Wolf Man
監督:Leigh Whannell
With his marriage fraying, Blake persuades his wife Charlotte to take a break from the city and visit his remote childhood home in rural Oregon. As they arrive at the farmhouse in the dead of night, they're attacked by an unseen animal and barricade themselves inside the home as the creature prowls the perimeter. But as the night stretches on, Blake begins to behave strangely, transforming into something unrecognizable.
Wolf Manの評価とレビュー
- Scott2025年1月19日There are 2 wolves in this movie. One is a story about the struggle with our inner beast, and the other is a creature-feature splatterfest. Unfortunately in this case they fought each other to a standstill when I wish either one of them outright won.
- jzuther2025年2月23日Terrible
- Doc Worm2025年12月30日The body horror? Great. Contrived allegory for generational trauma? Not great.
- Robot Monster2025年11月18日While conceptually and stylistically interesting, the film's scary factor is dismantled one hilarious trope after another. This would make an excellent film for riffing.
- Greg Winston2025年4月6日Genuinely creepy vibe, scares deliver, cool makeup and effects. Story lacks any substance, and the attempt at a subplot falls off half way through. Typically I don't mind these things in a horror film, but this is a Universal Picture bearing the title Wolfman. I expected more.
- Shaydeknight2025年10月1日Leigh Whannell’s Wolf Man isn’t the disaster some critics make it out to be, nor is it the reinvention of the werewolf myth that some fans hoped for. It’s a film caught somewhere in between: strikingly beautiful at times, emotionally resonant in flashes, but uneven in depth and pacing. In terms of visual storytelling and perception shifts, the most memorable sequences are the perceptual transitions, such as when a stark, dark cabin shifts into a luminous, almost fae-like vision during a husband-and-wife attempt at communication. These moments are not only striking cinematography but also powerful visual metaphors for emotional distance and attempted intimacy. Unlike many werewolf films that lean on gore or demonic evil, Wolf Man roots its horror in the family dynamic. The father’s love for his family is central, his defense of them against all threats underscores this. It sets the film apart from portrayals that treat werewolves purely as malevolent creatures. The idea that the werewolf is an animal, not a demon, comes through most clearly here. But then, unfortunately and frustratingly, it dissolves. Christopher Abbott and Julia Garner carry the film with grounded performances, managing to sell both the quieter domestic scenes and the moments of terror. Even if the script doesn’t fully flesh them out, the actors lend their characters gravity. With regard to cinematography and atmosphere, Whannell knows how to shoot a horror film. The interplay of shadow and light, the use of tight framing, and the transformation scenes (even if imperfect) have a visceral quality that lingers. And yes, there are issues. The film introduces weighty topics like inheritance, trauma, and family cycles of abuse, but doesn't actually dig into them. They’re more indications of depth than sustained explorations. Further, there are long stretches of domestic drama that dilute the tension a bit and many story beats unfold in a predictable way, undercutting the suspense. And at times, it feels like the film leans too heavily on cool visual techniques (like perception shifts) rather than developing characters or story arcs to the same level. But even with all those problems, Wolf Man isn’t a bad film. It’s flawed but at least it's ambitious. For those who love werewolf stories (like I do), it's wonderful in its attempt to treat the creature as an animal caught between love and instinct, not as an inherently evil entity. The family-centered lens, striking cinematography, and occasional bursts of real emotional resonance give the film value. But its reluctance to fully explore its themes or deliver sustained tension keeps it from being the definitive werewolf film fans still long for. It's a beautifully shot, emotionally uneven take on the werewolf myth. It's worth seeing, especially for fans of the genre, but not quite the masterpiece I wanted it to be.
- Andrea Z.2025年3月21日Meh, nothing special. I wished for a different ending, the rest of the family could choose to be turned and live together in the forest... that is a good twist! Instead, the most predictable boring ending ever.
- Urhas2025年9月17日A noteworthy film compared to what is coming out now.. Julia Garner as usual, does not disappoint.
- Peter Venkman2025年8月3日Generic opening transitions into really interesting take on an overly familiar premise sadly the final act reverts back to the overly familiar good cast Julie garner is great interesting lots of potential somewhat fulfilled
- fraggle672025年4月20日A decent 3rd act, the problem is acts 1 and 2.
- Quan2025年5月18日It was okay… nothing amazing but not terrible like some of the reviews say. Just don’t think of it as wolf man and think of it as its own thing when going in.
- Örn Lúðvíksson2025年3月31日It's an ok sunday night watch. I liked it.
- Philip Collins2025年3月9日It was ok and worth watching once, nice plot twist towards the end.
- Kevin Ward2025年7月1日It Comes at Night except it actually comes at night.
- mckayli22025年6月25日it was extremely rushed at the end and it took to long to get to the plot
Wolf Manを視聴
Wolf Manに関するトリビア
Wolf Manは2025年1月15日に公開されました。
Wolf ManはLeigh Whannellが監督を務めました。
Wolf Manの上映時間は1h 43mです。
Wolf ManはJason Blumがプロデューサーを務めました。
With his marriage fraying, Blake persuades his wife Charlotte to take a break from the city and visit his remote childhood home in rural Oregon. As they arrive at the farmhouse in the dead of night, they're attacked by an unseen animal and barricade themselves inside the home as the creature prowls the perimeter. But as the night stretches on, Blake begins to behave strangely, transforming into something unrecognizable.
Wolf Manの主要人物はBlake (Christopher Abbott), Charlotte (Julia Garner), Ginger (Matilda Firth)です。
Wolf ManはGと評価されています。
Wolf Manはホラー, スリラー, サイエンスフィクション映画です。
Wolf Manは、視聴者によって10点満点中5.4点をつけられています。
Wolf Manの予算は$2500万です。
Wolf Manの興行収入は$3515.3万です。