6
1994    1 u, 32 mKomedie
7.790%89%7.4
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Dante Hicks heeft weer eens echt pech... zijn vrije dag wordt verstoord door die ellendige werkgever, hij moet toch komen werken, zijn favoriete sportwedstrijd is om 14:00 uur, zijn ex vrouw trouwt vandaag, zijn nieuwe vriendin wil dat hij gaat studeren en bepaalde ongewenste details uit zijn verleden worden tegen hem gebruikt. Dat is nog niet alles, want zijn baas komt hem niet vervangen en de klanten zijn stront vervelend. Zijn vriend Randal, medewerker van een videotheek, baalt nog meer van zijn klote baan en valt alle klanten van Dante lastig. En dan heb je ook nog die twee excentrieke drugsdealers, Jay en Silent Bob, die om de winkel hangen. Dit is geen gewone dag, dit vraagt om maatregelen.
Directed by Kevin Smith
  • Brian O'HalloranDante
  • Jeff AndersonRandal
  • Marilyn GhigliottiVeronica
  • Lisa SpoonauerCaitlin
  • Jason MewesJay
  • Kevin SmithSilent Bob / Regisseur / Schrijver / Producer / Redacteur
  • Scott MosierWilliam the Idiot Manchild / Angry Hockey-Playing Customer / Angry Mourner / Producer / Redacteur / Sound Mixer
  • Scott SchiaffoChewlie's Rep
  • Al BerkowitzOld Man
  • Walt FlanaganWoolen Cap Smoker / Egg Man / Offended Customer / Cat-Admiring Bitter Customer
  • Ed HapstakSanford / Angry Mourner
  • Lee Bendick#812 Wynarski
  • David KleinHunting Cap Smoking Boy / Low I.Q. Video Customer / Hubcap Searching Customer / Angry Mourner / Angry Crowd at Door / Director Of Photography
  • Pattijean CsikCoroner
  • Ken ClarkAdminister of Fine / Orderly
  • Donna JeanneIndecisive Video Customer
  • Virginia SmithCaged Animal Masturbator
  • Betsy BroussardDental School Video Customer
  • Ernest O'DonnellTrainer
  • Kimberly LoughranAlyssa's Sister Heather
  • scoott69er4 mei 2026
    Clerks isn’t just a comedy—it’s a snapshot of what it felt like to be under 25 in the ‘90s, especially if you were drifting while everyone else seemed to be moving forward. It captures that specific kind of aimlessness—the frustration of spinning your wheels while your peers build momentum—and turns it into something both painfully relatable and hilarious. The film hits uncomfortably close to home at times, but balances it with crude humor and irreverence that keep it endlessly entertaining.
  • tellum12 april 2025
    Basically starts a new era for stoner comedies as the successor to Cheech and Chong. All too relatable for young adults, and one of the most quotable movies ever. “In A Row?”
  • Zombtastic24 maart 2026
    Zombtastic on letterboxd
  • DeezNuttsi20 april 2025
    Fun fact: Clerks 3 has a higher fan rating that this gem. Make it make sense. I love this movie though. One of the best.
  • Matthew Rotherham18 februari 2025
    I'm not even supposed to be here today!
  • Jakeys26 januari 2026
    I really enjoy this one for how unapologetically raw it is. The writing is the king here, and it's equal parts immature and genius.
  • flavo4327 december 2025
    Clerks is a brilliant example of how sharp writing and unforgettable characters can elevate a low‑budget film into a cult classic. Dialogue is the lifeblood of this movie—rapid‑fire, irreverent, philosophical, and often hilariously irrelevant. Kevin Smith builds the entire experience around conversations, and it works because those conversations feel authentic, messy, and deeply human. The supporting cast adds colour and nuance, popping in and out with memorable quirks, but there’s no question the leads carry the film with their chemistry and deadpan delivery. What makes Clerks so compelling is its ability to turn everyday frustrations and mundane routines into something funny, relatable, and oddly profound. It’s a masterclass in script‑driven storytelling, proving you don’t need spectacle when the characters and dialogue are this strong. Clerks remains a defining indie film—raw, talkative, and endlessly quotable.
  • wonderrxjr2 november 2025
    The greatest stoner writing ever. Kevin Smith is so smitty with his vulgar writing I love it. The Dante and Randal dynamic is soooooo good love it every time. Dante really the every man it feels like. This movie is truly an all timer I wish Kevin Smith kept this heat up but he sadly tapered off after Dogma
  • TomVader25 mei 2025
    It's a better movie than it has any business being. At times, it feels like Seinfeld, other times it feels like Mad magazine. I find it endlessly re-watchable.

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