18
1975    3 u, 8 mDrama, Historisch
8.178%92%8.0
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Ierland, 18e eeuw. De jonge Redmond Barry blijft na de dood van zijn vader alleen achter met zijn moeder. Hij wordt verliefd op zijn nichtje Nora Brady en gaat een duel aan met haar verloofde Captain Quin.
Directed by Stanley Kubrick
  • Ryan O'NealBarry Lyndon
  • Marisa BerensonLady Lyndon
  • Patrick MageeThe Chevalier
  • Hardy KrügerCaptain Potzdorf
  • Steven BerkoffLord Ludd
  • Gay HamiltonNora
  • Marie KeanBarry's Mother
  • Diana KörnerGerman Girl
  • Murray MelvinReverend Runt
  • Frank MiddlemassSir Charles Lyndon
  • Leon VitaliLord Bullingdon
  • Arthur O'SullivanHighwayman
  • Godfrey QuigleyCaptain Grogan
  • Leonard RossiterCaptain Quin
  • Philip StoneGraham
  • André MorellLord Wendover
  • Billy BoyleSeamus Feeny
  • John BindonRecruiting Soldier
  • Roger BoothKing George III
  • Jonathan CecilLt. Jonathan Fakenham
  • Cubane10 augustus 2026
    I watched this movie a week ago and the only thing I can remember about it is how unbelievably period-accurate (read: poor) the lighting is. You cannot see goddamn anything.
  • Mike11 oktober 2024
    Barry Lyndon is a cinematography masterpiece, where every shot looks like a Baroque style painting "Barry had his faults, but none could say of him that he was not a good and tender father. He loved his son with a blind impartiality, denying him nothing. It is impossible to convey what high hopes he had for the boy, and how he indulged in fond anticipation of young Bryan's future success. But Fate had determined that he should leave none of his race behind him...and that he should finish his life poor, lonely, and childless." The cinematography in Barry Lyndon has to be one of the best I’ve ever seen. The static framing, the use of beautiful focal mass, circular, rule of thirds compositions, framing that looks like paintings and the beautiful lighting, result in stunning shots that look like Baroque style paintings. Stanley Kubrick used a specific type of lens from NASA with an 0.7 Aperture, which lets in enough light to film in candle lit rooms. So it doesn’t come at a surprise that the lighting in this film is one of the best I’ve ever seen. Not only the cinematography, but also the music and story are interesting. This film shows a very strong character arc of Barry Lyndon, which immerses you into his life trajectory. The classical music used in this film fits the overall tone very well. It’s recognizable and instantly reminds you of Barry Lyndon. Letterboxd: Mike_v_E
  • Martín Ennis-Osorio27 januari 2026
    Barry Lyndon is like the film version of the Mona Lisa. Every scene was set as if it were a living painting. The acting, costumes, set design, and story very much made it feel as if you were there in that time period. The music was also complimentary in an exceptional way. Overall an excellent film, 5 stars.
  • jasonfin23 juni 2026
    Wonderful! Wonderful! What can I say that hasn't already been written a 1000 times before about this film. The soundtrack is literally enchanting, the cinematography spellbinding and the story mesmerizing. Love it and up there with Hara Kiri, A Woman Under The Influence and Once Upon A Time In America as my most favorite films. Treat yourself and experience it as that's what this movie is, an experience!
  • Sam27 mei 2026
    how many shooters you got? a lot
  • mickerdoo4 augustus 2025
    Beautiful period piece from Kubrick. Impressive performances all around.
  • Mcoop_7119 mei 2026
    A window into our pre industrial world
  • Elliot0473 maart 2026
    The movie is stretched; I'm not used to this much slow pacing. Ignore that, and you have a masterpiece.
  • johnrodan15 februari 2026
    Visually stunning. The life of an 18th century opportunist in search of love.
  • Colin Budworth3 mei 2026
    A very long drawn out movie with no real point. Beautifully filmed though. Typical Kubrick and typical 70s movie.
  • sopula29 mei 2025
    this is a nice movie
  • Plexxor the Pretty Good11 februari 2026
    I too wish to be..."very far advanced in the science of every kind of misconduct"
  • N01D13 december 2025
    Possibly the best of Kubric. I love how belieable the direction is you can easily believe it
  • Fenrisfil27 november 2025
    A film of great beauty and totally lacking in heart. But here's the thing: That is the entire point. So the question then becomes can you appreciate that this is a well made film that does exactly what it set out to do, or do you instead feel that a three hours study in melancholy and the emptiness of social status is perhaps the very opposite of why you watch movies in the first place. I'm more of the latter I'm afraid. This is the kind of art you get when a great artist focuses so completely on the theme and setting that he forgets we may also want to be entertained by plot and characters. This is not a good story. It's basically "Gone with the Wind", from Rex's perspective but with all the charm surgically removed and replaced with dour misanthropy. There are no good characters and even the protagonist is an empty shell. More something that represents something than a living human being and Barry is as good as it gets. But it is technically a masterpiece if nothing else. So I'm torn between an experience I found unpleasant and appreciation for Kubrick achieving exactly what he set out to do. Suffice to say it's my least favourite Kubrick movie (Though I've never seen "Eyes Wide Shut", so this could change).
  • Gabriel Maldonado25 juni 2025
    This is probably the Stanley Kubrick film that is least remembered by audiences, but I believe that this is Kubrick's finest achievement.

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