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The Wedding March
Directed by
Erich von Stroheim
Not Rated
1928
1h 49m
Drama
,
Romance
7.3
64%
79%
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A young impoverished aristocrat falls in love with an inn-keepers daughter, but has to marry money.
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Cast of The Wedding March
Erich von Stroheim
Nicki / Prince Nickolas / Director / Writer / Producer
Fay Wray
Mitzi / Mitzerl Schrammell
George Fawcett
le prince Ottokar
Maude George
la princesse Maria
Cesare Gravina
Martin Schrammell
Dale Fuller
Katerina Schrammel
Matthew Betz
Schani Eberle
Zasu Pitts
Cecelia Schweisser
George Nichols
The Industrialist
Hughie Mack
Johann Eberle - the Wine-grower
Sidney Bracey
Navratil
Anton Vaverka
Emperor Franz-Josef
Albert Conti
Imperial Guard
Claire Delmar
Noble Lady at Corpus Christi Mass
Ray Erlenborn
Altar Boy
Danny Hoy
Mountain Guide
Hans Joby
Imperial Guard
Tiny Jones
Small Woman at Corpus Christi Procession
Arthur Lubin
Mountain Guide
Ida May
Mme. Ernestine Schumann-Heink
Wilhelm von Brincken
Imperial Guard
Harry Carr
Writer
Pat Powers
Producer
The Wedding March Ratings & Reviews
LIFE
Robert E. Sherwood
All the absurdities in The Wedding March are typical of [von Stroheim,] who has in the past demonstrated a tendency to be a genius at one moment and an utter nit-wit at the next.
The Nation
Alexander Bakshy
[The Wedding March] is interesting only for its insistence on realistic detail -- an insistence so shrieking and sometimes so incongruous that it loses even the little virtue that one might be willing to concede it.
The New Yorker
John C. Mosher
From all this strife and toil, there comes forth at last a good picture, not perhaps so enthralling as Four Devils, or as ingenious as Lonesome, but one well worth seeing.
Combustible Celluloid
Jeffrey M. Anderson
The current school of critical thought is that 'The Wedding March' is a minor Stroheim effort, but I find it to be one of his most complete and most satisfying films.
TV Guide
An astonishing portrait of decadent Imperial Austria that's one of the greatest of all silent films, even in its butchered extant version.
The New Yorker
Richard Brody
As this extravagant, wickedly ironic 1928 melodrama shows, Erich von Stroheim was not only a supreme (if typecast) actor but one of the greatest silent-era directors.
Detroit Free Press
John Monaghan
One of the most eccentric and fascinating vanity projects in the history of film.
New York Times
Mordaunt Hall
Because of what they are called upon to do and not because of the performances of the players the characters are not much more human than a troupe of Robots.
Chicago Reader
Jonathan Rosenbaum
Even minor Stroheim is considerably better than most other filmmakers' major work.
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