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Too Late
2016 1h 48m Not Rated
Drama
,
Mystery
,
Crime
6.7
71%
61%
69%
Add to Watchlist
Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find.
More
Directed By
Dennis Hauck
Written By
Dennis Hauck
Studio
Foe Killer Films
Watch on these services
Rent $0.99
Buy $2.99
Cast of Too Late
John Hawkes
Mel Sampson
Vail Bloom
Janet Lyons
Joanna Cassidy
Eleanor Mahler
Jeff Fahey
Roger
Robert Forster
Gordy Lyons
Brett Jacobsen
Skippy Fontaine
Dichen Lachman
Jill
Dash Mihok
Jesse
Sydney Tamiia Poitier
Veronica
Crystal Reed
Dorothy Mahler
Rider Strong
Matthew
Natalie Zea
Mary Mahler
Helen Sadler
Girl on Balcony
Christopher Karl Johnson
Dead Park Ranger
David Yow
Arthur
Freddie Joe Farnsworth
Freddie
Sally Jaye
Herself
Monica Olive
Ticket Girl at Drive-In
J.R. Starr
Old Man at Drive-In
Madison Morris
Sampson's Imaginary Daughter
Alec Whitney
Hotel Bartender
Vanessa Sheri
Bikini Girl
Charlotte Catherine Barlow
Bikini Girl
Aly Trasher
Giddyup Girl
Sarah Andrianasolo
Bikini Girl
Too Late Reviews
Seattle Times
John Hartl
Almost any scene with Hawkes is alive and satisfyingly showy. You feel his absence when he isn't there, though Joanna Cassidy, Crystal Reed and Robert Forster all have their moments.
Boston Globe
Peter Keough
With "Too Late," Hauck confirms that he's a master of the film medium. What's less convincing is why this film matters.
RogerEbert.com
Glenn Kenny
As failures go, it's more interesting than most.
New York Post
Sara Stewart
The hyperverbal screenplay quickly grows tiresome, from the sub-"Pulp Fiction" prattle of two drug dealers (Dash Mihok and Rider Strong) to one act after another in which desperate women are preyed upon or saved by the men around them.
AV Club
Katie Rife
Hawkes is predictably adept as Sampson, a ferociously independent, glamorously grizzled private investigator who seems to have stepped straight out of the '70s.
Austin Chronicle
Marjorie Baumgarten
Dialogue ranges erratically between the delightfully hard-boiled to the awkwardly overcooked. In the end, Too Late's self-absorption becomes its overriding characteristic.
Slant Magazine
Kenji Fujishima
All the narrative hopscotching is little more than a superficial ploy to gussy up a clichéd redemption tale.
Chicago Reader
Leah Pickett
A stylized blend of classic film noir and New Hollywood pulp, this remarkable debut feature may grate on mainstream viewers with its affected drama and offbeat pacing, but cinephiles will be charmed.
San Francisco Chronicle
David Lewis
The puzzle pieces of Hauck's brain-teaser don't always come together perfectly, but there's no denying it's infectious fun.
New York Times
Ken Jaworowski
While it can be frustrating to see some filmmakers dash off copies of other movies, it's deeply enjoyable to find one who so appreciates his inspirations.
Variety
Dennis Harvey
A supremely self-conscious genre exercise in which character and emotional depth don't seem to be on the very meta menu.
Los Angeles Times
Gary Goldstein
A strangely involving, idiosyncratic masterwork that echoes the style of such filmmakers as Quentin Tarantino, Robert Altman and even Welcome to L.A.'s Alan Rudolph, while amusingly honoring classic detective movie tropes.
TheWrap
Robert Abele
Has its share of ill-conceived moments and amateurish filmmaking, but as a swing-for-the-fences effort with a smattering of genre charm, it fully earns its inevitable destiny as a midnight movie curio.
Village Voice
Michael Nordine
You've seen a lot of movies like Too Late, and yet you haven't.
Hollywood Reporter
Sheri Linden
Hauck's first feature can be suffocating. This narrative puzzle should be more fun than it is.
East Bay Express
Kelly Vance
It's all so random and cheeky that it's a type of perverse fun.
Killer Movie Reviews
Andrea Chase
a breathtakingly assured piece of storytelling done with visual poetry and haunting emotional resonance
Pittsburgh Post-Gazette
Barry Paris
With its self-conscious lighting, long zooms and tight focus, Bill Fernandez' old-fashioned photography superbly captures both the seedy and faux-glamorous vistas of LA.
Film School Rejects
Adam Charles
May be the best straightforward California-noir since Robert Altman's The Player.
We Got This Covered
Will Ashton
It might get a little smug and a wee bit pretentious, but Too Late is never less than impressive.
Watch Too Late Videos
Too Late
Too Late (Trailer 1)
Too Late (Trailer 2)
Too Late: Why 35mm (Featurette)
Too Late: Steadycam Handoff (Featurette)
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