Em Tuner, Niki, um jovem afinador de pianos com audição sobre-humana, vê o seu talento despertar o interesse de criminosos que encontram nos seus dons a ferramenta perfeita para abrir cofres. O que começa como uma oportunidade arrasta-o para uma vida cada vez mais perigosa.
Onde assistir Tuner - Ouvido Absoluto, Mão Leve
- Rick17 de maio de 2026Went cause I’m a Dolby whore, and today was the only chance to see this in that format. Ended up really enjoying the movie. Time flew by, plot was engaging, and it didn’t make the mistake of throwing in some huge action set piece towards the end, like so many movies in this style would be tempted to do. They were also passing out Dustin Hoffman bobble heads for some reason. So now I have one of those. 🤷♂️
- jackmeathá 4 diasMy quick rating - 6.7/10. Not sure I have watched a heist movie built around a profession that normally puts people to sleep. Up until now. Tuner takes piano tuning and somehow turns listening very, very carefully into one of the coolest criminal skills in recent memory. I figured I was in for a slow start as Niki (Leo Woodall) and Harry (the always exceptional Dustin Hoffman) made their rounds tuning pianos. Turns out, I was only a few scenes away from realizing that perfect pitch is apparently just one career change away from safecracking. The idea is absurd in a good way. Niki has hyperacusis, making him acutely sensitive to sound, yet rather than focusing on this being solely an inconvenience, Turner makes a weapon out of it. Now all those clicks, tumblers, and metal whispers within a safe become a composition waiting to be solved. Who knew all those years spent playing and listening to pianos would end up leading him into criminal activities? Somewhere, a locksmith is questioning every music lesson they skipped growing up. Director Daniel Roher manages to maintain a very tight pace. This movie never outstays its welcome and transitions from quiet moments with characters to scenes of robbery very fluidly. Another thing I should mention is the fantastic soundtrack, because it integrates well with what happens in the scenes and not just plays over it. When you combine this with superb editing and sound design, the safecracking scenes feel exciting without using explosions and gunfire. Perhaps the heroes of Tuner are the editors and sound department. The cast certainly does their part as well. Leo Woodall makes Niki an easy protagonist to root for, balancing awkward charm with growing confidence as his unusual talents pull him further into dangerous territory. Dustin Hoffman brings his experience to Harry, while Jean Reno feels perfectly cast as the intimidating Maestro, Marius Maissner. Havana Rose Liu also shares terrific chemistry with Woodall as Ruthie, giving the film enough heart to keep the criminal antics balanced. The ending lands with a funny payoff that had me legit smile. And the movie never takes itself so seriously that it forgets to have fun. This allows it to stand out as something other than yet another dark crime thriller. Baby Driver came to mind, and yes, there are similarities. Both movies have a young protagonist who succeeds in the crime world thanks to his special musical talent. Past that, though, they couldn't feel more different. Baby Driver relies on stylish action and high-speed car chases, while Tuner builds its thrills through meticulous editing, sound, and pacing. As much as I enjoyed Tuner, I do have one nagging criticism. I cannot help feeling that it is not something that will stick with me for long. It is a fun, clever movie with very strong performances and a brilliant twist at the core of it, but once it was over, it seemed like one of those movies that you will be happy to recommend. As you will most likely tell someone that it is the one with the piano tuner, that will help you to remember the title. Fortunately, I was entertained while I was watching it, and sometimes that's all a good heist movie really needs.
- Kevin Wardhá 6 diasThis was a really cool flick. A musical savant turned piano tuner finds his gifts and medical condition happen to make him particularly adept at safe-cracking. Really well composed film from a first time narrative film director. The sound design works really well to convey the aural sensations Niki (Leo Woodall) is experiencing. Loved a lot of the shot framing also feature a lot of architectural features. Think I would have liked to have spent more time with Niki and Harry (Dustin Hoffman) and their interactions. I liked their relationship the best. Woodall and Hoffman are both excellent. Also think it would have been cool to explore his musical abilities more. Once he turns to crime, the narrative leans heavy into the crime thriller element. These are nitpicks though. Really enjoyed this one. I could see myself rewatching this.
- UatuTheWatcherhá 6 diasBeautifully made but forgettable Just saw this at Sundance and I can see why it's a festival darling. Crisp direction, great cast, fantastic score, great cinematography and sound design, but ultimately - despite great performances, nothing sticks with you the moment the lights go up. The plot seems like it was assembled from various bits and pieces slammed together in an attempt to make sense. An ex-child prodigy pianist turns piano tuner, after suffering an auditory disease that makes his hearing too sensitive to play piano anymore - becomes an expert safe cracker virtually overnight. Umm, OK. I let that go and ultimately enjoyed the film, but - my litmus test: would I ever seek this film out to watch again? No - as I said - there was simply nothing to hold to when the lights when up. No moments to recall and ponder, no deeper meaning to reflect on - nothing. Just a paper thin plot with no real meat.
- EdmondZippo26 de junho de 2026Where I come from, they call this a five-star-three-star movie. A three-star banger. Absolute three-star cinema. Great time at the movies. Let me just ask this question. How does he clean his ears in the morning? What's the bespoke routine like? Yeah. Sometimes it's plot-y, sometimes it's vibe-y, but it's good all the time. Death and rebirth, but make it love, crime and music. Yes. Fuck yes. The movies!
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Tuner - Ouvido Absoluto, Mão Levefoi lançado em 21 de maio de 2026.
Tuner - Ouvido Absoluto, Mão Levefoi dirigido por Daniel Roher.
Tuner - Ouvido Absoluto, Mão Levetem a duração de 1 h 47 min.
Tuner - Ouvido Absoluto, Mão Levefoi produzido por Lila Yacoub, JoAnne Sellar, Teddy Schwarzman, Michael Heimler.
Em Tuner, Niki, um jovem afinador de pianos com audição sobre-humana, vê o seu talento despertar o interesse de criminosos que encontram nos seus dons a ferramenta perfeita para abrir cofres. O que começa como uma oportunidade arrasta-o para uma vida cada vez mais perigosa.
Os caracteres-chave em Tuner - Ouvido Absoluto, Mão Leve são Niki White (Leo Woodall), Ruthie Waymon (Havana Rose Liu), Harry Horowitz (Dustin Hoffman).
Tuner - Ouvido Absoluto, Mão Leve é avaliado M/12.
Tuner - Ouvido Absoluto, Mão Leve é um filme de Crime, Drama, Música.
Tuner - Ouvido Absoluto, Mão Leve tem uma classificação de audiência 9.4de 10.
Tuner - Ouvido Absoluto, Mão Leve teve um orçamento de US$ 7 mi.
Tuner - Ouvido Absoluto, Mão Leve fez US$ 1,9 mi na bilheteria.