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Undergods
Directed by
Chino Moya
NR
2021
1h 32m
Fantasy
,
Thriller
,
and more
5.4
83%
41%
Add to Watchlist
An otherworldly journey through a Europe in decline - a collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune.
More
Where to Watch Undergods
Fandango at Home Free
Free
Hoopla
Free
Kanopy
Free
+7 more
Cast of Undergods
Johann Myers
K
Géza Röhrig
Z
Michael Gould
Ron
Hayley Carmichael
Ruth
Ned Dennehy
Harry
Simon Manyonda
Reed The Estate Agent
Khalid Abdalla
Octavius The Storyteller
Maddison Whelan
Horatia The Young Daughter
Éric Godon
Hans
Jan Bijvoet
Foreigner
Tanya Reynolds
Maria
Tadhg Murphy
Johann
Lorraine Hilton
Greta The Secretary
Slavko Labović
Factory Appraiser
Katariina Unt
Female Supervisor
Douglas Russell
Uros The Guard
Sam Louwyck
Sam
Kate Dickie
Rachel
Adrian Rawlins
Dominic
Burn Gorman
Tim
Jonathan Case
Will
Tim Plester
Ezequiel The Therapist
Ivana Šćepanović
Electrician
Dobrila Stojnić
Baba
Irfan Mensur
Engineer Van Thump
Nebojša Đorđević
Pawnbroker
Ana Tanasković
Prostitute
Ištvan Korosi
Cab Driver
Paul Leonard Murray
Guard
Iva Štrljić
Peggy
Lynsey Murrell
Woman at Party
Jovana Miletic
Woman at Party 2
Djordje Viktor Vlajic
Tim's Son
Radomir Nikolić
Young Man (uncredited)
Chino Moya
Director / Writer
Sophie Venner
Producer
Undergods Ratings & Reviews
Ghouls Magazine
Alix Turner
Although at the start Undergods looked like yet another dystopian picture, it was presented in such an interesting style and with strangely engaging characters that it wasn't "yet another" anything.
In Review Online
Daniel Gorman
Recalls Monty Python or even the films of Roy Andersson...If it all winds up feeling a bit pat, a little too satisfied with itself, it's still a wild journey.
Cambridge Day
Tom Meek
None of it fully gels, and neither do any of the baroque personas onscreen ever register any depth of character...
Common Sense Media
Alistair Lawrence
Undergods has plenty of style, but not much substance. While this anthology of stories takes place in a well-shot, visually rich world, its characters rarely talk or behave in believable ways.
Combustible Celluloid
Jeffrey M. Anderson
What it all means is up for debate... but it nonetheless feels sharply relevant.
FilmWeek (LAist)
Tim Cogshell
You have to work your way through it, but if you allow it to overwhelm you, it's really quite striking.
Forbes
Mark Hughes
[P]oignant, hypnotic sci-fi that examines the raw nerves of the human condition while the world falls apart.
Variety
Peter Debruge
Coming at the same themes from different angles, the three lessons serve to upend the comfort and perceived control that fathers, husbands and first-world patriarchs have traditionally enjoyed.
Celluloid Dreams
Peter Canavese
Extremely distinctive, adventurous, moody, bleak, very dark and worth-all-the-effort dystopian tale that feels like a movie of the moment.
Chicago Daily Herald
Dann Gire
A bold, bleak apocalyptic drama filled with loathsome characters...
Paste Magazine
Andy Crump
Undergods impresses as a stylish arrival, but what's under the surface needs finessing.
48 Hills
Dennis Harvey
Undergods is visually atmospheric, its mood heightened by a Tangerine Dream-like synth score from Wojciech Golczewski. But it's also rather dull and random, with stories that do not go anywhere...
Austin Chronicle
Trace Sauveur
Look past the uneven narrative and you'll find a new cinematic voice with something to prove, and the formal prowess to back it up.
San Jose Mercury News
Randy Myers
In this head-turner of a debut, Chino Moya plunges us into dystopia's darkest underbelly for a collection of terror tales that are often tied to the seven deadly sins.
The Nerds of Color
Valerie Complex
Undergods' is an interesting concept about capitalism, but that does not make for a good movie.
Film Threat
Hanna B
The cherry on top is that this trippy movie comes with one of the best posters of the year-an appropriately Dalínean image calling back to the stories within stories nature of Undergods and its surrealist style.
Eye for Film
Amber Wilkinson
The dystopian stories in Spanish director Chino Moya's feature debut nest within one another like a series of Russian dolls - dolls that have been carved by someone with a soft-spot for JG Ballard.
The Film Stage
Jared Mobarak
The way [Moya's] script folds in on itself to blur the line between present, past, future, and fiction will probably frustrate some, but I found it utterly fascinating.
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