Steven Spielberg wraca do czasów swojego dzieciństwa, by opowiedzieć o dorastaniu Sammy’ego Fabelmana, wrażliwego nastolatka, wielkiego miłośnika kina i poczatkującego filmowca. Sammy przypadkiem poznaje dramatyczną rodzinną tajemnicę i odkrywa przy okazji, że kino w niezwykły sposób pomaga nam odkrywać prawdę o naszych bliskich i o nas samych.
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- James Saenz9 czerwca 2026“i made you look like you could fly.” “but i can’t fly. i can outrun any guy in santa clara county, and i worked real hard to do that. but you, you make me feel like i’m some kinda failure, or a phony, or- or like i’m supposed to be some guy i’m never gonna be, not even in my dreams. you took that guy - whoever he is, wherever you got him from - and you put him up there on that screen and told everyone- everyone that that’s me! and that’s not me!” the truth of the story only exists in the words of the speaker. the narrative of the film is what the director chooses it to be, cutting and curating events until they’re laid out in a structure that’s presented to the public. and even then, the way the audience perceives that story - the way the audience perceives that film - is wholly out of the artist’s control. the confrontation between sam and logan is incredible for its acknowledgement of this concept, and along with the final shot as sam leaves john ford’s office, it reframes the entire text of the film. yes, the film exists as a melancholy reflection on formative moments in both childhood and artistry, but it’s also the story the way spielberg chooses to tell it; it’s his life spelled out in a way that he feels comfortable sharing with the world, and perhaps the way he wishes to remember it. what could have easily come across as a self-aggrandizing memoir instead calls into question the selfishness of pursuing art, and the unexpected consequences that come from the sharing of it. yes, beautiful things come of it, but there are costs not just in personal relationships, but the mere perception of reality. it’s both uplifting in moments where you can feel the magic of film, and soberingly morose in moments of confrontation, like sam’s conversation with his sister after their parents announce their divorce. so many moments like that stuck with me throughout this film. p.s. david lynch as john ford is the best part of the film. i just know he had a blast eating cheetos between takes.
- Davey’s Wonderful World16 czerwca 2026This is one of my top 15 favorite films of all time It is an absolute masterpiece  The first thing that I love about this film is that it’s a raw heartfelt love letter to the art of filmmaking and the love of filmmaking in general since Sammy wants to become a filmmaker and goes through the hardships of it all happening, and puts his all into making these films as good as possible, and I just really admire that. The performances in this movie are also amazing. My favorites being Paul Dano and Michelle Williams. Plus this is also a raw brutally honest portrayal of Steven Spielberg‘s life through many of these characters as it’s shows the derailment of a dysfunctional family and it’s just so emotionally raw. I just can’t get enough of this film. I love it the more and more I watch it ❤️❤️ 9.5/10
- Kevin Ward5 lipca 2025Spielberg is the 🐐in my opinion. I’m a huge fan of the way he moves the camera and finds ways to make a shot interesting. One in particular stuck out. A really small moment where Mitzi, (Michelle Williams) is practicing piano, but the camera movement captures 4 different interesting shots/angles and ends on a low angle shot looking up at Mitzi’s hands on the keys and capturing her face in the reflection on the front of the piano. Spielberg’s films are typically filled with this kind of dynamic camerawork, not only in the action set-pieces, but also in these smaller moments. My love of his interesting camera work also happens to make that last cameo and that final shot so resonant. I really loved all of the stuff showing him as a young filmmaker, as well as all of the tricks he came up with to simulate explosions, live gunfire, etc. I spent a fair amount of time making home movies as kid with friends and family. That kind of ingenuity and problem solving—figuring out how to capture that shot that you want in camera—were some of the most fun and rewarding parts of the whole experience. As for the rest of the film, I really like Gabriel LaBelle. He was excellent as Sam (our stand in for Spielberg himself). I really liked the scene with Judd Hirsch as his scene with LaBelle felt like the central thesis of the film. “Art will give you crowns in heaven and laurels on Earth, but also, it will tear your heart out.” When it comes to The Fabelmans, it pains me to say that that is kind of the extent of what I loved about it. Didn’t care much for the depictions of the familial drama, nor his relationship with his christ loving girlfriend. I came in expecting to really love this, so maybe expectations got the best of me. I’ll put on my re-watch list because clearly, I’m in the minority. Still a recommendation, especially for Spielberg enthusiasts.
- Joe G5 grudnia 2025Self indulgent. We cannot be objective reporters of our own lives, and this film is proof. It looks like a Spielberg film—formally impeccable, beautifully shot, and a masterclass in technique. No one needs film school as long as his films exist. But the story and subject matter are what make this fall short. The acting and writing lean into melodrama, and while the timeline may be accurate, much of it feels pointless and tailored for a very small audience: the Spielbergs themselves. The film repeatedly asks for emotional investment without giving a reason beyond its autobiographical roots. The line “Guilt is a waste of emotion” is framed as a moment of deep insight, yet coming from a character hovering at the edge of adultery, it becomes an example of the film’s lack of self-awareness. It highlights why this story, presented as universally meaningful, does not resonate beyond its intended circle. A technically flawless film built on material that never earns its importance.
- jackmeat24 listopada 2025My quick rating - 7.4/10. Time to hit another best picture nominee. Such a great story of a child's journey to becoming a renowned director. The movie itself is a semi-biographical tale of how Steven Spielberg became the influential artist we all know him to be. I have to admit that he is easily one of the biggest influences on my love for film, and I am sure many in my age group feel the same. So the chance to take a look at what shaped his incredible vision was a movie that immediately hit my radar. There is a lot to unpack here if you want to break down the whole thing, but I haven't been using my reviews for that. I merely want to quickly point out what you need to know. I thought Gabriel LaBelle did a fantastic job as Sammie Fabelman, the lead and basically the character of Spielberg. There are some scenes in this one since it isn't all superheroes and sea monsters, but it does deal with some real-life family issues, and he was able to capture the emotions of them very well. Also, I thought Judd Hirsch nailed his spot as the Uncle who understands the trials and tribulations of being a true "artist" and how it can divide you between what you want to do and what you have to do in life. I have to admire the stories that were told, which I am sure are rooted in real-life experience. Each part was just used to weave that fabric from his first experience with an actual big screen attraction to his desire to truly understand how it works, and in doing so, how he can manipulate those things to entertain the audience. However, I did feel like this story dragged on for too long. It was made so damn well, but told so little about what really drove him to become the icon he is. Yes, there are plenty of tidbits along the way, but I never felt I got the whole story. I kind of chuckled at the end and said aloud, "Knowing him, this is probably leading up to a sequel." Still, even with my gripes, I still think it is an outstanding flick that really shines. I just wonder if this was to tell his story or something of a bit of revenge against the bully and homewrecker from his past.
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Fabelmanowie was released on 23 listopada 2022.
Fabelmanowie was directed by Steven Spielberg.
Fabelmanowie has a runtime of 2 h 31 min.
Fabelmanowie was produced by Tony Kushner, Kristie Macosko Krieger, Steven Spielberg.
Steven Spielberg wraca do czasów swojego dzieciństwa, by opowiedzieć o dorastaniu Sammy’ego Fabelmana, wrażliwego nastolatka, wielkiego miłośnika kina i poczatkującego filmowca. Sammy przypadkiem poznaje dramatyczną rodzinną tajemnicę i odkrywa przy okazji, że kino w niezwykły sposób pomaga nam odkrywać prawdę o naszych bliskich i o nas samych.
The key characters in Fabelmanowie are Mitzi Fabelman (Michelle Williams), Burt Fabelman (Paul Dano), Benny Loewy (Seth Rogen).
Fabelmanowie is rated 12.
Fabelmanowie is a Dramat, Biography film.
Fabelmanowie has an audience rating of 8.3 out of 10.
Fabelmanowie had a budget of 40 mln USD.
Fabelmanowie has made 45,6 mln USD at the box office.