16
2006    1 u, 50 mDrama, Horror
5.526%40%5.7
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Op 6 juni in Rome haast de Amerikaanse ambassadeur Robert Thorn zich naar het ziekenhuis omdat zijn vrouw Katherine moet bevallen. Helaas overlijdt het baby'tje. Maar in overleg met de priester - en zonder dat Katherine het weet - wordt een andere pasgeboren baby die geen ouders meer heeft, omgedoopt tot Robert en Katherine's zoontje Damien. Tot zijn vijfde gaat alles voorspoedig, op het eerste bezoekje aan de kerk na. Maar dan begint een vreemde serie ongelukken die start met de zelfmoord van de oppas. Robert wordt door een priester en een journaliste gewaarschuwd dat er iets vreemds aan de hand is.
Directed by John Moore
  • Liev SchreiberRobert Thorn
  • Julia StilesKatherine Thorn
  • Mia FarrowMrs. Baylock
  • David ThewlisKeith Jennings
  • Pete PostlethwaiteFather Brennan
  • Michael GambonBugenhagen
  • Seamus Davey-FitzpatrickDamien Thorn
  • Predrag BjelacVatican Observatory Priest
  • Carlo SabatiniCardinal Fabretti
  • Bohumil ŠvarcPope
  • Giovanni Lombardo RadiceFather Spiletto
  • Baby ZikovaDamien - Newborn
  • Baby MorvasDamien - Newborn
  • Baby MullerDamien - Newborn
  • Baby LiteraDamien - Newborn
  • Tomas WoolerDamien - 2 Years Old
  • Rafael SallasRome Embassy Marine
  • Marshall CuppAmbassador Steven Haines
  • Martin 'Mako' HindyHaines' Limo Driver
  • Amy HuckNanny
  • Zokkiie25 april 2026
    Honestly, it’s not bad at all. It looks great, the atmosphere is consistently eerie, and a few death scenes are still pretty effective. The cast is solid, even if no one really elevates the material beyond what it is. It sticks very close to the original though, which makes the whole thing feel a little unnecessary at times. Still, it works as a decent remake for modern audiences or anyone who isn’t really into older horror movies. And seeing Mia Farrow pop up gave me a laugh — considering Rosemary's Baby, it feels like she took one look at the script and thought, “sure, I’ll help usher in the Antichrist again.” Weirdly fitting casting choice, and honestly one of the movie’s more fun little details.
  • MrTrivet2 februari 2026
    It is an extremely conservative remake - a film that recreates the original almost beat for beat, adding only a contemporary, Hollywood polish that does not always work in its favor. The story itself remains solid, but its screen incarnation is weighed down by its own literalness. The casting of Damien’s parents is probably the film’s biggest misstep. What saves it are the supporting performances - Mia Farrow, David Thewlis, and Michael Gambon deliver compelling roles, reminding us that there is still real potential in this material. Ultimately, however, it is hard to shake the feeling that this Omen exists mainly to modernize the setting of the story, and that this is where its purpose ends. The remake not only adds nothing new, but along the way loses the original’s essential atmosphere: the image of a God-fearing America confronted with an incomprehensible, absolute evil lurking within an innocent child. The result is at best competent, but ultimately hollow.

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