Approved
1947    1 u, 42 mMysterie, Thriller
7.0100%72%6.3
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After a dancer disappears, the police enlist an American friend of hers, Sandra Carpenter, to answer advertisements in the personal columns, and lure the killer.
Directed by Douglas Sirk
  • George SandersRobert Fleming
  • Lucille BallSandra Carpenter
  • Charles CoburnHarley Temple
  • Boris KarloffCharles van Druten
  • Cedric HardwickeJulian Wilde
  • Joseph CalleiaNicholas Moryani
  • Alan MowbrayLyle Maxwell
  • George ZuccoH.R. Barrett
  • Robert CooteDetective Wilson
  • Alan NapierDetective Gordon
  • Tanis ChandlerLucy Barnard
  • Ann CodeeMatilda
  • Jimmy AubreyNelson (uncredited)
  • Jack ChefePierre (uncredited)
  • Charles ColemanSir Charles (uncredited)
  • Alex FrazerProfessor Harkness (uncredited)
  • Gerald HamerHarry Milton (uncredited)
  • Eddie ParksOswald Pickering (uncredited)
  • Dorothy VaughanMrs. Miller (uncredited)
  • Stuart HallCharles (uncredited)
  • KahnsWrath3 februari 2026
    Lucille Ball stars in Douglas Sirk's Lured as an American dancer, Sandra Carpenter, who, after the sudden disappearance of her friend, is approached by an Inspector, Harley Temple (Charles Coburn), who believes that her friend has been murdered by a serial killer who chooses his victims from the personal ads. Using Carpenter as bait, Temple hatches a plan to catch the killer before he has a chance to strike again, but things become complicated when Carpenter meets a nightclub revue producer, Robert Fleming (George Sanders). Lured blends serial-killer noir, police procedural, and psychological thriller with unusual elegance and is often overlooked because it doesn’t check just a single noir box. Ball delivers a gripping performance that showcases her underappreciated range and talent as a dramatic actress. Sanders' performance adds cynical polish and forward sophistication to Lured, which, today, is considered to be one of the Oscar-winner's best films of all time. While it lacks the hard-boiled swagger or iconic fatalism seen in better-known noirs, Lured is still an elegant, unsettling noir that rewards close attention and deserves recognition as an understated noir masterpiece.

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