What was the release date of Martin?

Martin was released on 10 mei 1978.

Martin was directed by George A. Romero.

What is the runtime of Martin?

Martin has a runtime of 1 u, 35 m.

Who was the producer of Martin?

Martin was produced by Richard P. Rubinstein, Ben Barenholtz.

Who are the key characters in Martin?

The key characters in Martin are Martin Mathias (John Amplas), Tada Cuda (Lincoln Maazel), Christina (Christine Forrest).

What genre is Martin?

Martin is a Horror, Drama film.

What is the rating of Martin?

Martin has an audience rating of 7.6 out of 10.

What is the budget of Martin?

Martin had a budget of US$ 250K.

Martin

Directed by George A. Romero

10 mei 1978 1 u, 35 mHorror, Drama

7.090%76%6.8

Toevoegen aan Kijklijst

De 17-jarige Martin lijkt op 't eerste gezicht een beetje getikt. In werkelijkheid is hij belust op bloed, dat hij drinkt om zijn seksuele noden te bevredigen. Een familiekwaal, waaraan zijn oom voor eens en voor altijd een einde wil maken...

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Cast of Martin

John AmplasMartin Mathias
Lincoln MaazelTada Cuda
Christine ForrestChristina
Elyane NadeauAbbie Santini
Tom SaviniArthur / Makeup Artist
Francine MiddletonTrain Victim
Roger CaineLewis
Sara VenableMrs. Willard
George A. RomeroFather Howard / Regisseur / Screenplay / Redacteur
Michael GornickBarry - Radio Talk Show Host / Director Of Photography
Richard P. RubinsteinRichard / Producer
Clayton McKinnonDrug Dealer
James RoyDeacon
Donna Siegel
Vincent D. SurvinskiTrain Porter
Tony BubaSound
Pasquale Buba
Regis Survinski
Tony Pantanella
Tom Weber
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Martin Ratings & Reviews

Kevin Ward2 juli 2025
The Italian dubbed, English subbed, Dario Argento Cut with Goblin score. I think I like this version better than the theatrical cut. The theatrical version opens with the train kill, which is cool. But in Argento’s cut, the train sequence is moved to after he’s arrived at Cuda’s. Because the opening titles are attached to the train sequence, if effectively gives this cut A Long Cold Open. Loved the Goblin score here and it gives the film a completely different feel from the more subdued Rubinstein score. The last major difference I noticed was that all of the sections where Martin calls into the radio station are completely removed. Even though the result is that we get less insight into Martin’s headspace, I think the edit flows much better. I remember noting that the theatrical version’s edit felt very choppy in places, but I really didn’t feel that this time. I’m still really holding out hope 🤞🏻🤞🏻 that the 3.5 hour black and white director’s cut somehow finds a release, but it sounds like those plans have been scrapped, for now. 😢

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