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Tyrel
2018 86m Not Rated
Drama
,
Comedy
5.5
60%
35%
55%
Play
Tyler, a sole black man, attends an otherwise all-white weekend of drunken bro debauchery on a birthday trip to a cabin in the Catskills.
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Directed By
Sebastián Silva
Written By
Sebastián Silva
Studio
Hidden Content
Cast of Tyrel
Jason Mitchell
Tyler
Christopher Abbott
Johnny
Caleb Landry Jones
Pete
Michael Cera
Alan
Ann Dowd
Silvia
Philip Ettinger
Charles
Roddy Bottum
Dylan
Michael Zegen
Eli
Reg E. Cathey
Reggie
Nicolas Arze
Nico
Trust Arancio
Trust
Max Born
Max
Olivia Gilliatt
Newscaster (voice)
Tyrel Reviews
Entertainment Weekly
Chris Nashawaty
A tense social satire that speaks to its moment even if it ends with a fizzle instead of the cathartic gut-punch you're waiting for.
RogerEbert.com
Odie Henderson
I've seen far worse movies this year, but I've not seen one that left me feeling as indifferent and bored as this one.
Tribune News Service
Katie Walsh
Silva's most political work yet--though it is sly and subtle, the intention is palpable, the emotions elicited all too real, and ultimately, "Tyrel" proves to be a fascinating entry in his body of work.
AV Club
Vikram Murthi
Tyrel is essentially Microaggressions: The Movie.
indieWire
Eric Kohn
Tyrel is one of Silva's] less-adventurous offerings, but it still fits neatly into a career steeped in innovative explorations of human behavior
Rolling Stone
David Fear
Every time this fly-in-the-buttermilk scenario leans toward satire, it reminds you that you're really watching a horror movie.
Slant Magazine
Chuck Bowen
The film is invested with a visceral unease that cuts to the everyday heart of living in a fraught cultural mixing pot.
FilmWeek (KPCC - NPR Los Angeles)
Peter Rainer
Even though Jason Mitchell is quite strong... [Tyrel] goes in no direction at all.
Los Angeles Times
Robert Abele
Tyrel is a lab experiment with no insight into feelings of otherness beyond the blinding light directed at its wigged-out subject.
New York Magazine/Vulture
Emily Yoshida
Silva makes a chamber orchestra of unconscious prejudice and passive-aggression out of his all-bro ensemble, with Mitchell's performance as the violin solo at the center of it that grows from a tentative tremolo to lonesome wail.
TheWrap
Yolanda Machado
Rather than go all-in on exploring heavy issues regarding race, appropriation, depression, and anxiety, Silva chooses to teeter on the edge before letting the thought dissolve into nothing.
New York Times
Bilge Ebiri
The ecosystem of behaviors and attitudes on display is so unnervingly sharp that some of us may well find ourselves wincing in recognition.
National Newspaper Publishers Association
Dwight Brown
In this case however, it seems like the editors should get credit for fluffing up a series of dull sequences into a head-scratching but cohesive movie.
Slate
Aisha Harris
[Mitchell] lets you feel every humiliation and subsequent redemption while he's trapped in this dynamic.
Hollywood Reporter
John DeFore
Tyrel observes how wounds can fester, doing damage long after unaffected parties would have assumed everything was fine.
RogerEbert.com
Brian Tallerico
A film with a very off-the-cuff energy designed to make people uneasy but that doesn't amount to nearly enough in the end.
Vanity Fair
Jordan Hoffman
This is a fast and lean film, an absolute workout for its outstanding cast and a devilish roller coaster ride for audiences.
Variety
Dennis Harvey
Not an especially pointed commentary about race or anything else, this lively, unpleasant seriocomedy nonetheless does very well at capturing the queasiness of being alone and uneasy at a party you immediately know you won't fit into.
Film Inquiry
Maria Lattila
Tyrel works best as an examination of masculinity and race. It's fascinating and Silva is smart enough to let the camera just observe his subjects and let the audience make their own conclusions about what's unfolding on screen.
Spectrum Culture
Dominic Griffin
A real groaner masquerading as some kind of fascinating woke thriller.
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