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Final Cut
Directed by
Michel Hazanavicius
2022
1h 50m
Not Rated
Comedy
,
Horror
6.4
72%
75%
Add to Watchlist
Things go badly for a small film crew shooting a low budget zombie movie when they are attacked by real zombies.
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Amazon Video
Buy $9.99
Apple TV
Buy $9.99
Rent $4.99
Google Play Movies
Buy $12.99
Rent $4.99
+3 more
Cast of Final Cut
Romain Duris
Rémi / Higurashi
Bérénice Bejo
Nadia / Natsumi
Grégory Gadebois
Philippe / Hosoda
Finnegan Oldfield
Raphaël / Ken
Matilda Lutz
Ava / Chinatsu
Raphaël Quenard
Jonathan / Akira
Luàna Bajrami
Johanna
Sébastien Chassagne
Armel / Yamakoshi
Lyes Salem
Mounir
Simone Hazanavicius
Romy
Agnès Hurstel
Laura
Charlie Dupont
Fredo
Raïka Hazanavicius
Manon
Jean-Pascal Zadi
Fatih
Lionel Cecilio
L'accessoiriste
Marie Petiot
Iris
Léa Millet
Sophie
Yvon Martin
Gaby
Yumi Narita
L'interprète
Donguri
Madame Matsuda
Florence Janas
Mélanie
Edwina Zajdermann
Juju
Marie Zabukovec
La maman
Quentin Dupieux
Director
Final Cut Reviews
Slant Magazine
Keith Watson
Unlike One Cut of the Dead, Michel Hazanavicius's similar ode to low-budget resourcefulness often rings false.
Austin Chronicle
Richard Whittaker
Like the original, it's heart is in the right place, and that may well be enough for this smart remake.
Variety
Owen Gleiberman
It's a messy and annoying one-joke movie that repeats the joke over and over again - and guess what, it was barely funny the first time.
indieWire
David Ehrlich
If you make a good movie to celebrate bad movies, you get Ed Wood. If you make a bad movie to celebrate bad movies, you just get more bad movies. And this is definitely one of them.
Hollywood Reporter
Jordan Mintzer
For gore hounds and movie lovers, the cheap thrill of Final Cut is in seeing how the sausage, blood, brains and lopped-off limbs of horror pics are made, then realizing you can still be both scared and grossed-out.
TheWrap
Steve Pond
In its own particular and seriously deranged way, "Final Cut" is as much a valentine to the act of filmmaking as Hazanavicius' Oscar-winning film "The Artist" was when it debuted in Cannes back in 2011.
RogerEbert.com
Simon Abrams
The dead air and pregnant pauses now feel heavier, and while that's sometimes amusing, "Final Cut" also rarely seems as playful or ingratiating as "One Cut of the Dead."
New York Times
Beatrice Loayza
If you're going to remake a film whose footprint is still fresh, you better make it your own if not significantly better.
Rolling Stone
David Fear
It's a fast, not as cheap, and much better than decent cover version of another song, one that knows very well that it's a cover version.
Los Angeles Times
Amy Nicholson
This trashy, goofy, giddy, sloppy gore-fest isn't so different from "The Artist" after all. They both endear us to the behind-the-scenes struggles of, well, the artist, or in this case, these floundering and far-less-talented artistes.
FilmWeek (KPCC - NPR Los Angeles)
Tim Cogshell
It's very short, socially conscious and all about the movie industry.
Assignment X
Abbie Bernstein
A film that becomes increasingly enjoyable as it proceeds.
Third Coast Review
Steven Prokopy
Hazanavicius embraces the mess and the art form, and everyone is clearly having the time of their lives making this thing.
Spectrum Culture
Josh Goller
The most satisfying way to watch this zombie-themed comedy horror likely would be to go in without any foreknowledge.
KPBS.org
Beth Accomando
I loved Shin'ichirô Ueda's One Cut of the Dead and put it on my top 10 list for 2018. And while I enjoyed the remake, it will not be making this year's 10 best.
Elements of Madness
Douglas Davidson
There's an intentionality and specificity within each frame that serves to both honor the source material and satirize an industry that perpetually mines itself for "new ideas."
LA Weekly/Village Voice
Michael Atkinson
It's never much more than a love letter to crap-making, the film reserves its modest beating heart for the strange and exultant camaraderie crew members feel on the set of even the crummiest project, a forged-by-fire feeling that can mystify non-crew.
Los Angeles Times
Sergio Burstein
In the end, even though it may seem unbelievable, the film takes a humanistic and affectionate turn which radically contrasts with the start of the film, and that additionally, connects to The Artist. [Full review in Spanish]
Fish Jelly Films (YouTube)
Joseph Robinson
I would recommend people watch it and skip the first 34 minutes.
We Live Entertainment
Aaron Neuwirth
This is a very faithful adaptation that retains the affable spirit of a movie relying on a heavy metatextual element to deliver a unique story about the undead.
Watch Final Cut Videos
Final Cut (US Trailer 1)
Final Cut (US Trailer 1)
Trailer
Final Cut: Relax, Hon, It's Just An Ax In Your Face
Final Cut: Relax, Hon, It's Just An Ax In Your Face
Scene
Final Cut: You Think We Can Skip Me Being Vomited On?
Final Cut: You Think We Can Skip Me Being Vomited On?
Scene
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