

Where to Watch After Hours
- Will (M0nk)6 november 2025A Good Film, very much satirical and poking fun at movies of the era. The plot becomes almost frustrating at times. Teasing stories that go nowhere. the bumbling idiot trope, but less bumbling idiot and more avoidant, narcissistic, lead character. I recommend for a watch. but it could be just as annoying for you as it was for me. still really fun at moments. watch and find what you enjoy!
- Peter Bickford13 juni 2025This one's actually a bit of an odd duck. Scorsese's wild night in the city is filled with memorable performances, but it comes off ultimately as a bit low key. It never reaches wacky comedy levels of crazy, but it's too strange to be a character study. More of a "Everyone in this town is crazy" sort of affair.
- Rowan Krzysiak13 februari 2025I picked this purely based on its cover art and it turns out it was directed by Scorcese and it is a stonker. I'd liken it to playing a sexually provocative point and click while getting increasingly drunk with the heating turned up to max. It's a frantic, exciting, confusingly woven stop and start sweat bead of a movie. Keep a cold bottle of water nearby. Highly recommended.
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After Hours was released on 16 augustus 1985.
After Hours was directed by Martin Scorsese.
After Hours has a runtime of 1 u, 37 m.
After Hours was produced by Robert F. Colesberry, Griffin Dunne, Amy Robinson.
Paul Hackett maakt een afspraakje met Marcy, maar op weg naar haar flat toe waait zijn geld uit het raampje van de taxi. Hierdoor is het voor hem onmogelijk om thuis te komen, en is hij genoodzaakt om de hele nacht door te brengen in SoHo, waar de vreemdste types hem in bizarre situaties doen belanden.
The key characters in After Hours are Paul Hackett (Griffin Dunne), Marcy (Rosanna Arquette), June (Verna Bloom).
After Hours is rated 6.
After Hours is a Komedie, Thriller, Drama film.
After Hours has an audience rating of 8.7 out of 10.
After Hours had a budget of US$ 4,5 mln..
After Hours has made US$ 10,6 mln. at the box office.






















