Not Rated
2026    1 u, 32 mDrama, Horror
5.674%6.1
In Finnish forest, Saga and her husband Jon embark on a new chapter as parents. But Saga's joy is overshadowed by a chilling suspicion about their newborn, unbeknownst to Jon, causing a rift as she alone grapples with the disturbing truth.
Directed by Hanna Bergholm
  • Rupert GrintJon
  • Seidi HaarlaSaga
  • Pamela TolaTaru
  • Pirkko SaisioSaga's Mother
  • Rebecca LaceyJon's Mother
  • John ThomsonJon's Father
  • Silvia SalorantaAnna
  • Satu Tuuli KarhuSaga's Colleague
  • Amira KhalifaSaga's Colleague
  • Johanna KuuvaSaga's Colleague
  • Mari RantasilaSaga's Colleague
  • Helena RängmanSaga's Colleague
  • Jaana PesonenMaternity Clinic Nurse
  • Lotta KaihuaMidwife 1
  • Katja NugentMidwife 2
  • Kaisa El RamlyDoctor
  • Pia AnderssonGuest at the party
  • Marjo LahtiGuest at the party
  • Juha PihanenBemused Guest
  • Klaara HöglundGirl at the party
  • nox10
    nox103 dgn geleden
    what the hell ?
  • Atomic70
    Atomic702 augustus 2026
    You’re dealing with a film that embraces Kalsarikännit energy—that Finnish “stay home, drink in your underwear, and let chaos be what it is” philosophy. The director clearly leans into that cultural vibe: no explanations, no hand‑holding, no moral framing. Just raw behavior, instinct, and the unsettling blur between human and animal. The director refuses to tell you why anything happens. You can project a thousand causes—postpartum depression, feral regression, trauma, primal liberation, or simply “because nature doesn’t care.” Creepy and gore‑heavy moments: Some scenes go full body‑horror, not gratuitous but definitely designed to make you squirm. Animalism as metaphor: The film treats savagery not as a fall from humanity but as a parallel track. It’s not about becoming a monster; it’s about shedding the polite mask. The lead actress is phenomenal. She carries the film with a mix of fragility and ferocity that makes the ambiguity work. You believe her even when the script refuses to explain her. Rupert Grint: He’s good, but he’s always going to be a supporting presence. He brings texture, not weight. He’s the seasoning, not the dish. If you go in expecting clarity, you’ll hate it. If you go in expecting feral vibes, ambiguity, and a slow‑burn descent into instinct, it’s a fascinating, creepy, beautifully acted experience.
  • Julian-FL
    Julian-FL9 augustus 2026
    Movie was very bizzare and rotten to the core. I Loved it
  • Kylene Jones
    Kylene Jones16 augustus 2026
    Rosemary's baby meets the Omen. I really liked this film. I ended up looking up Finnish Folklore when it was done. Not seeing his face definitely made him more creepy.
  • lily Gleeson
    lily Gleeson8 augustus 2026
    weird. very weird.
  • Dario Tibay
    Dario Tibay2 augustus 2026
    A solid addition to the folk-horror section of the library, although probably not something I would revisit as often as Hatching. The main reason to keep Nightborn is the atmosphere. Saga and Jon’s renovated family house gradually becomes a trap between domestic fantasy and the surrounding forest. The green nursery, rotten floor, invasive sapling and practical baby effects give it a tactile quality that streaming horror often lacks. Seidi Haarla is excellent as Saga, particularly when the film moves beyond the simple question of whether the baby is monstrous and begins asking what it would mean to accept him. Rupert Grint is watchable, though the combination of anxious domestic interiors, supernatural parenthood and alarming infant behaviour made me think constantly of Servant. He appears to have developed a very specific housing problem. The story is easy to anticipate. Kuura’s troll nature becomes obvious well before the characters finally say it aloud, and the repeated concealment of his face promises a larger visual reveal than the film delivers. He ultimately looks like a fairly ordinary child who happens to prefer blood, raw flesh and forest-based supernatural violence. The ending is the strongest stretch. Jon’s attempt to take Kuura away leads to the forest tearing through the house, followed by one of the more committed mother-and-child bonding scenes involving a recently removed human heart. Worth keeping for Haarla, the design, the practical effects and the grim Finnish atmosphere. Rewatch value is moderate, mainly because the mystery is less interesting than the film appears to think it is.

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