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Third Person
Directed by
Paul Haggis
R
2013
2h 17m
Drama
,
Romance
6.3
25%
34%
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Three interlocking love stories involving three couples in three cities: Rome, Paris, and New York.
More
Where to Watch Third Person
Amazon Video
Buy $12.99
Rent $3.59
Apple TV
Buy $12.99
Rent $3.99
Fandango At Home
Buy $13.99
Rent $3.99
+3 more
Cast of Third Person
Liam Neeson
Michael
Mila Kunis
Julia
Adrien Brody
Sean
James Franco
Rick
Olivia Wilde
Anna
Maria Bello
Theresa
Kim Basinger
Elaine
Moran Atias
Monika
Michele Melega
Giorgio
Katy Louise Saunders
Gina
Loan Chabanol
Sam
Riccardo Scamarcio
Marco
Daniela Virgilio
Claire
Vinicio Marchioni
Carlo
Vincent Riotta
Gerry
Caroline Goodall
Dr. Gertner
Bob Messini
Giuseppe
Ilaria Genatiempo
Margaret
Emanuela Postacchini
Napolition Beauty
Gianni Franco
Taxi Driver (Rome)
Marius Bizău
Taxi Driver (Paris)
David Harewood
Jake
Fabrizio Biggio
Claude
Michael Margotta
Daniel
Third Person Ratings & Reviews
Newsday
Rafer Guzman
"Third Person" is such a solipsistic, navel-gazing creation that it seems to have barely made it out of Haggis' mind and onto the screen.
St. Louis Post-Dispatch
Calvin Wilson
"Third Person" doesn't lack for ambition, and it's nice to see Neeson in the kind of role that he excelled at before he morphed into an action star. But the film may have some folks wishing they'd bought a ticket to "Transformers 4" instead.
Detroit News
Tom Long
Even if the story begins to melt into itself, at the end it's still fascinating to watch Haggis move his players.
Seattle Times
Moira MacDonald
It's all, I'm sorry to say, a melodramatic slog.
Washington Post
Ann Hornaday
"Third Person" aims to be singular, but winds up being hoist on its own conceit: Fiction may not be real, but we're still supposed to believe at least a word of it.
Philadelphia Inquirer
Steven Rea
Third Person falls into a kind of fugue state. The lines between characters become blurred, their respective losses and heartbreaks dissolving into a melancholy vapor. Or vapidity. Take your pick.
Boston Globe
Ty Burr
"Third Person" staggers well over the two-hour mark only to self-destruct in a burst of overwrought cleverness.
Chicago Sun-Times
Bill Zwecker
Though Haggis has crafted an ambitious tale, it is way too complicated and convoluted.
Austin Chronicle
Josh Kupecki
Haggis is not a subtle filmmaker. He leaves no agency for the audience, and his facile construction of this story is condescending at best.
Chicago Reader
J. R. Jones
Trust is essential to any love relationship, writer-director Paul Haggis wants us to know, though he trusts us so little to grasp this theme ourselves that he makes his alter ego here, a world-weary novelist played by Liam Neeson, spell it out.
Denver Post
Sean Fitz-Gerald
Plumbing emotional depths, Haggis turns the characters' tribulations onto the viewer: If white is the color of trust -- as Neeson's author writes -- aren't we all a little gray?
Grantland
Wesley Morris
It makes sense that these people all seem puzzled. They're pieces.
San Francisco Chronicle
Mick LaSalle
"Third Person" is Paul Haggis' best movie, and the one he has been building toward for years.
Chicago Tribune
Michael Phillips
Writer-director Paul Haggis' exasperating multistory drama about how hard it is for a nice, quiet, sensitive guy to be left alone to write an exasperating multistory drama.
San Jose Mercury News
Randy Myers
Haggis has written and directed better films than "Third Person," and I bet he'll make even better ones in the future.
Christian Science Monitor
Peter Rainer
Another drama-orama that, like Crash, piles up stories that aren't all that much worth telling in the first place.
New York Magazine/Vulture
Bilge Ebiri
It's not so much that Paul Haggis is a bad filmmaker but that his talents seem so unsuited to what he apparently wants to do.
James on screenS
Caryn James
Does Haggis actually believe that this pretentious, simplistic film has any substance? An overwrought, vapid three-strand story, each thread more banal than the last.
RogerEbert.com
Susan Wloszczyna
The gimmick overwhelms the telling, causing us to expend too much energy into figuring out the connections between the characters instead of simply being drawn into their predicaments and empathizing with them.
Vanity Fair
Richard Lawson
The sense that the director has written himself into all this moodiness only adds to the silliness.
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