach Party · as Art Direction |
| 1963 | The Terror · as Art DirectionOp Plex |
| 1963 | Operation Bikini · as Art Direction |
| 1963 | Diary of a Madman · as Art Direction |
| 1962 | Tales of Terror · as Production Design |
| 1962 | Tower of London · as Art Direction |
| 1962 | The Premature Burial · as Art DirectionOp Plex |
| 1962 | Panic in Year Zero! · as Art Direction |
| 1961 | The Pit and the Pendulum · as Art Direction |
| 1961 | The Cat Burglar · as Art Direction |
| 1961 | Master of the World · as Production Design |
| 1960 | House of Usher · as Production Design |
| 1960 | The Little Shop of Horrors · as Art DirectionOp Plex |
| 1960 | The Wild Ride · as Art DirectionOp Plex |
| 1960 | The Girl in Lovers Lane · as Art DirectionOp Plex |
| 1960 | Devil's Partner · as Art DirectionOp Plex |
| 1959 | The Atomic Submarine · as Art DirectionOp Plex |
| 1959 | The Wasp Woman · as Art DirectionOp Plex |
| 1959 | A Bucket of Blood · as Art DirectionOp Plex |
| 1959 | Attack of the Giant Leeches · as Art DirectionOp Plex |
| 1959 | Ghost of Dragstrip Hollow · as Art Direction |
| 1959 | The Diary of a High School Bride · as Art Direction |
| 1959 | Tank Commandos · as Art Direction |
| 1959 | I Mobster · as Art Director |
| 1959 | Plunderers of Painted Flats · as Art DirectorOp Plex |
| 1958 | No Place to Land · as Art Director |
| 1958 | Hot Car Girl · as Art Director |
| 1958 | Night of the Blood Beast · as Art DirectionOp Plex |
| 1958 | War of the Satellites · as Art DirectionOp Plex |
| 1958 | Machine-Gun Kelly · as Art DirectionOp Plex |
| 1956 | Hot Rod Girl · as Art DirectorOp Plex |
| 1954 | Duffy of San Quentin · as Art Direction |
| 1953 | White Goddess · as Production Design |
| 1952 | Ramar of the Jungle · as Production Designer |