

O casamento de Joe e Angela está por um fio. Quando convidam os seus enigmáticos vizinhos do andar de cima para um jantar, a noite toma rumos inesperados.
Onde assistir O Convite
- cultfilmlikerhá 3 dias“I take it all back - we should invite more people over.” MUSIC BY BLOOD ORANGE!? SCREENPLAY BY RASHIDA JONES!?!? Sexy, funny, relatively thought-provoking - in other words, a good flick! There was a woman who laughed like a fucking chipmunk at everything and it dampened the experience just a bit lol reminded me of Jessica Gunning in Baby Reindeer 😱 or the Swedish waitress in Twin Peaks lmao Lots of sniffles in the audience at the end! Not me tho! Love is dead! ❤️ Penélope Cruz 🤝 Seth Rogen ❤️ 🍉 Free Palestine 🇵🇸 Currently Ranked #13/117 in 2026 Ranked Added to 24 Hour Movie People
- rg9400há 3 diasTypically, when someone is doing double duty as both a director and a star in a movie, one of the two roles struggles. In The Invite, Olivia Wilde manages to balance both responsibilities and somehow excels in each one. First off, the technical craft is a huge level up from Booksmart and Don't Worry Darling. The camerawork is phenomenal, with intentional angles and framing throughout. The way mirrors and windows are used not only to frame characters but as thematic motifs throughout the movie showcases how much care went into each scene. The trailer for the movie features some really clever cropping, and I initially was worried that this type of editing was only going to be used for the trailer. However, the movie also deploys this editing to further enhance both the character drama as well as the deeper ideas at play. In terms of acting, I think each member of the quartet does a great job. Seth Rogen is kind of playing himself, but it works within the context of the movie. Olivia Wilde is again the standout though, utilizing both her hands and her twitching eyes to great effect. I thought Edward Norton was also fantastic. Finally, the dialogue is extremely sharp. For a movie that features just four actors and a single location, the three core elements of directing, acting, and writing have to do the entirety of the work to keep the movie engaging. Because everything is paced so well and has a lot of thought put behind it, the movie never really slogs. It's also very funny, with multiple moments that made our theater break out into raucous laughter. With all of that said, this movie is really almost perfect. I say almost perfect because for some reason, I was underwhelmed by the ending. I've been trying to diagnose exactly why. I think part of it is that despite this incisive look into the relationship between Seth Rogen and Olivia Wilde's characters, I felt the movie didn't fully close the loop on Penelope Cruz and Edward Norton's character dynamics. It hinted at more depth there but didn't explore it fully to go beyond being a foil to the other couple. The other part is that the movie sort of just ends without really mining something truly insightful out of what happened in the past two hours. It's not a bad ending, but it feels a bit predictable and anticlimactic. I compare it to something like The Drama where I felt every plot detail on the micro and macro scale was being used to reinforce the ending scene. Here, I felt it didn't have the same cohesive message. Still, there's something to be said about an ending that isn't exactly satisfactory and feels messy for a topic like this. Even with that minor gripe, I think The Invite is an incredibly well-made movie that is genuinely funny, expertly paced, and a keen exploration of couple dynamics.
- Kevin Ward24 de maio de 2026The Invite, directed by Olivia Wilde, is a chamber piece starring Wilde herself alongside Seth Rogen, Penélope Cruz, and Edward Norton. Wilde and Rogen play a couple meandering through a sexless, resentment‑filled marriage. She spends her days remodeling their apartment, and on a whim decides to invite their upstairs neighbors to dinner. Wilde wants to apologize for the noise from the remodel, while Rogen wants to confront them about the provocative but disruptive noises they hear coming from upstairs. This confrontation becomes the catalyst for the couple to confront the shortcomings in their own marriage, their communication, their desires and the fractures in their relationship. The result is a riotously funny, beautifully acted character drama. Rogen is dependably funny, Cruz is as charming and seductive as ever, and Norton is fantastic. It’s been a while since I’ve seen him in such a substantial, dialogue‑driven role where you really get to watch him perform. But the revelation here is Wilde. She gives a beautifully vulnerable performance paired with sharp comedic timing and instincts. Shot sequentially, the cast spent significant time workshopping the material, and it shows. Each actor brings a real authenticity to their role. And the film ends on a lovely note, though, I suppose that might be open enough to invite interpretation. I’m honestly a little stunned by how much I loved this. Beautifully shot and framed, extremely well acted and incredibly funny. I was laughing throughout the length of the film. This was the SIFF closing night film, presented on a 35mm print with a post screening Q&A from Wilde. Both the print and Wilde were absolutely lovely.
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O Convitefoi lançado em 26 de junho de 2026.
O Convitefoi dirigido por Olivia Wilde.
O Convitetem a duração de 1 h 47 min.
O Convitefoi produzido por David Permut, Megan Ellison, Ben Browning.
O casamento de Joe e Angela está por um fio. Quando convidam os seus enigmáticos vizinhos do andar de cima para um jantar, a noite toma rumos inesperados.
Os caracteres-chave em O Convite são Joe (Seth Rogen), Angela (Olivia Wilde), Pina (Penélope Cruz).
O Convite é avaliado M/16.
O Convite é um filme de Comédia, Drama, Romance.
O Convite tem uma classificação de audiência 8.9de 10.
O Convite fez US$ 8,7 mi na bilheteria.

















