12
2023    1 u, 36 mDrama, Komedie
5.031%57%5.4
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Carl Nargle, de nummer 1 openbare televisieschilder van Vermont, is ervan overtuigd dat hij alles heeft: een kenmerkende permanent, een op maat gemaakt busje en fans die aan zijn lippen hangen... totdat een jongere, betere artiest alles (en iedereen) steelt waar Carl van houdt.
Directed by Brit McAdams
  • Owen WilsonCarl Nargle / Executive Producer
  • Michaela WatkinsKatherine
  • Wendi McLendon-CoveyWendy
  • Ciara RenéeAmbrosia
  • Lusia StrusBeverly
  • Stephen RootTony
  • Lucy FreyerJenna
  • Denny DillonPBS Host
  • Evander Duck Jr.Reuben
  • Elisabeth Henry-MacariBridget
  • Michael PembertonDr. Bradford Lenihan
  • Rob FigueroaDonald Moore
  • Elizabeth LoyacanoAlexandra Moore
  • Sonia Darmei LopesMary
  • Joel LeffertSydney
  • Noa GrahamDean Gregory
  • Paul KosopodBridget's Best Friend
  • Ryan CzerwonkoYoung Bar Regular
  • Aidan T.K. BakerStrong Bar Regular
  • Vin CraigSuperFan
  • KillerRoo2 dgn geleden
    Managed to evoke and poke at Bob Ross in what felt to be a mean-spirited way, for a lot of the movie. Owen Wilson does his thing; if you like it, it's here. If you don't like him Owen Wilsoning on everything, it's not as much as in some of his other films, but he still does it. It managed to pull a watchable movie from the wreckage, but it's still a wreck. If you like OW or notes of early 2010 millennial humour you might like it more. I found a lot of it to be cringe, tedious, or dull. But after all of that, I still watched it and I didn't hate it. I rate it "yes, it is an movie".
  • Spanktacular16 januari 2025
    It would have been cheaper to dig up Bob Ross and finger-paint his decaying skeleton than make this movie. And in better taste, too.
  • J. Marsh26 augustus 2025
    It wasn't bad, but they definitely spent more on making it look good than on sound or dialogue. The lead character was too much of a lampoon of Bob Ross, and the whole film is a little too "Owen Wilson".
  • Kevin Ward3 juli 2025
    This felt kind of mean spirited, at least at the start.  Carl Nargle (our stand in for Bob Ross) appears to be a womanizing ego-maniac, bedding all of his co-workers in the back of  “Vantastic”, his beloved shaggin wagon. “Hilarious” gags ensue like his signature perm gets caught on the van ceiling while he’s seducing one of his admirers. 
When Nargle balks at filming a second hour of Paint to air daily, the PBS executives bring in a hot new artist, though. She spices up the ratings by painting really edgy subjects like UFO’s with blood spatter and dinosaurs. 
Then we’re thrown into a love triangle where there is exactly zero chemistry between any of those involved. 
The uber 70’s/80’s vibe is backed by an uber twangy (and I mean TWANGY) country music score, with the only respite being a couple admittedly solid needle drops. 
I will say that this gets marginally better by the end if you can make it that far; but I nearly walked out—multiple time. I never do that. Others definitely did. It was a fairly full screening at the start, but I’d estimate that 2 people got up and left every 10 minutes or so for nearly the entire runtime. Can’t say I’ve seen that happen before, even though walkouts are fairly common at these Regal Mystery Movie Mondays. 
If you couldn’t guess, I can’t recommend this.  

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