AL
1979    1 u, 45 mDrama
7.890%89%7.6
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Ted Kramer is een zakenman die zijn werk belangrijker vindt dan zijn gezin. Zijn vrouw Joanna kan er niet meer tegen en besluit hem te verlaten. Ted heeft nou de taak zelf het huishouden te doen en op zichzelf en zijn zoontje Billy te passen.
Directed by Robert Benton
  • Dustin HoffmanTed Kramer
  • Meryl StreepJoanna Kramer
  • Jane AlexanderMargaret Phelps
  • Justin HenryBilly Kramer
  • Howard DuffJohn Shaunessy
  • George CoeJim O'Connor
  • JoBeth WilliamsPhyllis Bernard
  • Bill MoorGressen
  • Howland ChamberlainJudge Atkins
  • Jack RamageSpencer
  • Jess OsunaAckerman
  • Nicholas HormannInterviewer
  • Ellen ParkerTeacher
  • Shelby BrammerTed's Secretary
  • Carol NadellMrs. Kline
  • Donald GantrySurgeon
  • Joe SenecaPartygoer
  • David GoldenGrocer / Production Manager
  • Sean AlbertsonBoy in Hospital (uncredited)
  • Iris KleinPartygoer (as Iris Alhanti)
  • Daggerhead6923 april 2026
    This movie shows exactly why i should never get married - terrific performance from the child actor - movies like this really teach you a lot about the responsibilities you silently owe to people just for existing - 4.5/5
  • CatcherNTheRyan17 januari 2026
    A acting classic. Two heavyweights and one of the best child performances ever. THE divorce movie.
  • Kevin Ward2 juli 2025
    Honestly, I was little disappointed by this on my first time watch. Hoffman and Streep are both really excellent, but the script feels very much a product of it’s time. Portrays Hoffman as a nurturing empathetic father and Streep as a neglecting mother. Perhaps groundbreaking at the time in it’s depiction of nontraditional gender roles, it doesn’t have the same impact with a 2023 lens. Also the courtroom scenes felt very exaggerated and overdone. Probably not a fair comparison, but since they’re compared all the time, I can say I liked Marriage Story much, much more.
  • Tanalien2 november 2024
    1979’s Kramer vs. Kramer is about the dissolution of a marriage and how two people deal with such a circumstance. The opening scenes struck me as a masterpiece of characterization through action, showing us the buildup of years of marriage and its dissolution all in the span of ten minutes. There is no montage, no flashbacks, only action in the present.

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