

新世界
Directed by Terrence Malick故事发生在17世纪的北美大陆,尽管生存环境恶劣,资源稀缺,但世世代代生活在这里的印第安人仍然享受着延续了百年的宁静生活。然而,这样的生活伴随着来自西方文明世界的三艘小船的到来即将划上终点,103名英国水手来到了这片未经开垦的处女地,建设了他们的据点,在这里宣扬他们的宗教和文化。
“永恒苏珊”号的甲板上,一位名叫史密斯(柯林·法瑞尔 Colin Farrell 饰)的青年因为违抗军令而即将遭到处死,船长纽波特(克里斯托弗·普卢默 Christopher Plummer 饰)看中史密斯的精明强干,留下了他。一行人上岸驻扎,建立了詹姆斯镇,却在无意之中侵犯了酋长波瓦坦(欧琳卡·乔彻 Q'Orianka Kilcher 饰)的领地。之后,史密斯邂逅了酋长的女儿波卡洪塔斯(Q'orianka Kilcher 饰),两人之间产生了一段传奇的感情。
Where to Watch 新世界
新世界 Ratings & Reviews
- LivewireAdmin2025年9月6日Terrence Malick doesn’t just tell a story in The New World—he lets it breathe. This is cinema communicated through wind in the reeds, water on skin, the thrum of insects at dusk. Emmanuel Lubezki’s camera glides like a curious spirit, forever at the height of a gaze or a touch, catching the world in natural light that feels discovered rather than staged. The result is visual storytelling of rare purity: images that don’t illustrate dialogue; they are the dialogue. What astonishes, even on revisits, is how Malick composes meaning through movement and texture. The camera never announces itself; it simply finds the shot—faces half-in shadow, hands parting tall grass, the coming thunderstorm. Cuts arrive like changes in thought. Montages of water, trees, birds, and bodies build an interior language for characters who say little. When John Smith (Colin Farrell) first wanders the forest, we understand his wonder and fear because the frame is wide enough to swallow him and alive enough to whisper back. When Pocahontas (Q’orianka Kilcher) turns her face to the sun, her awakening is carried by the angle, the breeze, the color of the air. Producer Sarah Green has said Malick shot about one million feet of film over 17 weeks, Kilcher has stated it was double that. Malick’s voiceovers—often imitated, rarely matched—work here as breath between images. They don’t explain; they trace the contours of longing and doubt. James Horner’s aching score (braided with classical cues) deepens the film’s feeling of time unfolding, while the soundscape—bird calls, creaking hulls, the distant rush of water—places you inside a living world before history ossifies it. Performance-wise, the film is as delicate as its imagery. Kilcher is extraordinary, playing transformation without ever surrendering mystery; she makes curiosity, grief, and grace visible in posture and glance. Farrell’s Smith is a man undone by wonder, while Christian Bale’s measured gentleness as John Rolfe reframes love as steadiness rather than spark. Malick watches these people the way he watches rivers and trees: with attention, not judgment. Crucially, the movie’s visual language also articulates its ideas. The openness of the early New World—light, space, reciprocity—slowly tightens into grids and walls. London’s stone and smoke press inward; frames crowd; colors cool. Without a thesis statement, you feel the shift from encounter to enclosure, from possibility to possession. It’s a history lesson delivered as atmosphere. The New World is one of those rare films that can make your senses feel newly calibrated. It argues that seeing—truly seeing—is a moral act, and then it practices what it preaches. Every shot is purposeful yet weightless, every cut a thought, every sound a memory being made. If cinema is the art of sculpting time with light, this is a masterwork in the gallery. Letterboxd: FilmPhanPA
- Mike2024年10月11日A beautiful and trance-inducing film, focussed on the love between people and the love for nature, created by Terrence Malick "Mother, where do you live? In the sky? The clouds? The sea? Show me your face. Give me a sign. We rise... we rise. Afraid of myself. A god, he seems to me. What else is life but being near you? Do they suspect? Oh, to be given to you. You to me. I will be faithful to you. True. Two no more. One. One. I am... I am." The New World is another thought-provoking Terrence Malick film that I love for it’s philosophical and abstract aspects. His cinematography is yet again very dreamlike. These dreamlike visuals make you forget everything around you. They immerse you into the love between characters and the love between characters and nature. It’s not just the story, characters and underlying meaning that are interesting, but also the way these aspects connect with the slow moving and intimate nature shots. Combine this, with the beautiful score by James Horner and other classical composers, and you will have a piece of art that stimulates your visual and audible senses. This results in an deep connection with the characters, their choices and their love, during the film. All in a dreamlike experience. The arrival of the ships, seen from the point of view of the Native Americans, is one of the best cinematography I’ve ever seen. This camera position places the viewer into the perspective if the Native Americans, which lets you feel the mystery and fear these people felt looking at the massive ships invading their home. The camera pans through the woods, with Richard Wagner’s Das Rheingold Vorspiel starting in the background slowly getting louder and taking over, creating a beautiful and immersive scene. Letterboxd: Mike_v_E
新世界 Trivia
新世界 was released on 2005年12月25日.
新世界 was directed by Terrence Malick.
新世界 has a runtime of 2小时 31分钟.
新世界 was produced by Sarah Green.
故事发生在17世纪的北美大陆,尽管生存环境恶劣,资源稀缺,但世世代代生活在这里的印第安人仍然享受着延续了百年的宁静生活。然而,这样的生活伴随着来自西方文明世界的三艘小船的到来即将划上终点,103名英国水手来到了这片未经开垦的处女地,建设了他们的据点,在这里宣扬他们的宗教和文化。
“永恒苏珊”号的甲板上,一位名叫史密斯(柯林·法瑞尔 Colin Farrell 饰)的青年因为违抗军令而即将遭到处死,船长纽波特(克里斯托弗·普卢默 Christopher Plummer 饰)看中史密斯的精明强干,留下了他。一行人上岸驻扎,建立了詹姆斯镇,却在无意之中侵犯了酋长波瓦坦(欧琳卡·乔彻 Q'Orianka Kilcher 饰)的领地。之后,史密斯邂逅了酋长的女儿波卡洪塔斯(Q'orianka Kilcher 饰),两人之间产生了一段传奇的感情。
The key characters in 新世界 are Captain Smith (Colin Farrell), Pocahontas (Q'orianka Kilcher), Captain Newport (Christopher Plummer).
新世界 is rated PG-13.
新世界 is a 剧情, 历史, 爱情 film.
新世界 has an audience rating of 5.8 out of 10.
新世界 had a budget of US$3000万.
新世界 has made US$3050万 at the box office.

























