造梦之家
Directed by Steven Spielberg7.592%83%7.6
本片大致改编自斯皮尔伯格本人在二战后亚利桑那州的成长经历，讲述了一个名叫萨米·法贝尔曼的少年从七岁到十八岁的岁月。他偶然发现了一个震撼的家庭秘密，并在此过程中探索电影的力量如何帮助我们看清彼此，也看见真实的自己。
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造梦之家 Ratings & Reviews
- Abba2025年7月27日Honestly such a refreshing unique story, not usually my kinda movie, but Spielberg just has a way of drawing you into the world he creates.
- Joe G2025年12月5日Self indulgent. We cannot be objective reporters of our own lives, and this film is proof. It looks like a Spielberg film—formally impeccable, beautifully shot, and a masterclass in technique. No one needs film school as long as his films exist. But the story and subject matter are what make this fall short. The acting and writing lean into melodrama, and while the timeline may be accurate, much of it feels pointless and tailored for a very small audience: the Spielbergs themselves. The film repeatedly asks for emotional investment without giving a reason beyond its autobiographical roots. The line “Guilt is a waste of emotion” is framed as a moment of deep insight, yet coming from a character hovering at the edge of adultery, it becomes an example of the film’s lack of self-awareness. It highlights why this story, presented as universally meaningful, does not resonate beyond its intended circle. A technically flawless film built on material that never earns its importance.
- jackmeat2025年11月24日My quick rating - 7.4/10. Time to hit another best picture nominee. Such a great story of a child's journey to becoming a renowned director. The movie itself is a semi-biographical tale of how Steven Spielberg became the influential artist we all know him to be. I have to admit that he is easily one of the biggest influences on my love for film, and I am sure many in my age group feel the same. So the chance to take a look at what shaped his incredible vision was a movie that immediately hit my radar. There is a lot to unpack here if you want to break down the whole thing, but I haven't been using my reviews for that. I merely want to quickly point out what you need to know. I thought Gabriel LaBelle did a fantastic job as Sammie Fabelman, the lead and basically the character of Spielberg. There are some scenes in this one since it isn't all superheroes and sea monsters, but it does deal with some real-life family issues, and he was able to capture the emotions of them very well. Also, I thought Judd Hirsch nailed his spot as the Uncle who understands the trials and tribulations of being a true "artist" and how it can divide you between what you want to do and what you have to do in life. I have to admire the stories that were told, which I am sure are rooted in real-life experience. Each part was just used to weave that fabric from his first experience with an actual big screen attraction to his desire to truly understand how it works, and in doing so, how he can manipulate those things to entertain the audience. However, I did feel like this story dragged on for too long. It was made so damn well, but told so little about what really drove him to become the icon he is. Yes, there are plenty of tidbits along the way, but I never felt I got the whole story. I kind of chuckled at the end and said aloud, "Knowing him, this is probably leading up to a sequel." Still, even with my gripes, I still think it is an outstanding flick that really shines. I just wonder if this was to tell his story or something of a bit of revenge against the bully and homewrecker from his past.
- A2025年9月13日Really fun movie, but I don’t understand the dead mom phone call or the uncle appearance that went nowhere.
- Kevin Ward2025年7月5日Spielberg is the 🐐in my opinion. I’m a huge fan of the way he moves the camera and finds ways to make a shot interesting. One in particular stuck out. A really small moment where Mitzi, (Michelle Williams) is practicing piano, but the camera movement captures 4 different interesting shots/angles and ends on a low angle shot looking up at Mitzi’s hands on the keys and capturing her face in the reflection on the front of the piano. Spielberg’s films are typically filled with this kind of dynamic camerawork, not only in the action set-pieces, but also in these smaller moments. My love of his interesting camera work also happens to make that last cameo and that final shot so resonant. I really loved all of the stuff showing him as a young filmmaker, as well as all of the tricks he came up with to simulate explosions, live gunfire, etc. I spent a fair amount of time making home movies as kid with friends and family. That kind of ingenuity and problem solving—figuring out how to capture that shot that you want in camera—were some of the most fun and rewarding parts of the whole experience. As for the rest of the film, I really like Gabriel LaBelle. He was excellent as Sam (our stand in for Spielberg himself). I really liked the scene with Judd Hirsch as his scene with LaBelle felt like the central thesis of the film. “Art will give you crowns in heaven and laurels on Earth, but also, it will tear your heart out.” When it comes to The Fabelmans, it pains me to say that that is kind of the extent of what I loved about it. Didn’t care much for the depictions of the familial drama, nor his relationship with his christ loving girlfriend. I came in expecting to really love this, so maybe expectations got the best of me. I’ll put on my re-watch list because clearly, I’m in the minority. Still a recommendation, especially for Spielberg enthusiasts.
- Tom2024年10月26日Great movie. Much enjoy.
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造梦之家 Trivia
造梦之家 was released on 2022年11月23日.
造梦之家 was directed by Steven Spielberg.
造梦之家 has a runtime of 2小时 31分钟.
造梦之家 was produced by Tony Kushner, Kristie Macosko Krieger, Steven Spielberg.
本片大致改编自斯皮尔伯格本人在二战后亚利桑那州的成长经历，讲述了一个名叫萨米·法贝尔曼的少年从七岁到十八岁的岁月。他偶然发现了一个震撼的家庭秘密，并在此过程中探索电影的力量如何帮助我们看清彼此，也看见真实的自己。
The key characters in 造梦之家 are Mitzi Fabelman (Michelle Williams), Burt Fabelman (Paul Dano), Benny Loewy (Seth Rogen).
造梦之家 is rated PG-13.
造梦之家 is a 剧情 film.
造梦之家 has an audience rating of 8.3 out of 10.
造梦之家 had a budget of US$4000万.
造梦之家 has made US$4563万 at the box office.