Arthur Piantadosi
4 augustus 1916 — 23 februari 1994 (77 years)
From Wikipedia, the free encyclopedia
Arthur Piantadosi (August 4, 1916 – February 23, 1994) was an American sound engineer. He won an Academy Award for Best Sound and was nominated for six more in the same category. He won a BAFTA Award in 1973 for Best Sound Track for the 1972 film Cabaret.
He worked as a music mixer for Warner Brothers, 20th Century-Fox, Columbia Pictures, Republic Pictures, and Universal Studios. During World War II, he worked for the Office of Strategic Services in John Ford's department.
Arthur Piantadosi (August 4, 1916 – February 23, 1994) was an American sound engineer. He won an Academy Award for Best Sound and was nominated for six more in the same category. He won a BAFTA Award in 1973 for Best Sound Track for the 1972 film Cabaret.
He worked as a music mixer for Warner Brothers, 20th Century-Fox, Columbia Pictures, Republic Pictures, and Universal Studios. During World War II, he worked for the Office of Strategic Services in John Ford's department.
Cinematografie
| 1982 | Tootsie · as Sound Re-Recording Mixer |
| 1982 | Tempest · as Sound Re-Recording Mixer |
| 1982 | Firefox · as Sound Re-Recording Mixer |
| 1982 | Mortuary · as Sound Re-Recording Mixer |
| 1981 | Absence of Malice · as Sound Re-Recording Mixer |
| 1981 | History of the World: Part I · as Sound Re-Recording Mixer |
| 1981 | Modern Romance · as Sound Re-Recording Mixer |
| 1980 | Altered States · as Sound Re-Recording Mixer |
| 1980 | The Stunt Man · as Sound Re-Recording MixerOp Plex |
| 1979 | The Electric Horseman · as Sound Re-Recording Mixer |
| 1979 | Time After Time · as Sound Re-Recording Mixer |
| 1979 | The In-Laws · as Sound MixerOp Plex |
| 1979 | Nightwing · as Sound Mixer |
| 1979 | Boulevard Nights · as Sound Re-Recording Mixer |
| 1979 | The China Syndrome · as Sound Re-Recording Mixer |
| 1977 | Exorcist II: The Heretic · as Sound Re-Recording Mixer |
| 1976 | Nickelodeon · as Sound Re-Recording Mixer |
| 1976 | From Noon Till Three · as Sound Re-Recording Mixer |
| 1976 | The Gumball Rally · as Sound Re-Recording Mixer |
| 1976 | The Shootist · as Sound Re-Recording Mixer |
| 1975 | Hugo the Hippo · as Sound |
| 1975 | Report to the Commissioner · as Sound Recordist |
| 1975 | Hard Times · as Sound Re-Recording Mixer |
| 1975 | Flash and the Firecat · as Sound Recordist |
| 1975 | Bite the Bullet · as Sound Re-Recording Mixer |
| 1974 | Freebie and the Bean · as Sound Re-Recording Mixer |
| 1974 | The Yakuza · as Sound Re-Recording Mixer |
| 1974 | Blazing Saddles · as Sound Re-Recording Mixer |
| 1973 | 40 Carats · as Sound Recordist |
| 1973 | Scarecrow · as Sound Re-Recording Mixer |
| 1973 | Lost Horizon · as Sound |
| 1973 | The Thief Who Came to Dinner · as Sound |
| 1973 | Shamus · as Sound Recordist |
| 1972 | 1776 · as Sound |
| 1972 | A Reflection of Fear · as Sound |
| 1972 | Butterflies Are Free · as Sound Re-Recording Mixer |
| 1971 | Cisco Pike · as Sound |
| 1971 | Fools' Parade · as Sound |
| 1971 | The Pursuit of Happiness · as Sound |
| 1971 | Doctors' Wives · as Sound |
| 1970 | The Owl and the Pussycat · as Sound |
| 1970 | I Walk the Line · as Sound |
| 1970 | The Liberation of L.B. Jones · as Sound |
| 1970 | Getting Straight · as Sound |
| 1969 | Marooned · as Sound |
| 1969 | The Mad Room · as Sound |
| 1969 | The Comic · as Sound |
| 1969 | Bob & Carol & Ted & Alice · as Sound |
| 1969 | Hook, Line and Sinker · as Sound |
| 1969 | Pendulum · as Sound |
| 1969 | Model Shop · as Sound |
| 1968 | The Wrecking Crew · as Sound |
| 1967 | In Cold Blood · as Sound |