1965    1t, 36mDrama
7.67.1
Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand.
Regissert av Leon Hirszman

Hvor å se The Deceased

  • Fernanda MontenegroZulmira
  • Ivan CândidoToninho
  • Nelson XavierTimbira
  • Paulo GracindoJoão Guimarães Pimentel
  • Dinorah Brillanti
  • Joel Barcellos
  • Hugo Carvana
  • Vanda LacerdaMadame Crisálida
  • Virgínia Valle
  • Waldir Onofre
  • José MedeirosDirector Of Photography
  • Glória Ladany
  • Wilmar MenezesProduksjonsleder
  • Lucy Costa
  • Zé Keti
  • Joffre RodriguesProdusent
  • Billy DavisEksekutiv produsent
  • Lurdes Freitas
  • Oswaldo Ferreira
  • Otolindo Lopes
  • Ravi Oliveira-3 d.
    Synopsis: Zulmira is a woman who lives a simple and miserable life in a suburb of Rio de Janeiro. Despite all the hardships she faces, she dreams of having a luxurious funeral. However, upon learning that she is in good health, she is devastated and dies of tuberculosis. To fulfill her dream, her husband asks Guimarães, the richest man in the neighborhood, for money. Guimarães refuses to pay and reveals that he had an affair with the deceased, unaware that he is speaking to the widower. The husband, enraged, then begins to blackmail Guimarães. Review: "A Falecida" (The Deceased), directed by Leon Hirszman and released in 1965, is a masterpiece of Brazilian cinema that combines social criticism with a touching and engaging narrative. The film is based on the play of the same name by Nelson Rodrigues and stands out for its emotional depth and its audacious approach to themes such as love, jealousy, and betrayal. One of the main qualities of the work is its ability to capture the complexity of human nature. The protagonist, Zulmira, masterfully portrayed by Fernanda Montenegro, is a woman who experiences the dilemmas of passion and loneliness. Her performance is full of nuances, expressing the vulnerability and strength of her character, resulting in instant audience identification. The film's cinematography is another strong point. Hirszman uses angles and lighting that accentuate the dark and melancholic atmosphere of the narrative. The visual choices not only embellish the work but also reinforce the feelings of despair and longing present in the plot. The art direction and costumes complement this environment, immersing the viewer in 1960s Brazil, with its social dualities. Furthermore, the soundtrack is carefully crafted, creating an atmosphere that enhances the emotions experienced by the characters. The music, along with Nelson Rodrigues' sharp and ironic dialogue, adds a layer of depth that enriches the cinematic experience. Another aspect that deserves highlighting is the implicit social critique in the plot. The film addresses issues such as the hypocrisy of social conventions and the role of women in society at the time, reflecting a historical context that still resonates today. In short, "A Falecida" is a timeless film, combining a captivating narrative with a critical analysis of the human condition. It is an essential work for anyone wishing to understand not only Brazilian cinema, but also society and its complexities. A true gem that continues to fascinate and inspire new generations.
  • Steve Garden29. april 2025
    This strange, brilliant film is a subtly damning depiction of oppression, rich in Buñuelian echoes. The filmmakers used the unhinged condition of the central character to fashion a film with a subtext critical of the damaging twin deceptions of religion and economic deprivation.

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