Wolf Man
Directed by Leigh Whannell
Blake zabiera rodzinę do odziedziczonego domu w Oregonie. Nocą zostają zaatakowani przez tajemniczą istotę i barykadują się w środku. Gdy Blake zaczyna się zmieniać, Charlotte musi zdecydować, co jest groźniejsze – potwór na zewnątrz czy ten w domu.
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Wolf Man Ratings & Reviews
- Doc Worm30 grudnia 2025The body horror? Great. Contrived allegory for generational trauma? Not great.
- Scott19 stycznia 2025There are 2 wolves in this movie. One is a story about the struggle with our inner beast, and the other is a creature-feature splatterfest. Unfortunately in this case they fought each other to a standstill when I wish either one of them outright won.
- jzuther23 lutego 2025Terrible
- Robot Monster18 listopada 2025While conceptually and stylistically interesting, the film's scary factor is dismantled one hilarious trope after another. This would make an excellent film for riffing.
- Greg Winston6 kwietnia 2025Genuinely creepy vibe, scares deliver, cool makeup and effects. Story lacks any substance, and the attempt at a subplot falls off half way through. Typically I don't mind these things in a horror film, but this is a Universal Picture bearing the title Wolfman. I expected more.
- Andrea Z.21 marca 2025Meh, nothing special. I wished for a different ending, the rest of the family could choose to be turned and live together in the forest... that is a good twist! Instead, the most predictable boring ending ever.
- fraggle6720 kwietnia 2025A decent 3rd act, the problem is acts 1 and 2.
- Shaydeknight1 października 2025Leigh Whannell’s Wolf Man isn’t the disaster some critics make it out to be, nor is it the reinvention of the werewolf myth that some fans hoped for. It’s a film caught somewhere in between: strikingly beautiful at times, emotionally resonant in flashes, but uneven in depth and pacing. In terms of visual storytelling and perception shifts, the most memorable sequences are the perceptual transitions, such as when a stark, dark cabin shifts into a luminous, almost fae-like vision during a husband-and-wife attempt at communication. These moments are not only striking cinematography but also powerful visual metaphors for emotional distance and attempted intimacy. Unlike many werewolf films that lean on gore or demonic evil, Wolf Man roots its horror in the family dynamic. The father’s love for his family is central, his defense of them against all threats underscores this. It sets the film apart from portrayals that treat werewolves purely as malevolent creatures. The idea that the werewolf is an animal, not a demon, comes through most clearly here. But then, unfortunately and frustratingly, it dissolves. Christopher Abbott and Julia Garner carry the film with grounded performances, managing to sell both the quieter domestic scenes and the moments of terror. Even if the script doesn’t fully flesh them out, the actors lend their characters gravity. With regard to cinematography and atmosphere, Whannell knows how to shoot a horror film. The interplay of shadow and light, the use of tight framing, and the transformation scenes (even if imperfect) have a visceral quality that lingers. And yes, there are issues. The film introduces weighty topics like inheritance, trauma, and family cycles of abuse, but doesn't actually dig into them. They’re more indications of depth than sustained explorations. Further, there are long stretches of domestic drama that dilute the tension a bit and many story beats unfold in a predictable way, undercutting the suspense. And at times, it feels like the film leans too heavily on cool visual techniques (like perception shifts) rather than developing characters or story arcs to the same level. But even with all those problems, Wolf Man isn’t a bad film. It’s flawed but at least it's ambitious. For those who love werewolf stories (like I do), it's wonderful in its attempt to treat the creature as an animal caught between love and instinct, not as an inherently evil entity. The family-centered lens, striking cinematography, and occasional bursts of real emotional resonance give the film value. But its reluctance to fully explore its themes or deliver sustained tension keeps it from being the definitive werewolf film fans still long for. It's a beautifully shot, emotionally uneven take on the werewolf myth. It's worth seeing, especially for fans of the genre, but not quite the masterpiece I wanted it to be.
- Quan18 maja 2025It was okay… nothing amazing but not terrible like some of the reviews say. Just don’t think of it as wolf man and think of it as its own thing when going in.
- Urhas17 września 2025A noteworthy film compared to what is coming out now.. Julia Garner as usual, does not disappoint.
- Peter Venkman3 sierpnia 2025Generic opening transitions into really interesting take on an overly familiar premise sadly the final act reverts back to the overly familiar good cast Julie garner is great interesting lots of potential somewhat fulfilled
- Örn Lúðvíksson31 marca 2025It's an ok sunday night watch. I liked it.
- Kevin Ward1 lipca 2025It Comes at Night except it actually comes at night.
- Philip Collins9 marca 2025It was ok and worth watching once, nice plot twist towards the end.
- mckayli225 czerwca 2025it was extremely rushed at the end and it took to long to get to the plot
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Wolf Man Trivia
Wolf Man was released on 15 stycznia 2025.
Wolf Man was directed by Leigh Whannell.
Wolf Man has a runtime of 1 h 43 min.
Wolf Man was produced by Jason Blum.
Blake zabiera rodzinę do odziedziczonego domu w Oregonie. Nocą zostają zaatakowani przez tajemniczą istotę i barykadują się w środku. Gdy Blake zaczyna się zmieniać, Charlotte musi zdecydować, co jest groźniejsze – potwór na zewnątrz czy ten w domu.
The key characters in Wolf Man are Blake (Christopher Abbott), Charlotte (Julia Garner), Ginger (Matilda Firth).
Wolf Man is rated R.
Wolf Man is a Horror, Thriller, Sci-Fi film.
Wolf Man has an audience rating of 5.4 out of 10.
Wolf Man had a budget of 25 mln USD.
Wolf Man has made 35,2 mln USD at the box office.